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A traveling storyteller journeys into misadventures in this complete humorous fantasy series by the author of the Seventh Sword series. The Reaver Road Omar is the world’s greatest storyteller, captivating audiences everywhere, from the fires of soldier camps to the plush residences of nobility. Prophetic dreams have now guided him to the city of Zanadon, unfortunately now surrounded by bloodthirsty barbarian hordes. Normally in times of turmoil, people appreciate a good tale, but as his surroundings become more hostile, he finds his gift of a glib tongue to be a bit of a curse . . . The Hunters’ Haunt As a blizzard beats down on a mountain inn, a slighted innkeeper threatens to toss Omar out to his death in the cold. But he’s given a chance to redeem himself by using his gift. If he can top the most outrageous tales invented by the inn’s guests, he can stay warm. Soon, Omar creates a tale intertwining the lives of all those inside the inn, spinning relentlessly toward a single conclusion no one could have foretold . . . Praise for the Tales of Omar “A madcap mix of outrageous prose and superlative wit.” —Times-Colonist (Victoria, Britsh Columbia) on The Reaver Road “A fun, very readable fantasy with agreeable, intelligent characters.” —Metaphorosis Reviews on The Hunters’ Haunt
A prize-winning journalist tells the troubling story of Canadian Omar Khadr, who has spent a quarter of his life growing up in Guantanamo Bay. Khadr was captured in Afghanistan in July 2002 at the age of 15. Accused by the Pentagon of throwing a grenade that killed U.S. soldier Sgt. First Class Christopher Speer, Khadr faces charges of conspiracy and murder. His case is set to be the first war crimes trial since World War II. In Guantanamo's Child, veteran reporter Michelle Shephard traces Khadr's roots in Canada, Pakistan and Afghanistan, growing up surrounded by al Qaeda's elite. She examines how his despised family, dubbed "Canada's First Family of Terrorism," has overshadowed his trial and left him alone behind bars for more than five years. Khadr's story goes to the heart of what's wrong with the U.S. administration's post-9/11 policies and why Canada is guilty by association. His story explains how the lack of due process can create victims and lead to retribution, and instead of justice, fuel terrorism. Michelle Shephard is a national security reporter for the Toronto Star and the recipient of Canada's top two journalism awards. "You will be shocked, saddened and in the end angry at the story this page turner of a book exposes. I read it straight through and Omar Khadr's plight is one you cannot forget." —Michael Ratner, New York, President of the Center for Constitutional Rights "Michelle Shephard's richly reported, well written account of Omar Khadr's trajectory from the battlefields of Afghanistan to the cells of Guantanamo is a microcosm of the larger "war on terror" in which the teenaged Khadr either played the role of a jihadist murderer or tragic pawn or, perhaps, both roles." —Peter Bergen, author of Holy war, Inc. and The Osama bin Laden I know
In this compelling companion to New York Times bestseller Amal Unbound, Omar contends with being treated like a second-class citizen when he gets a scholarship to an elite boarding school. When Omar gets a scholarship to the prestigious Ghalib Academy, it’s a game changer. It will give him, the son of a servant, a once-in-a-lifetime opportunity for a better future—and his whole village is cheering him on. Omar can’t wait to dive into his classes, play soccer, and sign up for astronomy club—but those hopes are dashed when he learns first-year scholarship students can’t join clubs or teams; instead, they must earn their keep by doing chores. Even worse, it turns out the school deliberately “weeds out” scholarship kids by requiring them to get grades that are nearly impossible. Omar is devastated to find such odds stacked against him, but the injustice of it all motivates him to try to do something else that seems impossible: change a rigged system.
A National Book Award Finalist, this remarkable graphic novel is about growing up in a refugee camp, as told by a former Somali refugee to the Newbery Honor-winning creator of Roller Girl. Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would also mean leaving his brother, the only family member he has left, every day. Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.
