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ONE OF THE MOST ACCLAIMED BOOKS OF THE YEAR Contains an excerpt from Don Winslow’s explosive new novel, City on Fire! NAMED A BEST BOOK OF THE YEAR BY Washington Post • NPR • Financial Times • The Guardian • Booklist • New Statesman • Daily Telegraph • Irish Times • Dallas Morning News • Sunday Times • New York Post "A big, sprawling, ultimately stunning crime tableau." – Janet Maslin, New York Times "You can't ask for more emotionally moving entertainment." – Stephen King "One of the best thriller writers on the planet." – Esquire The explosive, highly anticipated conclusion to the epic Cartel trilogy from the New York Times bestselling author of The Force What do you do when there are no borders? When the lines you thought existed simply vanish? How do you plant your feet to make a stand when you no longer know what side you’re on? The war has come home. For over forty years, Art Keller has been on the front lines of America’s longest conflict: The War on Drugs. His obsession to defeat the world’s most powerful, wealthy, and lethal kingpin?the godfather of the Sinaloa Cartel, Adán Barrera?has left him bloody and scarred, cost him the people he loves, even taken a piece of his soul. Now Keller is elevated to the highest ranks of the DEA, only to find that in destroying one monster he has created thirty more that are wreaking even more chaos and suffering in his beloved Mexico. But not just there. Barrera’s final legacy is the heroin epidemic scourging America. Throwing himself into the gap to stem the deadly flow, Keller finds himself surrounded by enemies?men who want to kill him, politicians who want to destroy him, and worse, the unimaginable?an incoming administration that’s in bed with the very drug traffickers that Keller is trying to bring down. Art Keller is at war with not only the cartels, but with his own government. And the long fight has taught him more than he ever imagined. Now, he learns the final lesson?there are no borders. In a story that moves from deserts of Mexico to Wall Street, from the slums of Guatemala to the marbled corridors of Washington, D.C., Winslow follows a new generation of narcos, the cops who fight them, street traffickers, addicts, politicians, money-launderers, real-estate moguls, and mere children fleeing the violence for the chance of a life in a new country. A shattering tale of vengeance, violence, corruption and justice, this last novel in Don Winslow’s magnificent, award-winning, internationally bestselling trilogy is packed with unforgettable, drawn-from-the-headlines scenes. Shocking in its brutality, raw in its humanity, The Border is an unflinching portrait of modern America, a story of—and for—our time.
Zorian Kazinski has all the time in the world to get stronger, and he plans on taking full advantage of it. A teenage mage of humble birth and slightly above-average skill, Zorian is attending his third year of education at Cyoria's magical academy. A driven and quiet young man, he is consumed by a desire to ensure his own future and free himself of the influence of his family, resenting the Kazinskis for favoring his brothers over him. Consequently, Zorian has no time for pointless distractions, much less other people's problems. As it happens, though, time is something he is about to get plenty of. On the eve of Cyoria's annual summer festival, Zorian is murdered, then abruptly brought back to the beginning of the month, just before he was about to take the train to school. Finding himself trapped in a time loop with no clear end or exit, he will have to look both within and without to unravel the mystery set before him. He does have to unravel it, too, because the loop clearly wasn’t made for his sake, and in a world of magic even a time traveler isn't safe from those who wish him ill. Fortunately for Zorian, repetition is the mother of learning…
"Simply brilliant, both in its granular storytelling and its enormous compassion" --The New York Times Book Review The story of two refugee families and their hope and resilience as they fight to survive and belong in America The welcoming and acceptance of immigrants and refugees have been central to America's identity for centuries--yet America has periodically turned its back in times of the greatest humanitarian need. After the Last Border is an intimate look at the lives of two women as they struggle for the twenty-first century American dream, having won the "golden ticket" to settle as refugees in Austin, Texas. Mu Naw, a Christian from Myanmar struggling to put down roots with her family, was accepted after decades in a refugee camp at a time when America was at its most open to displaced families; and Hasna, a Muslim from Syria, agrees to relocate as a last resort for the safety of her family--only to be cruelly separated from her children by a sudden ban on refugees from Muslim countries. Writer and activist Jessica Goudeau tracks the human impacts of America's ever-shifting refugee policy as both women narrowly escape from their home countries and begin the arduous but lifesaving process of resettling in Austin--a city that would show them the best and worst of what America has to offer. After the Last Border situates a dramatic, character-driven story within a larger history--the evolution of modern refugee resettlement in the United States, beginning with World War II and ending with current closed-door policies--revealing not just how America's changing attitudes toward refugees have influenced policies and laws, but also the profound effect on human lives.
