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Reg Dodd grew up at Finniss Springs, on striking desert country bordering South Australia's Lake Eyre. For the Arabunna and for many other Aboriginal people, Finniss Springs has been a homeland and a refuge. It has also been a cattle station, an Aboriginal mission, a battlefield, a place of learning, and a living museum. With his long-time friend and filmmaker Malcolm McKinnon, Dodd reflects on his upbringing in a cross-cultural environment that defied social conventions of the time. They also write candidly about the tensions surrounding power, authority, and Indigenous knowledge that have defined the recent decades of this resource-rich area. Talking Sideways is part history, part memoir, and part cultural road-map. Together, Dodd and McKinnon reveal the unique history of this extraordinary place and share their concerns and their hopes for its future.
A girl navigates the chaos of eighth grade while handling a family tragedy in this funny and honest novel by the author of Drums, Girls, and Dangerous Pie. Claire’s life is a joke . . . but she’s not laughing. While her friends seem to be leaping forward, she's dancing in the same place. The mean girls at school are living up to their mean name, and there’s a boy, Ryder, who’s just as bad, if not worse. And at home, nobody’s really listening to her—if anything, they seem to be more in on the joke than she is. Then into all of this (not-very-funny-to-Claire) comedy comes something intense and tragic—while her dad is talking to her at the kitchen table, he falls over with a medical emergency. Suddenly the joke has become very serious—and the only way Claire, her family, and her friends are going to get through it is if they can find a way to make it funny again. Praise for Falling Over Sideways “It’s a powerful and profound look at a family coping with unexpected change.” —Publishers Weekly, starred review “Authentic, funny, dramatic, fantastic.” —Kirkus Reviews “[Sonnenblick]does an exceedingly good job developing his adolescent characters . . . I would highly recommend this novel for any collection serving a middle school audience.” —School Library Journal
Philosopher, cultural critic, and agent provocateur Zizek constructs a fascinating new framework to look at the forces of violence in the world.
Write About Dogs is not just another guy and his dog book. No, this novel is about science and love and spiritual understanding and yes, a beautiful dog, unfortunately deceased, a beautiful woman, gone too, a crabby school teacher, multiple breaches of faith, this guy, another guy who hates this guy, oh, and both their fathers as well, the whole lot of them, all mixed up and personally involved. This book has ideas about marriage, large animals, and inner peace. Woven through and bound up with lies and deceit, the story is first forgotten, then recounted, then changed, and finally a brand new completely made up story put in its place. Along the way there is some frank discussion, room for error, and more than a few laughs. In the end, everyone lives happily ever after.
A very engrossing tale set during the British era. It is a fast moving narrative with humour and anecdotes of the Indian subcontinent and the British ruling class. The story revolves around an innocent heist carried out by a group of simple Indian soldiers to save their honour and in so doing a real life hero emerges who leads an attack successfully during World War II and puts an entire beach, in Indonesia, in the laps of his English masters. After the war he sweeps an heiress, who is a surviving passenger of the ill fated HMS Titanic, off her feet and into his arms. The misdemeanour enacted by the soldiers remains ensconced in secrecy for a decade and half. However, due to a string of circumstances, the perpetuaters are cajoled into revealing the misdeed during a drinking binge in a grand hotel setting in New Delhi ten years after India's independence in a chance encounter with their erstwhile pre-independence British officers. Since the mystery is revealed only in the last few pages of the book, the reader remains rivetted to the novel and is kept spellbound through out.
With the success of the widely acclaimed first volume of this series (Success and Pitfalls of IT Management), comes the second volume, Organizational Achievement and Failure in Information Technology Management. This book is a collection real-life cases that focus on both achievements attained with the successful utilization of information technology as well as failures suffered as a result of substandard use and management of IT resources in organizations. Cases deal with issues that affect a wide variety of organizations--large and small businesses, government organizations and educational institutions.This book also appeared as the journal, Annals of Cases on Information Technology: Applications and Management in Organizations, Volume 2.
Upon its release in 1960, Alfred Hitchcock's Psycho divided critical opinion, with several leading film critics condemning Hitchcock's apparent encouragement of the audience's identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho's box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition. In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at 'Psycho' as the culmination of Durgnat's decades-long campaign to correct what he called film studies' 'Grand Error'. In the course of expounding Durgnat's root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat's mentor Thorold Dickinson. The book's story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.
“Asim has given us a book that is at once entertaining and evocative of a moment that truly was a turning point in black and American history.” —Chicago Tribune Jabari Asim’s debut novel returns readers to Gateway City, the fictional Midwestern city first explored in his acclaimed short story collection, Taste of Honey. Against a 1970s backdrop of rapid social and political change, Only the Strong portrays the challenges and rewards of love in a quintessential American community where heartbreak and violence are seldom far away. Moved by the death of Martin Luther King Jr., Lorenzo “Guts” Tolliver decides to abandon his career as a professional leg-breaker and pursue a life of quiet moments and generous helpings of banana pudding in the company of his new, sensuous lover. His erstwhile boss, local kingpin Ananias Goode, is also thinking about slowing down—but his tempestuous affair with Dr. Artinces Noel, a prominent pediatrician, complicates his retirement plans. Meanwhile, Charlotte Divine, the doctor’s headstrong protégée, struggles with trials of her own. With prose that’s sharp, humorous, and poetic, Asim skillfully renders a compelling portrait of urban life in the wake of the last major civil-rights bill. Massive change is afoot in America, and these characters have front-row seats. “[A] heartfelt, polyphonic ode to 1970s black America.” —The Wall Street Journal “Captivating.” —Jane Ciabattari, NPR Book Concierge: Best Books of 2015 “Incomparable charisma and verve.” —The Root, Best Fiction of 2015 “Lean, mean, and moving.” —Kirkus Reviews, Kirkus Prize nominee “Thoroughly entertaining and stylish . . . deserves favorable comparison to the works of Chester Himes and Walter Mosley.” —Publishers Weekly, starred review
The good guy just cant get it right. He searches for love in all the wrong places. He goes from woman to woman, looking for any type of connection. The young lamb seems to find serious problems dealing with the different women that come across his path. His first true love and his daughters mother, Jada, hopes that she can patch things back together with him. Will she be able to capture the good guy again before he goes bad, after he became a womanizer, fighting over the females that show him special attention that he cant be still long enough to stay focus? Will Lagant hold on to his first love after he has a taste of freedom, living the single life again, or is he off to the races running wild? The navy is soon to release Lagant from his military duties because of medical reason. Lagant is feeling pressured on how he would survive and support his daughter when all he knows is the military, which he joined straight out of high school. The young lamb starts to lose more of his innocence. He thinks about following the path of what he knows of his unknown father and older brother, making fast money, but he needs a team. He reunites with two of his younger cousins from Newark, New Jersey, who are thug out and into the street life. Lagant puts a plan together that he thinks would work, or would it lead him to jail or death?