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This 1979 American Book Award nominee contains five interlocked stories that tell of the slave Gorgik in a long-ago land, and a masked swordswoman narrates an astonishing feminist creation myth.
Five inter-connected stories set in a mythical past focus on the experiences of the slave Gorgik and deal with aspects of the beginning of civilization. Contents: "The Tale of Gorgik" "The Tale of Old Venn" "The Tale of Small Sarg" "The Tale of Potters and Dragons" "The Tale of Dragons and Dreamers."
A novel of myth and literacy about a long-ago land on the brink of civilization. Vol 4 In his four-volume series Return to Nevèrÿon, Hugo and Nebula award-winner Samuel R. Delany appropriated the conceits of sword-and-sorcery fantasy to explore his characteristic themes of language, power, gender, and the nature of civilization. Wesleyan University Press has reissued the long-unavailable Nevèrÿonvolumes in trade paperback. The eleven stories, novellas, and novels in Return to Nevèrÿon's four volumes chronicle a long-ago land on civilization's brink, perhaps in Asia or Africa, or even on the Mediterranean. Taken slave in childhood, Gorgik gains his freedom, leads a slave revolt, and becomes a minister of state, finally abolishing slavery. Ironically, however, he is sexually aroused by the iron slave collars of servitude. Does this contaminate his mission — or intensify it? Presumably elaborated from an ancient text of unknown geographical origin, the stories are sunk in translators' and commentators' introductions and appendices, forming a richly comic frame.
Silent, upon a peak in Nevèrÿon. The enchanted land of Nevèrÿon is the most fascinating fantasy empire ever mapped by a modern word-enchanter - a realm of nameless terror and sensuous delights beyond the feeble imaginings of mortal men and women. Now Nevèrÿon's wildest desires and darkest dreams collide with the drear realities of our own blighted world as the gossamer boundaries between the real and the fantastic, truth and falsehood being to break down. And the world we know (or think we know) is revealed to us as if for the first time.
Six essays from the critic and award-winning author exploring topics such as theater, LGBTQ+ scholarship, cyborgs, metaphors, and Star Wars. “Reading is a many-layered process—like writing,” observes Samuel R. Delany, a Nebula and Hugo Award–winning author and a major commentator on American literature and culture. In this collection of six extended essays, Delany challenges what he calls “the hard-edged boundaries of meaning” by going beyond the customary limits of the genre in which he’s writing. By radically reworking the essay form, Delany can explore and express the many layers of his thinking about the nature of art, the workings of language, and the injustices and ironies of social, political, and sexual marginalization. Thus, Delany connects, in sometimes unexpected ways, topics as diverse as the origins of modern theater, the context of lesbian and gay scholarship, the theories of cyborgs, how metaphors mean, and the narrative structures in the Star Wars trilogy. “Over the course of his career,” Kenneth James writes in his extensive introduction, “Delany has again and again thrown into question the world-models that all too many of us unknowingly live by.” Indeed, Delany challenges an impressive list of world-models here, including High and Low Art, sanity and madness, mathematical logic and the mechanics of mythmaking, the distribution of wealth in our society, and the limitations of our sexual vocabulary. Also included are two essays that illustrate Delany’s unique chrestomathic technique, the grouping of textual fragments whose associative interrelationships a reader must actively trace to read them as a resonant argument. Whether writing about Wagner or Hart Crane, Foucault or Robert Mapplethorpe, Delany combines a fierce and often piercing vision with a powerful honesty that beckons us to share in the perspective of these Longer Views. “An intellectually adventurous book. . . . Every page of every essay here rewards a second reading, and a third. Delany has a fearsomely stocked intellect, and a wider range of experience than most writers can even imagine. . . . He is brilliant, driven, prolific.” —The Nation “One of science fiction’s grand masters. . . . Delany’s elegant command of language and deep insight into other authors’ works are delightful to behold.” —Booklist “Rare personal frankness and stunning erudition. . . . Recommended for readers who enjoy the challenge of being led into remote regions of a gifted mind.” —Library Journal
