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"Remarkable. . . delectable, addictive." —New York Times Book Review The second novel in the beloved Tales of the City series, Armistead Maupin’s bestselling San Francisco saga. The tenants of 28 Barbary Lane have fled their cozy nest for adventures far afield. Mary Ann Singleton finds love at sea with a forgetful stranger, Mona Ramsey discovers her doppelgänger in a desert whorehouse, and Michael Tolliver bumps into his favorite gynecologist in a Mexican bar. Meanwhile, their venerable landlady takes the biggest journey of all—without ever leaving home.
“These final days of his San Francisco friends and lovers, gay and straight, are seriously moving. . . . Maupin deftly illustrates how far America and the pioneering Anna have come, and nearly forty years into the series, his writing remains wildly addictive but is deeper and richer.”—People By turns hilarious and heartbreaking, Armistead Maupin's bestselling Tales of the City novels—books 7, 8 and 9 collected in this third omnibus volume—stand as an incomparable blend of great storytelling and incisive social commentary on American culture from the seventies through the first two decades of the new millennium. Maupin’s bestselling epic series spans the decade before the AIDS crisis through the era of marriage equality, and follows an unforgettable cast of characters whose diverse sexual identities helped set the social stage for the ongoing sexual revolution. Goodbye Barbary Lane—comprised of Michael Tolliver Lives, Mary Ann in Autumn, and The Days of Anna Madrigal—joins two companion omnibus volumes, 28 Barbary Lane and Back to Barbary Lane, and is a must-have for fans of Maupin and the beloved series.
The setting is New Mexico in 1952, where John Grady Cole and Billy Parham are working as ranch hands. To the North lie the proving grounds of Alamogordo; to the South, the twin cities of El Paso and Juarez, Mexico. Their life is made up of trail drives and horse auctions and stories told by campfire light. It is a life that is about to change forever, and John Grady and Billy both know it. The catalyst for that change appears in the form of a beautiful, ill-starred Mexican prostitute. When John Grady falls in love, Billy agrees--against his better judgment--to help him rescue the girl from her suavely brutal pimp. The ensuing events resonate with the violence and inevitability of classic tragedy