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'Talking Movies' is a collection of interviews with some of the most audacious and respected contemporary filmmakers of the present generation.
A veteran film critic offers a lively, opinionated guide to thinking and talking about movies -- from Casablanca to Clueless Whether we are trying to impress a date after an art house film screening or discussing Oscar nominations among friends, we all need ways to look at and talk about movies. But with so much variety between an Alfred Hitchcock thriller and a Nora Ephron romantic comedy, how can everyday viewers determine what makes a good movie? In Talking Pictures, veteran film critic Ann Hornaday walks us through the production of a typical movie -- from script and casting to final sound edit -- and explains how to evaluate each piece of the process. How do we know if a film has been well-written, above and beyond snappy dialogue? What constitutes a great screen performance? What goes into praiseworthy cinematography, editing, and sound design? And what does a director really do? In a new epilogue, Hornaday addresses important questions of representation in film and the industry and how this can, and should, effect a movie-watching experience. Full of engaging anecdotes and interviews with actors and filmmakers, Talking Pictures will help us see movies in a whole new light-not just as fans, but as film critics in our own right.
In this acclaimed book, DiBattista paints vivid portraits of the grandest fast-talking dames of the 1930s and 1940s movie era including Katharine Hepburn, Irene Dunne, and Barbara Stanwyck. 39 illustrations.
In his most inventive exploration of the medium yet, David Thomson—one of our most provocative authorities on all things cinema—shows us how to get more out of watching any movie. Guiding us through each element of the viewing experience, considering the significance of everything from what we see and hear on-screen—actors, shots, cuts, dialogue, music—to the specifics of how, where, and with whom we do the viewing, Thomson explicates the movie watching experience with his customary candor and wit. Delivering keen analyses of films ranging from Citizen Kane to 12 Years a Slave, in How to Watch a Movie, Thomson shows moviegoers how to more deeply appreciate both the artistry and the manipulation of film—and in so doing enriches our viewing experience immensely.
Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. He expounds on his central concerns - how film can "resurrect the past," the role of rhythm in film, and how cinema can be an "art that thinks." Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history. --
"Man, I've seen, believe it or not, a head-on accident in the parking lot of a Macy's sale. What do they have, those white sales, is that what they have? The parking lot was completely barren except these two cars that hit each other head on. This little old lady and some other idiot. How do you do that?! A barren parking lot! Completely empty, morning, nobody there, and somehow they managed to hit each other head on. Well, it was just enough trauma to kill her, you know? Barely any damage but, you know, a little old lady driving a big car, a big old gnarly steering wheel and that's enough to kill an elderly person and stuff ." As they race to and from emergency calls, as they wait and watch, and as they administer aid to the traumatized, paramedics tell stories. Their tales disclose much about how they view their own profession. Their duties are much more complex than the dramatic portrayals that reach the living room via the television screen. This book reports what really goes on behind the scenes. The reader of Talking Trauma has a virtual front seat in the ambulance. Here the focus is not on the mechanics of the job but rather on paramedics' work culture and their well-established storytelling tradition. The stories they tell are cynical, flip, and profane--the very antithesis of "heroic" in the romantic sense. Their narratives evince an "anti-epic" quality that intentionally trivializes the conventional immensities of pain and horror. Paramedics present the gothic as "business as usual," and mainly their stories are intended only for the ears of other paramedics. Their stories afford a shocking glimpse into a chaotic urban underworld where prostitution, drug abuse, assault, and murder are daily fare. Outsiders may expect their tales to be only about horrific mutilation and death. However compelling such topics may be to the layperson, the actual repertory is most often commentary on personal experience and revelation of the "why" behind the stories paramedics tell. Talking Trauma provides an intimate look into a work culture deliberately kept hidden from public view. It is not centered on individuals the public may stereotype as streetwise, hardened caregivers but upon the stories of self-presentation by which paramedics structure past events to fit into their identity. This fascinating book reveals how storytelling equips these professionals to exert control over chaos and to withstand encounters with suffering, death, and mayhem on a daily basis. At the University of California, Los Angeles, Timothy R. Tangherlini is an assistant professor in the Scandinavian Section and affiliated with the Folklore and Mythology Program.
In this ebook exclusive, Boston Globe film critic Ty Burr introduces the fifty films every movie lover must know. This carefully curated list of great movies spans over a century of filmmaking, from the silent era to the last decade, from American favorites to international classics. Including recognized masterpieces such as "City Lights" and "Casablanca," as well as more recent movies like "Aliens" and "Fight Club," Burr has given readers what is essentially an engaging, accessible Film 101 class. Short entries discuss the significance of each movie, the reason for its greatness, and why it has become a part of our shared culture of movie-making. He also includes suggestions for further viewing, delving deeper into the works of featured directors like Hitchcock, Fellini, Sturges, and Kurosawa. In a media environment that gives endless entertainment options—including an intimidating amount of medicore films—Ty Burr has written an expert guide to the movies that are guaranteed to please readers, and increase their cinematic knowledge. It is a perfect book for movie-lovers who are just getting acquainted with the immense catalog of great cinema available to us today.
Perfect for stimulating open discussion between parent and child, this warm and insightful guide uses movies as a vehicle for discussing sensitive issues with children aged 5 through 15. Combining the insight of a family therapist with the savvy of an expert in American film, Talking Pictures helps address difficult questions about divorce, marriage, family, love, gender identity, social ethics, separation and loss, friendship, death, illness, substance abuse, and more. Divided into four age ranges to ensure that films and topics are age-appropriate, the book offers pointers for starting discussion, conversational techniques to draw out the most recalcitrant child, and suggested films to watch together, all of them widely available at video rental outlets. Dr. Ronald Madison is a psychologist who has worked with families for more than 25 years, using film as a therapeutic tool for communication. Corey Schmidt is a freelance writer and film enthusiast.