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Beginning with the invention of movable type in the 15th century, itinerant artisans roamed the highways and byways of the world, working where and when they pleased. It all ended five centuries later, when computer typesetting replaced humans. Mark Twain, Bret Harte, Horace Greely (along with legions of much less famous printers) plied their trade and enjoyed adventures as tramp printers until it all suddenly vanished in the mid 1970s. A sociological study, as seen through the eyes of tramp printers themselves. Footloose and carefree, these adventurers enjoyed 500 years of freedom, working where and when they pleased. A vanished breed, today they live on through recollections, anecdotes, and memories of how it used to be, when printers worked with "real type."
"She finds that a significant number of printers independently developed similar responses to the deskilling of their craft and the threat of unemployment. Demonstrating a widespread consistency in themes and expressive forms in the printers' occupational narratives, Holtzberg-Call shows that what once served as the printers' rhetoric of tradition is now their rhetoric of displacement. Initiation rites, long apprenticeships, a complex and peculiar jargon, and a gallery of legendary figures once bound hot-metal printers into a specialized, highly regarded occupational folk community. The hot-metal printers' lore has survived in an exemplary form that functions as a source of reconciliation with the demise of their craft." "Holtzberg-Call analyzes how and why the printers traditionalize and idealize their work experience, drawing parallels between the shift from mechanical to computer typesetting and an equally disconcerting transition in the nineteenth century, when Linotype deposed handset type. She also shares her knowledge of the many aspects of hot-metal printing culture, from the life of the tramp printer to the meanings of various printing terms to the operation of a Linotype machine. One gains a sense of the conditions in the old type shops, where long hours, excessive heat, and poorly ventilated fumes from solvent, ink, and molten lead were the crucible in which camaraderie, pride, and fulfillment were forged.".
Charles Edward Russell was a muckraking journalist who exposed the dark underside of America's class system at the turn of the 20th century. The scandals he revealed through investigative reporting led to some of the most important and largest reform efforts of the period, in areas such as housing, prisons, and race reform. A Pulitzer Prize winner, author of 27 books, and a founder of the NAACP, Russell has nonetheless faded from public view. In this book, Robert Miraldi restores him to his rightful place in history. Miraldi's biography of Russell sheds light on the Hearst and Pulitzer newspaper empires, the growth of yellow journalism, and numerous scandals of the period (including Lizzie Borden's murder of her parents and the gruesome details of the Chicago meatpacking industry). It also provides a fascinating look at the growth of the American Socialist Party, of which Russell was an active member until he resigned when his pro-World War I stance brought him into conflict with other members of the Party.
Fictional autobiography of an itinerant printer, based on the author's interviews with "tramp printers" of the 1880s.
Praise for the previous edition:RASD/ALA "Outstanding Reference Source, 1996""'Essential' is the word for it!