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"The younger children like all of Valery Carrick's stories. They are clearly and simply told and the vigorous black-and-white drawings by the author make the tale dramatic even to children who cannot read it for themselves." ― Mary Gould Davis, Director of Story Telling, New York Public Library. Russian storyteller Valery Carrick (1869–1942) recounts fourteen familiar and lesser-known fables, accompanying them with drawings that are as striking and straightforward as the stories themselves. Some of the tales ― "The Fox as a Shepherd," "The Hare, the Hippopotamus and the Elephant," "The Hare and His Shadow" ― are particularly well known. The simplicity and directness of Carrick's narratives, along with his distinctive illustrations, place these versions among the most delightful retellings of traditional fables. Other less-familiar tales of crafty foxes, mighty lions, greedy wolves, and other creatures will please parents as well as children.
A retelling of fourteen familiar and lesser known tales about the fox who acts as shepherd, the rabbit who steals water from a well, the bear's encounter with a man, and many others.
Around the beginning of the common era, Indian Buddhists began to collect fables, or jataka tales, illuminating various human virtues and foibles—from kindness, cooperation, loyalty and self-discipline on the one hand to greed, pride, foolishness, and treachery on the other. Instead of populating these stories with people, they cast the animals of their immediate environment in the leading roles—which may have given the tales a universal appeal that helped them travel around the world, surfacing in the Middle East as Aesop's fables and in various other guises throughout East and Southeast Asia, Africa, Russia, and Europe. Author and painter Mark McGinnis has collected over forty of these hallowed popular tales and retold them in vividly poetic yet accessible language, their original Buddhist messages firmly intact. Each story is accompanied with a beautifully rendered full-color painting, making this an equally attractive book for children and adults, whether Buddhist or not, who love fine stories about their fellow wise (and foolish) creatures.
Timeless wisdom is found in absurdity in these tales of an iconic Muslim character known as the sagest man in the village — and also its biggest fool. Would you like to know how a thief can turn into a donkey? Whether a cow can climb a pole? Or why you should spoon yogurt into a lake? Mulla Nasruddin knows all the answers, and he might also tell you why he rides his donkey backwards. Whether in the guise of an imam in a mosque or a beggar in the street, this trickster is never at a loss for a rejoinder, though it may leave you scratching your head, rolling your eyes, or laughing out loud. Enjoy twenty-one classic tales about a much-loved character from Muslim cultures in a book packed with jokes, riddles, and wisdom and paired with vibrant, theatrical illustrations.
This is a story that depicts how a clever rabbit saved the whole of animal kingdom. He proves that brain power is truly greater than muscle power!
James Herriot is probably the most beloved living writer. When All Things Bright and Beautiful was published three years ago, it became the number one best seller in the world, winning still new friends for the Yorkshire veterinarian whose first book All Creatures Great and Small had already been enjoyed by millions of readers. In this, his third book, he takes up where he left off-- both in terms of the warmth, humor, and skill with which he writes, and in the story itself. It is World War Two and James has just been inducted into the RAF. We see him at training camp and we go back to Yorkshire-- on real trips as he breaks away to see Helen who is about to have a baby, and on trips of reverie as he recalls the Dales, the animals, and the Yorkshire people who have so enriched his life. We meet old friends again-- his partner Siegfried, the zany Tristan, the bon vivant Granville Bennett-- and scores of new folk, each with a story to tell. James Herriot is back, and, as one reviewer said of his work, "If ever you have loved a friend, human or otherwise, this is the book for you."
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One of the great treasures of Buddhist literature, is mDo-mdzangs-blun or the Sutra of the Wise and the Foolish as it is known to the Mongols. The text was translated to Mongolian from Tibetan as the Üliger-ün Dalai or Ocean of Narratives. It is one of the most interesting, enjoyable and readable Buddhist scriptures. For centuries, it has been an inexhaustible source of inspiration, instruction and pleasure for all who have been able to read it. The history of this unusual scripture is still uncertain. Legend has it that the tales were heard in Khotan by Chinese monks, who translated them (but from what language?) into Chinese, from which it was translated into Tibetan, then into Mongolian and Oirat. The Narratives are Jatakas, or rebirth stories, tracing the causes of present tragedy in human lives to events which took place in former lifetimes. The theme of each narrative is the same: the tragedy of the human condition, the reason for this tragedy and the possibility of transcending it. But unlike Greek tragedy, Buddhist tragedy is never an end in itself, i.e. a catharsis, but a call to transcend that which can be transcended and need not be endlessly endured. The people we meet in the Sutra of the Wise and the Foolish, although supposedly living in the India of the Buddha’s time, might also be living at present in New York City, a small rural town or Leningrad, and the problems they face are the same problems that men have had to face always and everywhere. Herein lies the timeless appeal of this profound Buddhist scripture.