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From the author of Books like - Heart of Darkness - Lord Jim - Heart of Darkness and Selected Short Fiction - The Secret Agent - Nostromo - Heart of Darkness and The Secret Sharer - Heart of Darkness and Other Tales - The Shadow-Line - The Secret Sharer - Victory - Tales Of Hearsay - Under Western Eyes - The Arrow Of Gold - The Inheritors - Tales Of Unrest About the Book: The old officer with long white moustaches gave rein to his indignation. "Is it possible that you youngsters should have no more sense than that! Some of you had better wipe the milk off your upper lip before you start to pass judgment on the few poor stragglers of a generation which has done and suffered not a little in its time." His hearers having expressed much compunction the ancient warrior became appeased. But he was not silenced. "I am one of them—one of the stragglers, I mean," he went on patiently. "And what did we do? What have we achieved? He—the great Napoleon—started upon us to emulate the Macedonian Alexander, with a ruck of nations at his back. We opposed empty spaces to French impetuosity, then we offered them an interminable battle so that their army went at last to sleep in its positions lying down on the heaps of its own dead. Then came the wall of fire in Moscow. It toppled down on them. "Then began the long rout of the Grand Army. I have seen it stream on, like the doomed flight of haggard, spectral sinners across the innermost frozen circle of Dante's Inferno, ever widening before their despairing eyes. "They who escaped must have had their souls doubly riveted inside their bodies to carry them out of Russia through that frost fit to split rocks. But to say that it was our fault that a single one of them got away is mere ignorance. Why! Our own men suffered nearly to the limit of their strength. Their Russian strength! About the Author: Joseph Conrad, original name Józef Teodor Konrad Korzeniowski, (born December 3, 1857, Berdichev, Ukraine, Russian Empire [now Berdychiv, Ukraine]—died August 3, 1924, Canterbury, Kent, England), English novelist and short-story writer of Polish descent, whose works include the novels Lord Jim (1900), Nostromo (1904), and The Secret Agent (1907) and the short story “Heart of Darkness” (1902). During his lifetime Conrad was admired for the richness of his prose and his renderings of dangerous life at sea and in exotic places. But his initial reputation as a masterful teller of colourful adventures of the sea masked his fascination with the individual ...(100 of 2481 words). Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he came to be regarded a master prose stylist who brought a non-English sensibility into English literature.
From the author of Books like - Heart of Darkness - Lord Jim - Heart of Darkness and Selected Short Fiction - The Secret Agent - Nostromo - Heart of Darkness and The Secret Sharer - Heart of Darkness and Other Tales - The Shadow-Line - The Secret Sharer - Victory - Tales Of Hearsay - Under Western Eyes - The Arrow Of Gold - The Inheritors - Tales Of Unrest About the Book: JOSEPH CONRAD (1857-1924) was one of the most remarkable figures in English literature. Born in Poland, and originally named Josef Teodor Konrad Walecz Korzeniowski, he went to sea at the age of seventeen and eventually joined the crew of an English vessel, becoming a British citizen in the process. He retired from the sea in 1894 and took up the pen, writing all his works in English, a language he had only learned as an adult. Despite this, he was a master stylist, both lush and precise. His outsider's eye gave him special insights into the moral dangers of the great age of European empires. In his prefactory note to this volume, Conrad wrote, "Of the five stories in this volume, 'The Lagoon,' the last in order, is the earliest in date. It is the first short story I ever wrote and marks, in a manner of speaking, the end of my first phase, the Malayan phase with its special subject and its verbal suggestions. Conceived in the same mood which produced 'Almayer's Folly' and 'An Outcast of the Islands,' it is told in the same breath (with what was left of it, that is, after the end of 'An Outcast'), seen with the same vision, rendered in the same method -- if such a thing as method did exist then in my conscious relation to this new adventure of writing for print. I doubt it very much. One does one's work first and theorizes about it afterwards. It is a very amusing and egotistical occupation of no use whatever to any<->one and just as likely as not to lead to false conclusions." The Idiots His first short story, written March 1896. The Lagoon What Conrad considered his first authentic short story, written in July 1896. A white man stops at a gloomy lagoon where a solitary Malay has his hut along with his woman. The woman is dying of fever. Through the night the Malay tells the story of their doomed