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"In 1979 the black robin of the Chatham Islands was on the brink of extinction, with only five birds left. When the Wildlife Service intervened to rescue them in 1980, there was only one female who could lay fertile eggs. She became known as Old Blue. Today there are 200 or more living black robins - all of them her descendants"--Publisher information.
FINALIST FOR THE FRANK O’CONNOR SHORT STORY AWARD NOW WITH AN ADDITIONAL STORY. Heralding the arrival of a stunning new voice in American fiction, If I Loved You, I Would Tell You This takes readers into the minds and hearts of people navigating the unsettling transitions that life presents to us all: A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity. An artist mourns the end of a romance while painting the portrait of a dying man. Brilliant, hopeful, and fearlessly honest, If I Loved You, I Would Tell You This illuminates the truths of human relationships, truths we come to recognize in these characters and in ourselves. BONUS: This edition includes an excerpt from Robin Black's Life Drawing. Look for the If I Loved You, I Would Tell You This discussion guide inside. Praise for If I Loved You, I Would Tell You This “I want to shout about how just when you thought no one could write a story with any tinge of freshness let alone originality about childhood. . . about marriage . . . about old age, Black has done it. . . . Black delivers real emotion, the kind that gives you pause. . . . Will Robin Black win [the Pen/Hemingway Prize] for this book? If I were a judge, she would.”—Alan Cheuse, Chicago Tribune “Pitch-perfect . . . so deft, so understated, and so compelling that you have to slow down to savor each vignette. . . . Fans of Mary Gaitskill, Amy Bloom, and Miranda July will feel like they’ve found gold in a river when they discover Robin Black. . . . [A] writer to watch.”—O: The Oprah Magazine “Each story reads like a mini-novel . . . worlds are contained in a single page. And the writing . . . oh, the writing . . . There’s no narrative cohesion, no point. Rather, If I Loved You is a ‘Fantastic Voyage’ into the bloodstream of the human species. . . . Maybe it’s midlife maturity, maybe it’s raw talent, but If I Loved You leaves you longing for more."—San Francisco Chronicle “Incisive . . . peopled with characters so fully imagined you’ll feel they’re in the room.”—People "Exquisitely distilled tales of loss and reckoning . . . [Black] evokes a Sparkian blend of skepticism and grace."—Vogue
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
Augusta and Owen have taken the leap. Leaving the city and its troubling memories behind, they have moved to the country for a solitary life where they can devote their days to each other and their art, where Gus can paint and Owen can write. But the facts of a past betrayal prove harder to escape than urban life. Ancient jealousies and resentments haunt their marriage and their rural paradise. When Alison Hemmings moves into the empty house next door, Gus is drawn out of isolation, despite her own qualms and Owen's suspicions. As the new relationship deepens, the lives of the two households grow more and more tightly intertwined. It will take only one new arrival to intensify emotions to breaking point. Fierce, honest and astonishingly gripping, Life Drawing by Robin Black is a novel as beautiful and unsparing as the human heart.
This book tells the story of the rare Chatham Island black robin. It will inspire all those concerned with the conservation of endangered species and demonstrates that recovery is possible even in the most extreme cases. In fact, the black robin was nearly extinct--reduced to one surviving breeding pair--when the program described here was put into effect. The innovative techniques used by the team responsible for this effort are described in detail and will allow wildlife biologists around the world to adopt similar strategies suited to their own needs. One of the book's co-authors led the black robin program, and the other was one of the scientists on the team. Written in a lively, nontechnical manner, this book will be of interest to a wide range of conservationists, wildlife biologists, and general readers.
An important and hard-hitting chronicle of black history, written by a celebrated black historian. Winner of the 2020 School & Library Association prize for readers aged 13-16 and the 2020 ALCS Educational Writers' Award. Black history is an integral part of world history. From the injustices of the past and present, we can learn and be inspired to make the world we live in more fair, equal and just. Black History Matters chronicles thousands of years of black history, from African kingdoms, to slavery, apartheid, the battle for civil rights, the global Black Lives Matter protests of 2020 and much more. Important and inspiring black personalities, from Olaudah Equiano to Oprah Winfrey, are highlighted throughout, while achievements and progress are balanced alongside a look at the issues that continue to plague black communities. #Blacklivesmatter is a powerful international movement, designed to raise awareness of and end ongoing injustice towards black people. This book is designed to connect with that movement and offer an important resource for all young readers during Black History Month and beyond.
A Newbery Honor Book and a modern classic of young adult fantasy, The Blue Sword introduces the desert kingdom of Damar, where magic weaves through the blood and weaves together destinies. New York Times–bestselling and award-winning author Robin McKinley sets the standard for epic fantasy and compelling, complex heroines. Fans of Sarah J. Maas, Leigh Bardugo, and Rae Carson will delight in discovering the rich world of Damar. Harry Crewe is a Homelander orphan girl, come to live in Damar from over the seas. She is drawn to the bleak landscape, so unlike the green hills of her Homeland. She wishes she might cross the sands and climb the dark mountains where no Homelander has ever set foot, where the last of the old Damarians, the Free Hillfolk, live. Corlath is the golden-eyed king of the Free Hillfolk, son of the sons of the legendary Lady Aerin. When he arrives in Harry’s town to ally with the Homelanders against a common enemy, he never expects to set Harry’s destiny in motion: She will ride into battle as a King’s Rider, bearing the Blue Sword, the great mythical treasure, which no one has wielded since Lady Aerin herself. Legends and myths, no matter how epic, no matter how magical, all begin somewhere.