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Exceptional stories that come pounding out of Bukowski's violent and depraved life. Horrible and holy, you cannot read them and ever come away the same again. This collection of stories was once part of the 1972 City Lights classic, Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness. That book was later split into two volumes and republished: The Most Beautiful Woman in Town and, this book, Tales of Ordinary Madness. With Bukowski, the votes are still coming in. There seems to be no middle ground—people seem either to love him or hate him. Tales of his own life and doings are as wild and weird as the very stories he writes. In a sense, Bukowski was a legend in his time, a madman, a recluse, a lover; tender, vicious; never the same. "Bukowski … a professional disturber of the peace … laureate of Los Angeles netherworld [writes with] crazy romantic insistence that losers are less phony than winners, and with an angry compassion for the lost."—Jack Kroll, Newsweek "Bukowski’s works are extraordinarily vivid and often bitterly funny observations of people living on the very edge of oblivion. His poetry, in all its glorious simplicity, was accessible the way poetry seldom is a testament to his genius."—Nick Burton, PIF Magazine
"He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."--Tom Waits After toiling in obscurity for years, Charles Bukowski suddenly found fame in 1967 with his autobiographical newspaper column, "Notes of a Dirty Old Man," and a book of that name in 1969. He continued writing this column, in one form or another, through the mid-1980s. More Notes of a Dirty Old Man gathers many uncollected gems from the column's twenty-year run. Drawn from ephemeral underground publications, these stories and essays haven't been seen in decades, making More a valuable addition to Bukowski's oeuvre. Filled with his usual obsessions--sex, booze, gambling--More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend the Gambler," based on his experiences making the movie Barfly. From his lowly days at the post office through his later literary fame, More follows the entire arc of Bukowski's colorful career. Edited by Bukowski scholar David Stephen Calonne, More Notes of a Dirty Old Man features an afterword outlining the history of the column and its effect on the author's creative development. Born in Andernach, Germany in 1920, Charles Bukowski came to California at age three and spent most of his life in Los Angeles. He died in San Pedro, California, on March 9, 1994.
Inspired by D.H. Lawrence, Chekhov and Hemingway, Bukowski's writing is passionate, extreme and has attracted a cult following, while his life was as weird and wild as the tales he wrote. This collection of short stories gives an insight into the dark, dangerous lowlife of Los Angeles that Bukowski inhabited. From prostitutes to classical music, Bukowski ingeniously mixes high and low culture in his 'tales of ordinary madness'. These are angry yet tender, humorous and haunting portrayals of life in the underbelly of Los Angeles.
This book uses cultural and psycho-social analysis to examine the beat writer Charles Bukowski and his literature, focusing on representations of the anti-hero rebel and outsider. Clements considers the complexities, ambiguities, and contradictions represented by the author and his work, exploring Bukowski’s visceral writing of the cultural ordinary and everyday self-narrative. The study considers Bukowski’s apolitical, gendered, and working-class stance to understand how the writer represents reality and is represented with regards to counter-cultural literature. In addition, Clements provides a broader socio-cultural focus that evaluates counterculture in relation to the American beat movement and mythology, highlighting the male cool anti-hero. The cultural practices and discourses utilized to situate Bukowski include the individual and society, outsiderdom, cult celebrity, fan embodiment, and disneyfication, providing a greater understanding of the beat generation and counterculture literature.
Charles Bukowski disliked academics, as this academic and readable book points out from page one onward of its introduction, "Charles Bukowski vs. American Ways." Begun before Bukowski died in 1994, Charles Bukowski: Autobiographer, Gender Critic, Iconoclast was the first doctoral dissertation on his prose and poetry up to that date, and it is offered now for fans and academics alike-no more need for black-market sales. Chapter One, "Placing Bukowski," introduces Bukowski's amazing life and career and relates his work to influential predecessors (primarily Ernest Hemingway and John Fante) and four contemporaries (Raymond Carver, Kurt Vonnegut, Frederick Exley, and Hunter Thompson). Chapter Two, "Bukowski Among the Autobiographers," pursues Bukowski's comprehensive autobiographical project. Harnessing Timothy Dow Adams' concept of "strategic lying," the chapter follows Bukowski's thinly veiled personae through three stages-first through the attention-getting "Dirty Old Man," then responding to the attention and (re)defining himself, finally culminating in "Henry Chinaski," the hero of Bukowski's five autobiographical novels. Chapter Three, "Problems of Masculinity: At 'Home,' at Work, at Play," tackles the knee-jerk assessment of Bukowski as just a sexist "Dirty Old Man." Michael Kaufman's "triad of men's violence" (against women, other men, and themselves) explains the general Bukowski persona as a complicated gender construct. Bukowski's Bildungsroman, Ham on Rye, shows Chinaski as victim, practitioner, and critic of male violence, with the last role figuring into his other work too. Chapter Four, "Bukowski vs. 'Institution Art,'" classifies this challenging author as both populist and avant-garde. As general postmodern phenomenon, he blends the democratic accessibility of populist writing with the adventurous gesturing of the avant-garde, and the result is direct, daring, truthful, and funny. The book's conclusion, "Summing Up: Giving Bukowski His Due," predicts that Bukowski will be read far into the 21st century. Buy his books before you buy this one.
'Fear makes me a writer, fear and a lack of confidence' Charles Bukowski chronicled the seedy underside of the city in which he spent most of his life, Los Angeles. His heroes were the panhandlers and hustlers, the drunks and the hookers, his beat the racetracks and strip joints and his inspiration a series of dead-end jobs in warehouses, offices and factories. It was in the evenings that he would put on a classical record, open a beer and begin to type... Brought up by a violent father, Bukowski suffered childhood beatings before developing horrific acne and withdrawing into a moody adolescence. Much of his young life epitomised the style of the Beat generation - riding Greyhound buses, bumming around and drinking himself into a stupor. During his lifetime he published more than forty-five books of poetry and prose, including the novels Post Office, Factotum, Women and Pulp. His novels sold millions of copies worldwide in dozens of languages. In this definitive biography Barry Miles, celebrated author of Jack Kerouac: King of the Beats, turns his attention to the exploits of this hard-drinking, belligerent wild man of literature.
Get the lowdown on the best fiction ever written. Over 230 of the world’s greatest novels are covered, from Quixote (1614) to Orhan Pamuk’s Snow (2002), with fascinating information about their plots and their authors – and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you’ll ever need.
From Jim Marquez, the acclaimed author of such whiskey-fueled contemporary classics as "Beastly Bus Tales", "Watching the Skies & Other Beastly Tales," and Jim's schizophrenic-murder-mystery "Pieces of L.A.", comes his long-awaited 15th self-published book "A Moveable Beast: Tales from L.A. & Beyond". As in Jim's previous titles the reader is assaulted with lurid and outlandish tales of sticky sex, cheap booze, cheaper dames, uncomfortable truths in race relations, violence, the homeless epidemic, bars, death, broken relationships, bad sex, no sex, and, in general, the corruption of the mind, body, and soul. Follow Jim across the rat infested, alcohol drenched, sad, pitiful, lost, and lonely streets of not only Jim's hometown of East Los Angeles and his adoptive backyards of Downtown LA and Koreatown, but, also Las Vegas, Paris, Berlin, Milan, Ireland, and South Korea. Devilishly written in Jim's infamous-no-holds-barred-over-the-top-foul-mouthed-and-train-wreck-first-person narrative.