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In the Realm of the King is volume four of my complete shorter fiction collection. It contains some finished stories, but largely it contains a collection of unfinished pieces. Either I got stuck at certain points of the pieces or just stopped writing them. I first collected some unfinished tales in my chapbook titled 'Tales Without End Vol. 1' way back in 1995. It was, in fact, one of the last few chapbooks I published. This volume is an attempt to get most of my unfinished tales into one book. Who knows? I may complete some or all of them one day, or I may not. In any event, they are here for what theyÕre worth.
ÒJust like me to never have any money when the end of the world comes, Ó thought Martin Fahy as he walked through the bitter, ceaseless rain. He laughed slightly and wondered what he was going to do now. Sure, he had been the one who always knew The End was coming soon, but he just couldnÕt convince anyone else. He wasnÕt a religious fanatic or anything and his predictions of the coming doom had nothing to do with apocalyptic visions or cultist beliefs. It was based largely on his continual observation of scientific predictions. And now, it all was happening. Fahy realized what heÕd always said was his prime philosophy still was true: The only way out is throughÉ
Martin sat in an old office chair. It didn't seem odd in the New Old West saloon. End o' the world and all, he thought. He knew them the moment they walked in. The man and woman were dressed right, but out of place. "Evenin'" Martin said casually. "We understand you buy new technology," the man said The lanky woman reached under her poncho and held a small black rectangular object out to him. Martin looked at it, said, "OK, I give up. What's it do?" The man dropped something, and there was a blinding explosion. "Flash-bang," Martin thought as he holstered his pistol. He scooped up the black rectangle, shoved it in his pocket and left. Back at his house Martin, looked at the device, set his drink down. He pulled out a cheroot, lit it, examined the device closely. His thumb ran along the flat surface and everything got loud suddenly. There was a blast and white light and the room disappeared. Martin felt rapid movement, said, "Another mission," and was gone.
"That is your secret, isn't it?" Murakumo Inn welcomes the troubled masses, human or otherwise. But its curious innkeeper accepts only one form of payment: a being's deepest secrets. Tonight's visitors are a beautiful snow phantom, a researcher of the supernatural, and...a baby?! Come witness the fantastical tales spun at this mysterious inn.
There's something odd about twin-lens reflex (TLR) film cameras, but very appealing. I can't really explain it. TLR cameras are bulky, awkward to use and, well, kind-of weird. Still, I love picking one up and taking it out to shoot. Mamiya TLRs comprise a rare line of TLR cameras in that they were the only pro TLR cameras that had interchangeable lenses other than Contaflex. That fact alone made me long for one a long time. When I bought my Yashica Mat EM, there were Mamiya TLR cameras available, but usually at two to three times the cost. Like the other medium-format (MF) cameras - Hasselblad, Bronica, Pentax, etc. - the Mamiyas were far out of reach. That is until around 2003 when photographers were ditching their film cameras, and selling them cheap. They may not be as cheap now, but they're still worth the prices. As I said, shooting with a TLR is an odd experience, but one definitely worth experiencing.
“[Behind Howard’s stories] lurks a dark poetry and the timeless truth of dreams.” –Robert Bloch “Howard’s writing seems so highly charged with energy that it nearly gives off sparks.” –Stephen King The classic pulp magazines of the early twentieth century are long gone, but their action-packed tales live on through the work of legendary storyteller Robert E. Howard. From his fecund imagination sprang an army of larger-than-life heroes–including the iconic Conan the Cimmerian, King Kull of Atlantis, Solomon Kane, and Bran Mak Morn–as well as adventures that would define a genre for generations. Now comes the second volume of this author’s breathtaking short fiction, which runs the gamut from sword and sorcery, historical epic, and seafaring pirate adventure to two-fisted crime and intrigue, ghoulish horror, and rip-roaring western. Kull reigns supreme in “By This Axe I Rule!” and “The Mirrors of Tuzan Thune”; Conan conquers in one of his most popular exploits, “The Tower of the Elephant”; Solomon Kane battles demons deep in Africa in “Wings in the Night”; and itinerant boxer Steve Costigan puts up his dukes of steel inside and outside the ring in “The Bulldog Breed.” In between, warrior kings, daring knights, sinister masterminds, grizzled frontiersmen–even Howard’s stunning heroine, Red Sonya–tear up the pages in stories built to thrill by their masterly creator. And in such epic poems as “Echoes from an Anvil,” “Black Harps in the Hills,” and “The Grim Land,” the author blends his classic characters and visceral imagery with a lyricism as haunting as traditional folk balladry. Lavishly illustrated by Jim and Ruth Keegan, here is a Robert E. Howard collection as indispensable as it is unforgettable. “Howard had a gritty, vibrant style–broadsword writing that cut its way to the heart, with heroes who are truly larger than life.” –David Gemmell “For stark, living fear . . . What other writer is even in the running with Robert E. Howard?” –H. P. Lovecraft
You've done it!You've finished your novel (or memoir, or how-to, or poetry collection, etc.).Sit back. Breathe a sigh, take a drink, light a cigar.You've done it!Now what?Usually, an author is so exhilarated by finishing a book that he or she doesn't really think about what's next.Sure, there are those dreams of every publisher knocking at your door, starting a bidding war for your manuscript and your book becoming a best-seller over night.And that can happen. It does occasionally, but more often the hard work still is to come.This book is not for those authors who get an agent who gets them editors who convince their publishers to publish their books.This book is for those intrepid souls who decide the only way to maintain control over their books -- and/or to make more money per book than with a traditional publisher -- is to self-publish.
It has been a long, strange road, and probably has no end clearly in sight. Many more books are in the works as I write this in early December 2018. For example, I have published nine novels to date, and am writing nine more, with plans for some beyond that. The Shawn M. Tomlinson's Guide to Photography series has 29 titles in print, with another five or six nearly complete, and plans for 30 to 40 more. I'm also trying to rework and rearrange those books into omnibus editions by chronology and by theme.I never will get every book done I want to do, but it keeps me busy.I always planned on putting out a catalog of all the Zirlinson Books, but kept getting waylaid for one reason or another until now. This catalog is available as a print book in color. The color print book will be cost prohibitive for many people, so there likely will be a black and white version available, too.
Simply put, medium-format photography is quite a bit more complex than shooting with 35mm film SLRs or 35mm-style DSLRs. It takes a bit more skill - and experience - to handle medium-format cameras. Not only do you need to learn to think differently about how you shoot, but you also have a whole new type of equipment to learn. Medium-format cameras produce bigger images, which allows for more detail and greater enlargement. And because they, in general, were designed for professional photographers, the lenses tend to be of better quality that most 35mm lenses, which also adds to the detail in the images. In this book, we'll take a look at medium-format SLRs and TLRs, and we'll even touch upon some other types. We'll also consider a few lenses, although these largely are a matter of choice. And there are far fewer choices for medium-format cameras than for other types. Time to do some weight training and heft those medium-format cameras and lenses into position. Let's go.