love, how they ran away from the king and queen who owned her as a servant girl, how they were pursued, how his brother gave his life to save them. At dawn she dies and the man is left utterly bereft. Quintessential Conrad – a tale of utter bleakness, told in lush, decadent, tropical prose. An Outpost of Progress Published in two parts in Cosmopolis magazine in June and July 1897, Conrad considered this his best short story. It is set in the Congo, drawing on his experiences there seven years earlier, and strongly linked with Heart of Darkness i.e. pretty much the same plot. Two white men are left high up the river, deep in the Dark Continent, to run a trading station. They fall to pieces physically and mentally and the end comes when a group of African slavers steal away their native staff, leaving ivory tusks in payment. Having lost their self-respect they go quickly downhill, bicker about nothing until, after a trivial argument, one shoots the other then hangs himself. Conrad all over. The tropical setting; the complete degradation of the protagonists; the vision of futility; the lush prose. It is a bit mind-boggling that ‘An Outpost’ appeared just at the moment of Queen Victoria’s Diamond Jubilee, June and July 1897. On 22 June there was a vast procession of colourfully-dressed colonial subjects through London to an open air service outside St Paul’s cathedral. On 23 June the Queen met some young Indian princes. On 2 July the Queen surveyed her colonial troops at Windsor. Both the June and July editions of Cosmopolis included length celebrations of the greatness and benefits of Empire (some quoted in this article). The Times published Kipling’s great poem, Recessional, on 17 July. And over exactly this same period, Conrad was publishing this bleak nihilistic tale. You wonder how he avoided being lynched! The Return Completed in early 1897. In his preface Conrad says he hated writing this story. Arrogant, successful middle-aged businessman Alvan Hervey returns on the Tube to his smart West London house to find a message from his wife saying she has left him for a magazine editor. He is devastated, his world collapses, everything he has valued is torn away from under him etc. He is just starting to feel like all the turmoil which Conrad heroes usually luxuriate in, when his wife, embarrassingly, returns. She’s changed her mind! How does Conrad make such a slight incident (man comes home, reads note, is unhappy, wife walks back in) last 60 pages? With great torrents of prose describing Hervey’s anguish, mental collapse, fury, despair. Despite its untypical setting (London) it is classic overripe, hysterical Conrad, redolent of Strindberg or of a strung-out existentialist play like Jean-Paul Sartre’s play, Huis Clos. Karain: A Memory Published in Blackwoods Magazine in November 1897. From the safety of Blighty the narrator remembers the days when he was a gun smuggler around the Malay archipelago. The striking figure of the native chief, Karain. Fine figure of a man. Everyone loved him. Yet he seemed somehow nervous. One stormy night (lol), he swims aboard the white trader’s schooner and tells them his story, viz: A Dutch trader steals away a woman from his tribe. He and his best friend vow to track them down and erase the shame. For years they are on the trail together, travelling all over the archipelago in pursuit. But slowly the beautiful girl’s voice and then figure come to him in dreams and visions, talking, defending herself. Finally they find the Dutchman and the girl and his friend gives Karain a rifle and tells him to shoot the white man while he slays the girl with his dagger. But, as his dearest, oldest friend leaps from the bushes to carry out this plan, Karain is overcome by the secret memory of the voice of the girl and her secret presence. Before he knows what he has done, he has shot his friend. He has spared the vile white man’s life. He gets away. But that night the girl’s voice doesn’t come to him. His friend’s voice and shape come to him. And from that night onwards he is pursued, followed, haunted…! About the Author: Joseph Conrad, original name Józef Teodor Konrad Korzeniowski, (born December 3, 1857, Berdichev, Ukraine, Russian Empire [now Berdychiv, Ukraine]—died August 3, 1924, Canterbury, Kent, England), English novelist and short-story writer of Polish descent, whose works include the novels Lord Jim (1900), Nostromo (1904), and The Secret Agent (1907) and the short story “Heart of Darkness” (1902). During his lifetime Conrad was admired for the richness of his prose and his renderings of dangerous life at sea and in exotic places. But his initial reputation as a masterful teller of colourful adventures of the sea masked his fascination with the individual ...(100 of 2481 words). Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he came to be regarded a master prose stylist who brought a non-English sensibility into English literature.