“[A]n electric new translation . . . Each page is adorned with illustrations and photographs from other translations and adaptations of the tales, as well as a wonderfully detailed cascade of notes that illuminate the stories and their settings. . . . The most striking feature of the Arabic tales is their shifting registers—prose, rhymed prose, poetry—and Seale captures the movement between them beautifully.” —Yasmine Al-Sayyad, New Yorker A magnificent and richly illustrated volume—with a groundbreaking translation framed by new commentary and hundreds of images—of the most famous story collection of all time. A cornerstone of world literature and a monument to the power of storytelling, the Arabian Nights has inspired countless authors, from Charles Dickens and Edgar Allan Poe to Naguib Mahfouz, Clarice Lispector, and Angela Carter. Now, in this lavishly designed and illustrated edition of The Annotated Arabian Nights, the acclaimed literary historian Paulo Lemos Horta and the brilliant poet and translator Yasmine Seale present a splendid new selection of tales from the Nights, featuring treasured original stories as well as later additions including “Aladdin and the Wonderful Lamp” and “Ali Baba and the Forty Thieves,” and definitively bringing the Nights out of Victorian antiquarianism and into the twenty-first century. For centuries, readers have been haunted by the homicidal King Shahriyar, thrilled by gripping tales of Sinbad’s seafaring adventures, and held utterly, exquisitely captive by Shahrazad’s stories of passionate romances and otherworldly escapades. Yet for too long, the English-speaking world has relied on dated translations by Richard Burton, Edward Lane, and other nineteenth-century adventurers. Seale’s distinctly contemporary and lyrical translations break decisively with this masculine dynasty, finally stripping away the deliberate exoticism of Orientalist renderings while reclaiming the vitality and delight of the stories, as she works with equal skill in both Arabic and French. Included within are famous tales, from “The Story of Sinbad the Sailor” to “The Story of the Fisherman and the Jinni,” as well as lesser-known stories such as “The Story of Dalila the Crafty,” in which the cunning heroine takes readers into the everyday life of merchants and shopkeepers in a crowded metropolis, and “The Story of the Merchant and the Jinni,” an example of a ransom frame tale in which stories are exchanged to save a life. Grounded in the latest scholarship, The Annotated Arabian Nights also incorporates the Hanna Diyab stories, for centuries seen as French forgeries but now acknowledged, largely as a result of Horta’s pathbreaking research, as being firmly rooted in the Arabic narrative tradition. Horta not only takes us into the astonishing twists and turns of the stories’ evolution. He also offers comprehensive notes on just about everything readers need to know to appreciate the tales in context, and guides us through the origins of ghouls, jinn, and other supernatural elements that have always drawn in and delighted readers. Beautifully illustrated throughout with art from Europe and the Arab and Persian world, the latter often ignored in English-language editions, The Annotated Arabian Nights expands the visual dimensions of the stories, revealing how the Nights have always been—and still are—in dialogue with fine artists. With a poignant autobiographical foreword from best-selling novelist Omar El Akkad and an illuminating afterword on the Middle Eastern roots of Hanna Diyab’s tales from noted scholar Robert Irwin, Horta and Seale have created a stunning edition of the Arabian Nights that will enchant and inform both devoted and novice readers alike.
The first book in the exciting middle-grade series starring a Muslim boy with a huge imagination—now in paperback! Welcome to the imaginative brain of Omar! Omar and his family have just moved, and he is NOT excited about starting at a new school. What if the work is too hard or the kids are mean or the teacher is a zombie alien?! But when Omar makes a new best friend, things start looking up. That is, until a Big Mean Bully named Daniel makes every day a nightmare! Daniel even tells Omar that all Muslims are going to be kicked out of the country . . . Could that possibly be true? Luckily, Omar's enormous imagination and goofy family help him get through life's ups and downs. Omar's funny, relatable narrative is the perfect answer to the call for both mirrors and windows to fill bookshelves with diverse stories. An NPR Best Book of the Year A Kirkus Best Book of the Year A USBBY Outstanding International Book Selection A Top 10 NYPL Best Book of the year A Middle East Book Award Nominee A Fuse #8 Great Middle Grade Novels of 2020 list A Bluestem Book Award Nominee (Illinois) A Maine Student Book Award Nominee A Sasquatch Award Nominee (Washington)
A New York Times Bestseller! Amal has big dreams, until a nightmarish encounter . . . Twelve-year-old Amal's dream of becoming a teacher one day is dashed in an instant when she accidentally insults a member of her Pakistani village's ruling family. As punishment for her behavior, she is forced to leave her heartbroken family behind and go work at their estate. Amal is distraught but has faced setbacks before. So she summons her courage and begins navigating the complex rules of life as a servant, with all its attendant jealousies and pecking-order woes. Most troubling, though, is Amal's increasing awareness of the deadly measures the Khan family will go to in order to stay in control. It's clear that their hold over her village will never loosen as long as everyone is too afraid to challenge them--so if Amal is to have any chance of ensuring her loved ones' safety and winning back her freedom, she must find a way to work with the other servants to make it happen.
The image of Samia Yusuf Omar running for last place at the 2008 Beijing Olympics will forever be imprinted in the minds of all who saw it: The lean Somalian, wearing knee-length leggings and a baggy T-shirt, came in seconds behind her competitors. What the cheering crowd couldn't know then was what it took to get there. An Olympic Dream follows Omar's second attempt to represent her country at the Olympics, this time in London. Reinhard Kleist pictures the athlete training in one of the most dangerous cities in the world; her passage through Sudan and into Libya; and her fateful attempt to reach Europe. By telling the story of one remarkable woman, Kleist gives voice to the thousands of migrants who risk their lives daily for a better future.
The Miracle Journey is a heartrending and incredible story that starts with the birth of a child in a nomadic land and takes you to the chaos of a civil war, and from there to the high rises of the Minneapolis, Minnesota. It also shows how difficult and confusing it can be for new immigrants trying to adapt to life in America. any comment please direct to. [email protected]
Princes, princesses, kings, and queens wear beautiful animal skins, live in kraals, and meet fearful ogres in these ten fairy tales from the Swazi, Shangani, and 'Msuto peoples of South Africa.