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A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?
Journalists have often put themselves in danger to convey crucial information to the public. Many journalists have even died doing their jobs, investigating crimes or traveling to battle zones--and sometimes documenting events in their own communities. Recently, reporters have been assaulted, mocked and silenced, their reports dubbed "fake news" and them, "enemies of the people." A free press is one of the country's most reliable foundations for ensuring a democracy for current and future generations. With a focus on American journalism, this book tackles issues affecting today's news through profiling journalists killed on the job, whether from violent conspiracy, terrorism or mass shootings.
Someone is murdering guests on Penny Wickens' daytime talk show and it's now becoming a problem scheduling new guests. Who wants to be next? Penny and Jim have returned from their mystery writers cruise and Penny has settled back into her duties as America's favorite talk show host. When the first guest turns up dead that's not good, but then the next two end up dead, that's cause for concern. Penny turns to Jim for help since the police aren't getting anywhere on the case. Jim must find the killer before the network pulls the plug on Penny's show, even though her ratings are going through the roof, America wants to see who will die next. Jim, along with Buck, goes on a quest to find the killer but they don't realize that when he runs out of guests to kill, will he go after the hostess? On the side, Earl Daws has quit his job as homicide detective for the Detroit police and has gotten his private investigator's license then convinces Jim to let him join Jim's firm. Jim agrees and sends Earl on a case of a missing wife. Did the husband do away with her and is asking for help to cover the crime, that's for Earl to find out. Action and murder in this tenth novel of the Jim Richards series of murder novels.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
A history of the police drama Dragnet and its creator and producer Jack Webb, from its beginnings as a successful radio show to its acclaimed run on television in the 1950s and later color version in the 1960s.
Stop the pain of the past and be protected from the pain of the future. This paradigm-shattering book will free you from the forces that would turn you into a victim.
REDISCOVER A CHILDREN’S CLASSIC: An updated edition of the enchantingly spooky animal fantasy for middle grade fans of Redwall—now updated with 60+ stunning new illustrations. Join power-hungry rats, nature-loving mice, and mystical bats on a second Deptford Mice adventure in the magical sewers under London! Enter the fantastical world of adventure with the Deptford Mice. They bring a magical and fearsome world to life, with intense and memorable creatures. They are dark and scary fantasy writing of the very highest level, an absolute treat for young readers eager to enter an adventure that offers an honest and brutal reality without being unnecessarily gory. They are addictive and thrilling and don’t shy away from the grisly moments, but offer something the author aptly calls “a safe scare”. A perfect series to get immersed in and a much-needed addition for the current market, which tends to lean towards either forced happy endings or too much adult content. Strong writing that will be appreciated by this age group eager for an immersive story.
Soon after Gwenda moved into her new home, odd things started to happen. Despite her best efforts to modernize the house, she only succeeded in dredging up its past. Worse, she felt an irrational sense of terror every time she climbed the stairs. In fear, Gwenda turned to Miss Marple to exorcise her ghosts. Between them, they were to solve a “perfect” crime committed many years before.
The free-standing radios of the middle decades of the 20th century were invitingly rotund and proudly displayed--nothing like today's skinny televisions hidden inside "entertainment centers." Radios were the hub of the family's after-dinner activities, and children and adults gorged themselves on western-adventure series like "The Lone Ranger," police dramas such as "Calling All Cars," and the varied offerings of "The Cavalcade of America." Shows often aired two or three times a week, and many programs were broadcast for more than a decade, comprising hundreds of episodes. This book includes more than 300 program logs (many appearing in print for the first time) drawn from newspapers, script files in broadcast museums, records from NBC, ABC and CBS, and the personal records of series directors. Each entry contains a short broadcast history that includes directors, writers, and actors, and the broadcast dates and airtimes. A comprehensive index rounds out the work.
This work is the only comprehensive guide to sequels in English, with over 84,000 works by 12,500 authors in 17,000 sequences.