The Chicano characters in Richard Yañez's debut story collection live in El Paso's Lower Valley but inhabit a number of borders—between two countries, two languages, and two cultures, between childhood and manhood, life and death. The teenaged narrator of "Desert Vista" copes with a new school and a first love while negotiating the boundaries between his family's tenuous middle-class status and the working-class community in which they have come to live. Tony Amoroza, the protagonist of "Amoroza Tires," wrestles with the grief from his wife's death until an unexpected legacy fills him with new faith. María del Valle, "La Loquita," the central character of "Lucero's Mkt.," crosses the border into madness while her neighbors watch, gossip, and try to offer—or refuse—aid. Yañez writes with perfect understanding of his borderland setting, a landscape where poverty and violence impinge on traditional Mexican-American values, where the signs of gang culture strive with the ageless rituals of the Church. His characters are vivid, unique, fully authentic, searching for purpose or identity, for hope or meaning, in lives that seem to deny them almost everything. Yañez's world is that of the Southwestern Chicanos, but the fears and yearnings of his characters are universal.
When Rocky Elmore joined the United States Border Patrol, he knew it would be a journey fraught with danger. But little did he know that the very real trails he walked night after night would soon lead him into surreal encounters from a different dimension. This was never more evident than when the ghost of a recently fallen fellow agent began to appear on top of the cliff from which he died. It marked the beginning of the end to one of the most bizarre series of events in the history of the U.S. Border Patrol. This collection of true stories provides a rare look into law enforcement that includes not only the routine nightly patrols of the USBP but also actual paranormal activity as it happened to the agents in the field. Readers will go on nightly patrols with the agents of the Brown Field Border Patrol Station, and will face their worst fears as they come face to face with smugglers, mountain lions, ghosts, and even a Sasquatch in this isolated no-man's land. OUT ON FOOT takes place in the mysterious Otay Mountains just east of San Diego, California. It is an emotional roller coaster ride that is not for the faint of heart.
“[Ballingrud's] evocative and strangely beautiful.”—Publishers Weekly (starred review) “Nathan Ballingrud is one of my favorite contemporary authors and any time he’s got a new book out I run to the front of the line. His work is elegant and troublingly, wonderfully disturbing.”—Victor LaValle, award–winning author of The Changeling “Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back.”—Paul Tremblay, award-winning author of The Cabin at the End of the World and A Head Full of Ghosts “Nathan Ballingrud is one of my favorite short fiction writers.” —Jeff VanderMeer, New York Times bestselling author of Annihilation and Borne “Stretch[es] the boundaries of the genre by employing these grand, horrific worlds. “The Butcher’s Table” reminds me of the first time I read Clive Barker’s “In the Hills, the Cities.” It’s horrifying, but there’s beauty.” —The New York Times “In only two slender collections, Nathan Ballingrud has emerged as one of the field’s most accomplished short story writers.” —The Washington Post “Ballingrud’s work isn’t like any other.”—Cory Doctorow, Boing Boing “One of the most disquieting and memorable short story collections to come out this year.”—The New York Review of Books “Wounds: Six Stories from the Border of Hell is without a doubt one of the best, most accomplished horror collections in recent memory.”—Hellnotes “Wounds will no doubt be remembered as one of the most disquieting and memorable short story collections to come out this year.”—New York Journal of Books “There’s enough nightmare fuel here to inspire weeks of insomnia — all told with an even hand with a penchant for precise storytelling. How else do you chart the furthest reaches of the uncanny?”—Tobias Carroll, Vol. 1 Brooklyn A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge). In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.
A unique holiday story about love overcoming the border fences between Mexico and the United States from a National Book Award nominee. A new must-read classic for Christmas! It's almost time for Christmas, and Maria is traveling with her mother and younger brother, Juan, to visit their grandmother on the border of California and Mexico to celebrate Las Posadas. For the few minutes they can share together along the fence, Maria and her brother plan to exchange stories and Christmas gifts with the grandmother they haven't seen in years. But when Juan's gift is too big to fit through the slats in the fence, Maria has a brilliant idea. She makes it into a kite that soars over the top of the iron bars. This heartwarming tale of multi-cultural families and the miracle of love was award-winning author Mitali Perkins's debut picture book.
Collection covers Remembering Our Ancestors, Folklore Tales and Memorabilia and Family Sagas from favorite storytellers like James Ward Lee, Thad Sitton, J. Frank Dobie, Jean Granberry Schnitz, and many more.