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For fans of the deranged, the utterly weird, and most certainly the unspeakable... Bizarro Pulp Press brings you a buffet of curdled imagination and warped creativity of John Bruni. 21 stories ranging from monstrous genitalia and violent retirees, GG Allin, and Jesus Christ. Brian Keene, says, "Stylistically, he's a blend of Edward Lee and Jeremy Robert Johnson." You've been warned.
Megan doesn't speak. She hasn't spoken in months. Pushing away the people she cares about is just a small price to pay. Because there are things locked inside Megan's head - things that are screaming to be heard - that she cannot, must not, let out. Then Jasmine starts at school: bubbly, beautiful, talkative Jasmine. And for reasons Megan can't quite understand, life starts to look a bit brighter. Megan would love to speak again, and it seems like Jasmine might be the answer. But if she finds her voice, will she lose everything else?
New York Times bestselling adult author of The Bear and the Nightingale makes her middle grade debut with a creepy, spellbinding ghost story destined to become a classic. Now in paperback. After suffering a tragic loss, eleven-year-old Ollie who only finds solace in books discovers a chilling ghost story about a girl named Beth, the two brothers who loved her, and a peculiar deal made with "the smiling man"—a sinister specter who grants your most tightly held wish, but only for the ultimate price. Captivated by the tale, Ollie begins to wonder if the smiling man might be real when she stumbles upon the graves of the very people she's been reading about on a school trip to a nearby farm. Then, later, when her school bus breaks down on the ride home, the strange bus driver tells Ollie and her classmates: "Best get moving. At nightfall they'll come for the rest of you." Nightfall is, indeed, fast descending when Ollie's previously broken digital wristwatch begins a startling countdown and delivers a terrifying message: RUN. Only Ollie and two of her classmates heed these warnings. As the trio head out into the woods—bordered by a field of scarecrows that seem to be watching them—the bus driver has just one final piece of advice for Ollie and her friends: "Avoid large places. Keep to small." And with that, a deliciously creepy and hair-raising adventure begins.
A collection of short stories.
DIVDIVAn unforgettable chronicle of an era by one of America’s wildest—and most brilliant—comedic and literary minds/divDIV /divDIVEdited by Nile Southern and Josh Alan Friedman/divDIV Starting with his landing at the Battle of the Bulge, Terry Southern showed a knack for winding up in the world’s most interesting places. He spent the fifties on the Left Bank of Paris, the sixties in mod London, and the seventies touring with the Rolling Stones. When the Beatles rolled out their famous pantheon of movers and shakers for the cover of Sgt. Pepper, Terry was the only guy wearing shades. When police broke heads during the ’68 democratic convention in Chicago, Southern was there to bear witness. And when Stanley Kubrick needed someone to make Dr. Strangelove funny, there was only one man qualified for the job. /divDIV /divDIVAs the golden age of rock ’n’ roll wound down, Southern never stopped writing, and his prose never lost its trademark intensity. Filthy, fierce, and relentlessly dazzling, these letters, essays, stories, and interviews are an electric testament to one of the keenest wits of the twentieth century./divDIV /divDIVThis ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate./div/div
At the height of his career, writing short stories provided Dickens with a release from the formal constraints of his novels and gave free reign to his creative imagination. Ranging from "flights of fancy" to literary masterpieces, Dickens's short stories contained artistic experiments that inspired fuller developments in his novels. Yet the short stories have been all but overlooked in critical discussions. Deborah A. Thomas focuses directly on this body of work, tracing three stages of development. In the early stage until 1840, Dickens produced numerous short stories, culminating in his experience with the abortive Master Humphrey's Clock. In the following ten years, he restricted his writing of short stories to the five Christmas Books but refined his theories about the value of the genre in the context of his work. In the third stage, 1850-1868, Dickens again turned actively to the writing of short stories, many of them the "Christmas Stories" appearing in the weeklies Household Words and All the Year Round, which Dickens edited successively from 1850 to 1869 and from 1859 until his death in 1870. The author concentrates primarily upon the more notable stories, drawing for a perspective upon Dickens' own concept of "fancy." In an increasingly factual age, Dickens—attracted to the unusual and the unknown—found the short story a form in which he could indulge his high degree of fantasy and explore the hidden corners of the mind. Dickens' fascination with psychological abnormality and the supernatural—reflected in his novels—reveals itself even more intriguingly in his short stories. In Thomas's analysis, Dickens' short stories appear as an important key to understanding the novels, while proving worthy in themselves of critical attention. Essential to a thorough study of Dickens, her book sheds light upon previously obscure facets of his developing artistry.
ELAINA MCCORD WANTS TO FIND A KILLER. BUT HE’S ALREADY FOUND HER. Elaina McCord’s dream of being an FBI profiler is threatened by her very first case—investigating a string of murders near a Texas beach resort. The victims, all young women, were drugged and brutally murdered, their bodies abandoned in desolate marshland. Elaina’s hunch—met with disbelief by local police—is that these are only the latest offerings from a serial killer who has been perfecting his art for years, growing bolder and more cunning with each strike. True-crime writer Troy Stockton has a reputation as an irresistible playboy who gets his story at any cost. He’s the last person Elaina should trust, let alone be attracted to. But right now Troy, along with the elite team of forensics experts known as the Tracers, is her only ally in a case that’s turning dangerously personal. A killer is reaching out to Elaina, taunting her, letting her know how ruthless he is and how close he’s getting. Now it’s not just her career that’s in jeopardy—it’s her life. . . .