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Presents the lives of eight individuals whose experiences illuminate a variety of dilemmas and anxieties that most of us encounter at different points of our lives. According to Spinelli (psychology, Regent's College), therapy at its most fundamental level involves the act of revealing, reassessing, and reconstructing the life stories that clients tell themselves in order to establish or maintain meaning. The existential therapist must not only listen, but must remain "un-knowing," i.e. open to new interpretation of that which is seemingly familiar, thus bringing to light unexamined possibilities. Annotation copyrighted by Book News, Inc., Portland, OR
Spinelli is one of the leading exponents existential therapy and one of its most brilliant practitioners.
MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.
Funny, tough, and heartbreaking — often all at once — Mimi Lipson’s debut collection is a grand tour of bars, diners, bus stations, dog parks, hardcore clubs, vacant lots, and other places that draw people whose inner lives are richer than their wallets. Lipson’s alter ego, the sharp-tongued and sharp-eyed Kitty, appears in a variety of guises: as a seven-year-old on a Florida vacation scammed by her roguish father, as a college student who receives a stunningly crucial education outside the classroom, as a passenger whose life changes on a cross-country bus. After meeting her parents, her brother, her friends and coworkers, we are introduced to Isaac, the sui generis man-child who becomes both her lover and her charge, a human roller-coaster who swings her between delight, exasperation, and mortal peril. Like a dinner composed of appetizers, Lipson’s book is very nearly a novel, in mosaic form, without all the boring parts. Her wit is as sharp as a serpent’s tooth, her sentences as percussively satisfying as billiard balls clicking into the pocket.
When Denise Levertov died on December 20, 1997, she left behind forty finished poems, which now form her last collection, This Great Unknowing. Few poets have possessed so great a gift or so great a body of work—when she died at 74, she had been a published poet for more than half a century. The poems themselves shine with the artistry of a writer at the height of her powers.
Indie Book Awards Winner A deeply affirming exploration of the unknown—with meditations and exercises for transforming the fear and uncertainty of ‘not knowing’ into a sense of openness, curiosity, and bravery For most of us, the unknown is both friend and foe. At times, it can be a source of paralyzing fear and uncertainty. At other times, it can be a starting point for transformation, creativity, and growth. The unknown is a deep current that runs throughout all religions and mystical traditions, plays an important role in contemporary psychotheraputic thought and practice, and is essential to personal growth and healing. In The Wisdom of Not Knowing, psychotherapist Estelle Frankel shows us that our psychological, emotional, and spiritual health is radically influenced by how comfortable we are with navigating the unknown and uncertain dimensions of our lives. Drawing on insights from Kabbalah, depth psychology, Buddhism, Christianity, Hinduism, and ancient myth, Frankel explores how we can grow our souls by tapping into the wisdom of not knowing. She also includes case studies of individuals who have grappled with fears of the unknown and, as a result, come out wiser, stronger, and more resilient. Each chapter includes experiential exercises and meditations for befriending the unknown, conveying how embracing a state of "not knowing" is the key to gaining new knowledge, learning to bear uncertainty, and enjoying a healthy sense of adventure and curiosity.
Contains twelve short stories that describe twelve unlikely saints, featuring "Alef the Idiot," "Gimmel the Gambler," "Zayin the Profane," "Chet the Cheat," and others.
Praise for First Edition: `This book is highly recommended to a wide range of people as a clear and systematic introduction to phenomenological psychology... the book has set the stage for possible new colloquia between the phenomenological and other approaches in psychology′ - Changes `As a trainee interested in matters existential, I have been put off in the past by the long-winded and confusing texts usually available in academic libraries. Thankfully, here is a text that remedies that situation... [it] provides a readable and insightful account′ - Clinical Psychology Forum ′Spinelli′s classic introduction to phenomenology should be essential reading on all person-centred, existential and humanistic trainings, and any other counselling or psychotherapy course which aims to help students develop an in-depth understanding of human lived-experience. This book is sure to remain a key text for many years to come′ - Mick Cooper, Senior Lecturer in Counselling, University of Strathclyde ′This is by far the most monumental, erudite, comprehensive, authoritative case that Existentialism and Phenomenology (a) have a rightful place in the academy; (b) are tough-minded bodies of thought; (c) have rigorous scientific foundations; (d) bequeath a distinctive school of psychotherapy and counselling; and (e) are just as good as the more established systems of psychology′ - Alvin R. Mahrer, Ph.D. University of Ottawa, Canada, Author of The Complete Guide To Experiential Psychotherapy ′This book′s rich insight into the lacunae of modern psychological thinking illustrates the contribution that existential phenomenology can make to founding a coherently mature Psychology that is both fully human(e) and responsibly ′scientific′ in the best sense of that term′ - Richard House, Ph.D., Magdalen Medical Practice, Norwich; Steiner Waldorf teacher. The Interpreted World, Second Edition, is a welcome introduction to phenomenological psychology, an area of psychology which has its roots in notoriously difficult philosophical literature. Writing in a highly accessible, jargon-free style, Ernesto Spinelli traces the philosophical origins of phenomenological theory and presents phenomenological perspectives on central topics in psychology - perception, social cognition and the self. He compares the phenomenological approach with other major contemporary psychological approaches, pointing up areas of divergence and convergence with these systems. He also examines implications of phenomenology for the precepts and process of psychotherapy. For the Second Edition, a new chapter on phenomenological research has been added in which the author focuses on the contribution of phenomenology in relation to contemporary scientific enquiry. He describes the methodology used in phenomenological research and illustrates the approach through an actual research study. The Interpreted World, Second Edition demystifies an exciting branch of psychology, making its insights available to all students of psychology, psychotherapy and counselling.
In the winter of 2012 a series of recording were made in the small hamlet of Osikovce, West Carpathians. The subject of the recordings was a man called Marus Pohansky, considered by many to be one of the last true Carpathian Witches. Descended from a long line of Pagan practitioners he lived according to a philosophy that would have been familiar to his ancestors, yet without the pretension often found in modern or new age "guru's". He was a man who simply did what he and his family had always done. Not much of a teacher, he often told stories and it was only after a while that I began to realise the nuggets I was looking for were buried somewhere in these innocuous tales. This is a book of four of his tales. They are true stories, according to Marus, and involve real life characters. The places are certainly real enough as I have visited them myself, but as for the tales.....well, who knows. However, whether the stories are true or not, they were believed by Marus and many local people; and wrapped within tales are perhaps deeper memories of times and ways of being which may soon pass.