From the author of Books like - Heart of Darkness - Lord Jim - Heart of Darkness and Selected Short Fiction - The Secret Agent - Nostromo - Heart of Darkness and The Secret Sharer - Heart of Darkness and Other Tales - The Shadow-Line - The Secret Sharer - Victory - Tales Of Hearsay - Under Western Eyes - The Arrow Of Gold - The Inheritors - Tales Of Unrest About the Book: The Inheritors was the first collaboration between Conrad and Ford. They were introduced by Edward Garnett. The initial collaboration was to be on Ford’s unpublishable novel Seraphina but other projects kept them from it. Finally, they collaborated on this novel. Ford wrote most of it, with Conrad doing the editing. Conrad did not think very highly of it – I set myself to look upon the thing as a sort of skit upon the political (?!) novel. Unlike much of Conrad’s writing but like much of Ford’s it seems somewhat unfocussed, skipping about, rather than concentrating on a specific plot. It starts off with a long dialogue – Conrad would customarily start off by setting the scene or by introducing the characters. We do not know who the two characters are – one is a woman of indeterminate origin and another the narrator – an author. The narrator goes on to the house of Callan, a great novelist, where he is engaged to write a kind of series of studies of celebrities chez eux for Fox, who runs a journal“. The woman, of course, turns up at Callan’s house – her name is the improbable Miss Etchingham Granger – and she pretends to be the sister of our narrator (also called Etchingham Granger). She, like other characters, is a Fourth Dimensionist, the young trendies Ford is eager to attack. Her portrait is far from flattering and is a clear indication of the misogyny of both Ford and Conrad. We start to get in a complicated and not very convincing plot, involving Gurnard, the”coming man” in politics, a foreign financier called Duc de Mersch and Greenland (the country). Our hero – a political naïve, like both Ford and Conrad – somehow gets involved in this plot. Political and financial corruption in high places are attacked by Ford and Conrad, using only thinly disguised characters. Gurnard is clearly Joseph Chamberlain, his political companion, Churchill, is not Churchill but Balfour, while Fox is Lord Northcliffe and the Duc de Mersch Leopold II of Belgium. The influence of Conrad can be seen in the attack on Leopold for the atrocities in the Congo. Frankly, the plot is uninteresting as neither author knows much about either politics or finance, none of the characters is particularly sympathetic and, by the time, we get to the end, we really do not care for the fate of Churchill, Fox, Gurnard and Co. Both men would write far better novels About the Author: Joseph Conrad, original name Józef Teodor Konrad Korzeniowski, (born December 3, 1857, Berdichev, Ukraine, Russian Empire [now Berdychiv, Ukraine]—died August 3, 1924, Canterbury, Kent, England), English novelist and short-story writer of Polish descent, whose works include the novels Lord Jim (1900), Nostromo (1904), and The Secret Agent (1907) and the short story “Heart of Darkness” (1902). During his lifetime Conrad was admired for the richness of his prose and his renderings of dangerous life at sea and in exotic places. But his initial reputation as a masterful teller of colourful adventures of the sea masked his fascination with the individual ...(100 of 2481 words). Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he came to be regarded a master prose stylist who brought a non-English sensibility into English literature.
From the author of Books like - Heart of Darkness - Lord Jim - Heart of Darkness and Selected Short Fiction - The Secret Agent - Nostromo - Heart of Darkness and The Secret Sharer - Heart of Darkness and Other Tales - The Shadow-Line - The Secret Sharer - Victory - Tales Of Hearsay - Under Western Eyes - The Arrow Of Gold - The Inheritors - Tales Of Unrest About the Book: Reflecting Conrad's genius for narrative that focuses on the quest for inner truths, The Arrow of Gold is an exploration of the dangerous appetites of men and of human vulnerability, as well as a profound meditation on the emotional boundary between people. Boasting a cast of extraordinary and eccentric personalities, including the heroine Doa Rita, this is a story of adventure on the high seas, of the revelation of love, of the crushing weight of loss, and of freedom found in the recklessness of unadorned sincerity. During the Carlist war of the early 1870s, a young sailor, the unnamed protagonist, joins the champions of Don Carlos de Bourbon, pretender to the throne of Spain. The Carlists use the eager youth's intense attraction to the sea to persuade him to run perilous enterprises for their cause, ventures he later learns have been financed by the beautiful mistress and heiress of a rich man's fortune. When he falls in love with her, he finds himself moved absolutely by this discovery, despite the fact that she is unable to return his love fully. In the end he is left alone with his first love, the sea, his brief time with the mysterious Doa Rita marking a tumultuous awakening to a life of passion, the desolation that hides in its shadow, and the possibility of rebirth in its wake. Although not as well known as his earlier novels Lord Jim and Nostromo, The Arrow of Gold was critically acclaimed when it first appeared in 1919 and is still considered to be among the best of Conrad's later works. About the Author: Joseph Conrad, original name Józef Teodor Konrad Korzeniowski, (born December 3, 1857, Berdichev, Ukraine, Russian Empire [now Berdychiv, Ukraine]—died August 3, 1924, Canterbury, Kent, England), English novelist and short-story writer of Polish descent, whose works include the novels Lord Jim (1900), Nostromo (1904), and The Secret Agent (1907) and the short story “Heart of Darkness” (1902). During his lifetime Conrad was admired for the richness of his prose and his renderings of dangerous life at sea and in exotic places. But his initial reputation as a masterful teller of colourful adventures of the sea masked his fascination with the individual ...(100 of 2481 words). Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he came to be regarded a master prose stylist who brought a non-English sensibility into English literature.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Includes entries for maps and atlases.