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Cuentos de los dioses taínos: como se creó el Mar Caribe es una divertida fantasía profusamente ilustrada basada en el misterioso mundo mitológico de los indios taínos de Puerto Rico y las Antillas Mayores. La trama está inspirada en la obra de Fray Ramón Pané Relación Acerca de las Antigüedades de los indios (1494-98), que formó parte del diario de Cristobal Colón. Las ilustraciones del cuento, por el fenecido joven pintor puertorriqueño Juan Negrón, fueron elaboradas mediante un guión visual del autor. Incluye además el autor un educativo glosario ilustrado. Tales of the Taíno Gods: How The Caribbean Sea Was Born, is an entertaining fantasy, based on the mysterious mythological world of the Taíno Indians of Puerto Rico and the Greater Antilles. The plot is inspired by the writings of Friar Ramón Pané’s An Account of the Antiquities of the Indians (1494-98), which was part of Christopher Columbus’ diary. The illustrations of the tale were painted using a visual script by the author, who directed the skillful brush of the late young puertorrican painter Juan Negrón. The author also includes an illustrated educational glossary.
"JosÉ [Barreiro] writes the true story in TaÍno—the Native view of what Columbus brought. Across the Americas, invasion, and resistance, the TaÍno story repeated many times over." – Chief Oren Lyons (Joagquisho), Turtle Clan, Onondaga Nation The story of what really happened when Columbus arrived in the "New World," as told by the TaÍno people who were impacted In 1532, an elderly TaÍno man named GuaikÁn sits down to write his story—an in-depth account of what happened when Columbus landed on Caribbean shores in 1492. As a boy, GuaikÁn was adopted by Columbus, uniquely positioning him to tell the story of Columbus's "discovery," directing our gaze where it rightfully belongs—on the Indigenous people for whom this land had long been home. Revised and updated by author JosÉ Barreiro (himself a descendant of the TaÍno people) with new information and a new introduction, this richly imagined novel updates GuaikÁn's carefully crafted narrative, chronicling what happened to the TaÍno people when Columbus arrived and how their lives and culture were ruptured. Through GuaikÁn's story, Barreiro penetrates the veil that still clouds the "discovery" of the Americas and in turn gives
Takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola Cemís are both portable artifacts and embodiments of persons or spirit, which the Taínos and other natives of the Greater Antilles (ca. AD 1000-1550) regarded as numinous beings with supernatural or magic powers. This volume takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola. The relationships address the important questions of identity and personhood of the cemí icons and their human “owners” and the implications of cemí gift-giving and gift-taking that sustains a complex web of relationships between caciques (chiefs) of Puerto Rico and Hispaniola. Oliver provides a careful analysis of the four major forms of cemís—three-pointed stones, large stone heads, stone collars, and elbow stones—as well as face masks, which provide an interesting contrast to the stone heads. He finds evidence for his interpretation of human and cemí interactions from a critical review of 16th-century Spanish ethnohistoric documents, especially the Relación Acerca de las Antigüedades de los Indios written by Friar Ramón Pané in 1497–1498 under orders from Christopher Columbus. Buttressed by examples of native resistance and syncretism, the volume discusses the iconoclastic conflicts and the relationship between the icons and the human beings. Focusing on this and on the various contexts in which the relationships were enacted, Oliver reveals how the cemís were central to the exercise of native political power. Such cemís were considered a direct threat to the hegemony of the Spanish conquerors, as these potent objects were seen as allies in the native resistance to the onslaught of Christendom with its icons of saints and virgins.
"Alida, the daughter of a Taíno chief, lives in paradise. One day, she is startled by a boy from the opposing tribe, the Carib. Meeting daily in a hidden place, Alida and the boy, Taroo, soon become friends--and then their friendship blossoms into something more. What will happen if someone discovers their forbidden love? A retelling of the Taíno legend of how the hummingbird came to be, this story brings an ancient culture--and a youg love--to colorful life."--Page [4] of cover.
"In his new Introduction to this edition, Stevens-Arroyo analyzes significant new research, provides a guide to the important scientific findings of mitochondrial DNA among contemporary Caribbean peoples, offers additional evidence supporting his original argument that the Tainos were not exterminated in the 16th century, and initiates discussion of still unresolved issues. This edition of Cave of the Jagua considers Neo-Taino movements, explores the meanings of Taino spirituality, and emphasizes the significance of that message to the contemporary world."--Jacket.
Tells the story of the Taino people from their ancestral days in South America through their migration to the northern Caribbean islands where they were the first natives to interact with Columbus, to their rapid and immediate decline under the European gifts of forced labor, malnutrition, disease, and dispersal. Includes a glossary without pronunciation. Annotation copyright by Book News, Inc., Portland, OR
NAMED A BEST BOOK OF THE YEAR BY ESQUIRE, THE IRISH TIMES AND THE TIMES LITERARY SUPPLEMENT A provocative history of men who were worshipped as gods that illuminates the connection between power and religion and the role of divinity in a secular age Ever since 1492, when Christopher Columbus made landfall in the New World and was hailed as a heavenly being, the accidental god has haunted the modern age. From Haile Selassie, acclaimed as the Living God in Jamaica, to Britain’s Prince Philip, who became the unlikely center of a new religion on a South Pacific island, men made divine—always men—have appeared on every continent. And because these deifications always emerge at moments of turbulence—civil wars, imperial conquest, revolutions—they have much to teach us. In a revelatory history spanning five centuries, a cast of surprising deities helps to shed light on the thorny questions of how our modern concept of “religion” was invented; why religion and politics are perpetually entangled in our supposedly secular age; and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerien spirit possession cults, Anna Della Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores. At once deeply learned and delightfully antic, Accidental Gods offers an unusual keyhole through which to observe the creation of our modern world. It is that rare thing: a lyrical, entertaining work of ideas, one that marks the debut of a remarkable literary career.
This is the most advanced book written on the subject of the Taino language. It is authored by Professor Richard Porrata Doria, Ph.D., and is the adopted contemporary language of the Descendants of Puerto Rico's First Nation. It teaches the reader the fundamentals of the Taino language, its syntax, and sets the proper standard on how to formulate the language in logical and systematical order. Professor Porrata gives instructions throughout the book through teaching sessions and domains that he developed, which instructs the student how to correctly use Taino prefixes, suffixes, connotations, etc.. His easy to learn teaching methods show the student how to properly construct Taino sentences such as questions and answers and other expressions in Taino; a language that was once thought to be extinct but that Professor Porrata has proven it to have been only sleeping. The book is cram backed with illustrations and Taino sentences. He also teaches the reader of independent study the process of verbing and word blending to bring Taino words back into existence. A retired associate professor from the University of Puerto Rico's Multilingual and Cultural Institute, a US Army language instructor, including 120 credit hours of Native American linguistics from the University of Oregon, and his numerous books written on the Taino language reflects that Dr. Porrata is in the tradition of keeping the Taino language alive. This book is a must for anyone interested in learning how to speak, read, and write in the Taino language.
Originally published in Spanish in 1970, Watunna is the epic history and creation stories of the Makiritare, or Yekuana, people living along the northern bank of the Upper Orinoco River of Venezuela, a region of mountains and virgin forest virtually unexplored even to the present. The first English edition of this book was published in 1980 to rave reviews. This edition contains a new foreword by David Guss, as well as Mediata, a detailed myth that recounts the origins of shamanism.