From the Hugo and Nebula–winning author, three literary tales trace the intricate interdependencies of memory, experience, and the self. Wesleyan University Press has made a significant commitment to the publication of the work of Samuel R. Delany, including this recent fiction, now available in paperback. The three long stories collected in Atlantis: three tales—”Atlantis: Model 1924,” “Erik, Gwen, and D. H. Lawrences Aesthetic of Unrectified Feeling,” and “Citre et Trans” —explore problems of memory, history, and transgression. Winner of both the Hugo and Nebula awards, and Guest of Honor at the 1995 World Science Fiction Convention in Glasgow, Delany was won a broad audience among fans of postmodern fiction with his theoretically sophisticated science fiction and fantasy. The stories of Atlantis: Three Tales are not science fiction, yet Locus, the trade publication of the science fiction field, notes that the title story “has an odd, unsettling power not usually associated with mainstream fiction.” A writer whose audience extends across and beyond science fiction, black, gay, postmodern, and academic constituencies, Delany is finally beginning to achieve the broader recognition he deserves. “Delany, who’s best known for his science fiction . . . takes a variety of literary turns in these three novellas that chronicle the experience of the African American writer in the 20th century. . . . Balanced and full of intricate layers of prose, these novellas present a potpourri of literary references, detailed flashbacks and experimental page layouts. Delany seamlessly meshes graceful prose, cultural and philosophical depth and a knowledge of different forms and voices into a truly heady, literate blend.” —Publishers Weekly “Delany sketches sympathetic portraits of young black men aswim in the dense, sweet hives of American cities.” —New York Times Book Review
Collected interviews featuring the Nebula Award–winning author and his thoughts on topics like literary criticism, comic books, race, and sexuality. For nearly three decades, Samuel R. Delany’s science fiction has transported millions of readers to the fringes of time, technology, and outer space. Now Delany surveys the realms of his own experience as a writer, critic, theorist, and gay Black man in this collection of written interviews, a type of guided essay. Because the written interview avoids the “mutual presence positioned at the semantic core” of traditional interview, Delany explains, “a kind of cut remains between the participants—a fissure in which the truths there may be more malleable, less rigid.” Within that fissure Delany pursues the breadth and depth of his ideas on language and theory, the politics of literary composition, the experience of marginality, and the philosophical, commercial, and personal contexts of writing today. Gathered from sources as diverse as Diacritics and The Comics Journal, these interviews reveal the broad range of Delany’s thought and interests. “Delany has a unique place in late twentieth century letters. A lifelong inhabitant of the margins, both social and literary, he has used his marginalized status as a lens to focus his astute observations of American literature and society. From these interviews his voice emerges, provocative, precise, and engaging.” —Kathleen Spencer, University of Nebraska “Samuel R. Delany never shies away from contestable positions or provocative opinions. In his fiction, Delany can write like quicksilver, and in lectures or panel discussions, he is easily SF’s most articulate spokesperson in academia. . . . There is much here that is not covered in Delany’s critical or autobiographical writings, and much that anyone seriously interested in SF—or many of Delany’s other favorite topics—ought to consider.” —Locus “Delany is fascinating whether discussing SF, comics, or his experiences as a Black American, and this collection . . . is as entertaining as it is informative.” —Science Fiction Chronicle “Yevgeny Zamyatin? Stanislaw Lem? Forget it! Delany is both, with a lot of Borges and Bruno Schultz thrown in.” —Village Voice
Hugo and Nebula Award–winning author Samuel R. Delany’s epic fantasy—the first in a series—explores power, gender, and the nature of civilization. A boy of the bustling, colorful docks of port Kolhari, during a political coup, fifteen-year-old Gorgik, once his parents are killed, is taken a slave and transported to the government obsidian mines at the foot of the Faltha mountains. When, in the savagely primitive land of Nevèrÿon, finally he wins his freedom, Gorgik is ready to lead a rebellion against the rulers of this barely civilized land. His is the through-story that, now in the background, now in the foreground, connects these first five stories, in Tales of Nevèrÿon—and, indeed, all the eleven stories, novellas, and novels that comprise Delany’s epic fantasy series, Return to Nevèrÿon, where we can watch civilization first develop money, writing, labor, and that grounding of all civilizations since: capital itself. In these sagas of barbarism, new knowledge, and sex, you’ll find far more than in most sword-and-sorcery. They are an epic feat of language, an ironic analysis of the foundations of civilization, and a reminder that no weapon is more powerful than a well-honed legend. This “eminently readable and gorgeously entertaining” (The Washington Post Book World) novel reads “as if Umberto Eco had written about Conan the Barbarian” (USA Today). This ebook features an illustrated biography of Samuel R. Delany including rare images from his early career.