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Performing Epic or Telling Tales takes the new millennium as a starting point for an exploration of the turn to narrative in twenty-first-century theatre, which is often also a turn to Graeco-Roman epic. However, the dominant focus of the volume is less on 'what' the recent epic turn in the theatre consists of than 'why' it seems to be so prevalent: this turn is explained with reference not only to the translation and scholarly histories of the epics, but also to earlier performance traditions and, notably, to recent theoretical debates relating to text-based 'drama' and performance based 'theatre'. What is perhaps most remarkable about this epic turn is not simply the sheer number of outstanding performances that it has produced; it is also that recent practice appears to have outstripped much theoretical discussion about theatre. In chapters ranging from spoken word performances to ballet, from the use of machines and technology to performances that make space for voices occluded by the ancient epics, Performing Epic or Telling Tales seeks to contextualize and explain the 'narrative'/storytelling (re-)turn in recent live performances - a turn that regularly entails engagement with ancient Graeco-Roman epics, which have long provided poets, playwrights, artists, and theatre makers with a storehouse of rich, often perceived as 'raw', material. Refigured and refracted for the modern era, the epics of ancient Greece and Rome are found to be particularly revealing, and particularly 'telling' of the contemporary wider cultural sphere.
The pieces in Pot Stories for the Soul are funny, whimsical, bizarre, poignant, informational, shocking, and, yeah, soulful. They are about love, hate, escape, reality, the paranormal, Allen Ginsberg, Ken Kesey, Michelle Phillips, Hunter Thompson, Abbie Hoffman, Wavy Gravy and peanut butter. Ultimately, these stories reveal the wide, weird, and wonderful subculture of stoners, where the reefers are mad, the joints are fat, and the buzz lasts for six-and-a-half days. Mainstream America has had an uneasy relationship with marijuana. Once a legal substance, the 1930s saw a massive campaign against the "Devil's Harvest" that led to pot being rendered illegal. In the 1960s, marijuana became one of the defining elements of the counterculture before once again being shunted to the sidelines. Over the last decade, however, marijuana has gone mainstream and has been the topic of seminars, expos, concerts, comedy routines, movies, TV shows, and college courses across the country. Originally published by High Times in 1999, Pot Stories for the Soul won the Firecracker Alternative Book Award and also became a Quality Paperback Book Club selection. This brand-new edition includes several new essays by Paul Krassner, plus his foreword, his afterword, and the evolution of cannabis sanity in between.
This is a curated collection of Krassner's satirical writing and reporting that serves both as a look back on his career and as a memoir. One of his most infamous works, "The Parts That Were Left Out of the Kennedy Book," made outrageous claims that some people thought were true. He reports from a swingers' event and a conspiracy convention - and from the trial of Dan White for the murders of San Francisco Mayor George Moscone and Supervisor Harvey Milk during which Krassner coined the term "the Twinkie defense." He also includes anecdotes about encountering celebrities such as Lenny Bruce, Johnnie Cochran, Ram Dass, Larry Flynt, Squeaky Fromme, Dick Gregory, Charles Manson, and Robin Williams - and that time he took an acid trip with Groucho Marx.
This collection is a look back at the body of work by Iyaba Ibo Mandingo. It includes his early work, the works written after his 911 arrest and detainment by homeland security and the latest work following his return to Afrika. "Fu You Tongue Heavy Lakka 56" is Antiguan patois. It is a favorite saying of Iyaba Ibo Mandingo's Great Grandmother, "Rozzy" Guy. It means you have a lot to say. As the grandchild of former enslaved Africans she remembers the elders talking about the heavy plows they used during slavery and the days of shooting hard labor (sharecropping) that followed. The size of each plow was designated by a number stamped on the handle. 56 was the number of the heaviest of them all. It was a perfect way to honor his Eguns (ancestors) and the perfect title for a collection of poetry
For more than 50 years, Norman Mailer was at the forefront of American letters and popular culture. In this work, originally published to acclaim 20 years ago, Manso reveals the man behind the legend like never before--or since. Photos throughout.
Introduces the concept of avant-garde art to readers as it has been practiced over the last century. Covering figures and genres in all styles of art, this is an ideal introduction to often misunderstood art forms.
Uncensored, uncontained, and thoroughly demented, the memoirs of Paul Krassner are back in an updated and expanded edition. Paul Krassner, “father of the underground press” (People magazine), founder of the Realist, political radical, Yippie, and award-winning stand-up satirist, shares his stark raving adventures with the likes of Lenny Bruce, Abbie Hoffman, Norman Mailer, Ken Kesey, Groucho Marx, and Squeaky Fromme, revealing the patriarch of counterculture’s ultimate, intimate, uproarious life on the fringes of society. Whether he’s writing about his friendship with controversial comic Lenny Bruce, introducing Groucho Marx to LSD, his investigation of Scientology, or John Kennedy’s cadaver, no subject is too sacred to be skewered by Krassner. And yet his stories are soulful and philosophical, always authentic to his iconoclastic brand of personal journalism. As Art Spiegelman said, “Krassner is one of the best minds of his generational to be destroyed by madness, starving, hysterical, naked—but mainly hysterical. His true wacky, wackily true autobiography is the definitive book on the sixties.”