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Tales of the Golden Corpse is the first complete English version of the famous Tibetan folktales told to a young boy who has killed seven sorcerers in the defense of his Master. The boy must redeem himself by carrying a talking corpse full of wondrous tales on a long journey, without himself speaking a word. These 25 tales of intrigue and magic provide the reader with a window through which to view ancient Tibetan culture. Within them, you will encounter heroes and villains, fearsome witches, murderous demons, and clever tricksters with a uniquely Tibetan humor. Songs, riddles, jokes, and sayings make the stories come alive as they unfold against the background of everyday Tibet—its farmers and nomads, kings and magical beings.
Gleaned from an ancient oral tradition, these imaginative, colorful, and wisdom-filled stories will delight children and adults alike. This collection includes the Tibetan myth of creation; some of the famous Jataka tales, or stories of former lives of the Buddha; and the most popular of all the time-honored legends of Tibet, the great epic of King Gesar of Ling, the warrior who became a national hero.
Tibetan folk tales.
Enticement marks the English-language debut of prominent Tibetan writer and filmmaker Pema Tseden. This collection gathers together his most relevant and influential short stories, including "Tharlo," which he adapted into an award-winning and internationally acclaimed film in 2015. Written originally in the Chinese and Tibetan languages, these stories make use of a variety of literary styles and sources, ranging from traditional Tibetan oral tales to magical realism, surrealism, and the theater of the absurd. They humanize the Tibetan experience by stepping away from patronizing, mystic, or idealized visions of Tibet to speak with empathy and humor about the real challenges faced by Tibetans in the age of globalization.
As a child, Lucy dreams of talking fairies and lives contentedly in the wooded suburbs of Boston; she grows up to be a successful animator of fairy-tale films. Or does she? She claims at moments to be a witch in the woods. Like her sisters, who appeared in Bernheimer’s first two novels (The Complete Tales of Ketzia Gold and The Complete Tales of Merry Gold), Lucy has a secret, but she is unable to fasten onto anything but brightness. Novelist Donna Tartt writes, “Lucy’s particular brand of optimism, blind to its own shadow, is very American—she is innocence holding itself apart so fastidiously that it becomes its opposite.” This novel is a perfect end to the Gold family series, and the perfect introduction, for new readers, to Bernheimer’s enchanting body of work.
One of the oldest books in the world, The Oceans of Cruelty is a sequence of twenty-five tales from India whose central theme is the dark power of storytelling. At the start, a young king falls into the hands of a wicked sorcerer, who orders him to find a vetala, or corpse spirit, to serve him; the young king must do as he is told, and soon enough he is also under the sway of the no less malevolent spirit. Like a bat, the spirit hangs from the branches of a tree, and the king is condemned to bear it on his back through a dark forest as it whispers a riddling story in his ear. These are tales of suicidal passion, clever deceit, patriarchal oppression, and narrow escapes from death, and as long as the king can resolve the problems they pose, his bondage continues; the vampiric creature goes on commanding his attention in the dark. Only when the king is out of answers will he at last be free, though when that comes to pass—well, that’s when the whole story takes a new turn. Douglas Penick’s re-creation of this ancient work brings out all its humor and horror and vitality, as well its unmistakable relevance in a world of stories gone viral.
A virtuous young woman journeys to the Land of the Dead to retrieve the still-beating heart of a king; a wily corpse-monster tricks his young captor into setting him free; a king falls under a curse that turns him into a cannibal; a shepherd who understands the speech of animals saves a princess from certain death. These are just a few of the wondrous tales that await readers of this collection of Tibetan Buddhist folktales. Fifteen stories are told for modern readers in a vivid, accessible style that reflects a centuries-old tradition of storytelling in the monasteries and marketplaces of Tibet. As a child growing up in a Buddhist monastery, Yeshi Dorjee would often coax the elderly lamas into telling him folktales. By turns thrilling, mysterious, clever, and often hilariously funny, the stories he narrates here also teach important lessons about mindfulness, compassion, and other key Buddhist principles. They will delight readers of all ages, scholars and students, Buddhists and non-Buddhists alike.
"This admirably produced and well-translated volume of stories from the Sanskrit takes the Western reader into one of the Golden Ages of India. . . . The world in which the tales are set is one which placed a premium upon slickness and guile as aids to success. . . . Merchants, aristocrats, Brahmins, thieves and courtesans mingle with vampires, demi-gods and the hierarchy of heaven in a series of lively or passionate adventures. The sources of the individual stories are clearly indicated; the whole treatment is scholarly without being arid."—The Times Literary Supplement "Fourteen tales from India, newly translated with a terse and vibrant effectiveness. These tales will appeal to any reader who enjoys action, suspense, characterization, and suspension of disbelief in the supernatural."—The Personalist