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Could life be but a dream within a dream? Tales of Jideofor is a work of historical fiction set in the 18th century at the zenith of the transatlantic slave trade. It follows the life of a young lad, Jideofor, from Illah in Western Igbo lands down to Jamaica, through a rich tale of dreams, destiny, love, and reincarnation. In the story, Book 1 of the trilogy, Farastein blurs the lines between fact and fiction, and blends history with mystery seamlessly well, for you to see the truth within the myths of birth and death. Within the pages, you'll experience preserved Western Igbo cultures and beliefs, and life as a Negro slave in the Caribbean, specifically Jamaica. You'll fall in love with Jideofor and MaryJane's brief but beautiful love story. You'll be a witness to the destiny of dreams and how they unfold from birth to death from an African perspective as well as belief in reincarnation. In the end, you might just realize that life is indeed but a dream; that we all are Jideofor, in another face, in another place, living another tale.
This book memorialising the life and work of Ali Alamin Mazrui comprises more than 130 tributes written by people ranging from heads of state to journalists. Presented here are those tributes for which copyright permissions were received from among the hundreds that appeared online and print. In preparing this book, it was made very clear that, unlike other books of tributes to great men and women, there would be no segmentation of the sections based on writers and speakers positions in life. Instead, it was decided that the tributes be presented in alphabetical order based on writers and speakers last names. The decision hinged on the fact that Mazur would not have apposed any segmentation of people by class, race, ethnicity and gender etc. Nonetheless, out of great respect for Mazurs immediate family members, their tributes are presented first, followed by those from his global family members. Also included at the beginning of the book are three chapters that comprise an introductory essay, a brief biography of Mazur, and an essay on metaphorical-linguistic analysis of the tributes that follow. The book also has a preface by the coeditors and a forward by Salim Ahmed Salim, the former Prime Minister of the United Republic of Tanzania and Secretary-General of the Organisation of African Unity (OAU), now known as the Africa Union. Dr. Salim, who served as the Secretary-General of the OAU from 1989 to 2001, was Mazuris friend and contemporary. Mazruri once described Salim as Mr Africa and the first real postcolonial Secretary-General of the OAU.
In this collection of essays, Jideofor Adibe offers his perspectives on some of the contentious issues in Nigerian politics, governance and economy. The essays, mostly from the author's weekly column in the Daily Trust and contributions on Brookings Institutions' Africa Growth Initiative's blog, reflect on such themes as Boko Haram, the upsurge in separatist agitations in the country, the federal character principle and why elections are often anarchic in the country.The articles are well-researched and written with remarkable authority and conviction.
Continuity in a changing African culture; the phenomenon of the city in Africa; anthropology of name and self; values in flux and the moral dimension.
Renowned UK comics writer Pat Mills (Marshal Law, Sláine) and legendary artist Joe Colquhoun (Johnny Red) continue the thrilling, humorous and horrifying story of World War One soldier Charley Bourne. Home from the war thanks to an injury, Charley escapes from a terrifying air-raid, only to run into a deserter from the Foreign Legion — who tells him of the awful siege of Fort Vaux, even as both men run for their lives from the Military Police! Rich in the detailed minutiae of the terror-punctuated existence of a “Tommy”, this fourth volume of Charley’s War features an introduction and director’s commentary by Pat Mills, plus bonus content on the historical background to the story.
In a time when it seems our priorities are placed on certainty and how to control output amidst a plethora of information that also feels protean and deeply influential, drawing out these vignettes was a means of understanding for me. The works were created using colored pencil, graphite and ink at random, yet seeing them collectively, I sense a yearning. As if, in my attempts at understanding the activity of creating them superseded my intentions; the very conundrum I aimed to solve. Who am I to say what these works mean, but if I present them in such a way as to leave room for others to partake in the translation does that counter the underlying yearning? Exactitude is elusive. Now completed, I'm not where I was when I began the series, but the frame of meaning has tightened. While discussing the series with Reginald Moore, he stated what seems at the crux of this project: "We tend to tell people the things that make us feel better in the telling. It may or may not be what they want or need to hear, but at least we feel better. Is that deceptive or just another means of getting along in the world?" If this is where we gather our truths, then I understand it. In the end, you just don't know. Sometimes, you have to trust yourself.
The inspiring story of three young Sudanese boys who were driven from their homes by civil war and began an epic odyssey of survival, facing life-threatening perils, ultimately finding their way to a new life in America. Between 1987 and 1989, Alepho, Benjamin, and Benson, like tens of thousands of young boys, took flight from the massacres of Sudan's civil war. They became known as the Lost Boys. With little more than the clothes on their backs, sometimes not even that, they streamed out over Sudan in search of refuge. Their journey led them first to Ethiopia and then, driven back into Sudan, toward Kenya. They walked nearly one thousand miles, sustained only by the sheer will to live. They Poured Fire on Us from the Sky is the three boys' account of that unimaginable journey. With the candor and the purity of their child's-eye-vision, Alephonsian, Benjamin, and Benson recall by turns: how they endured the hunger and strength-sapping illnesses-dysentery, malaria, and yellow fever; how they dodged the life-threatening predators-lions, snakes, crocodiles and soldiers alike-that dogged their footsteps; and how they grappled with a war that threatened continually to overwhelm them. Their story is a lyrical, captivating, timeless portrait of a childhood hurled into wartime and how they had the good fortune and belief in themselves to survive.