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Part fiction, part memoir, part political rant, this fascinating tour of the beatnik subculture follows radical poet Sam Thomas on a wild ride through the 1960s, from Freedom Riders to the Summer of Love, with stops at many odd roadside attractions along the way. Original.
Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs. Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs -- formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg) -- as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels.
In August of 1969, during two bloody evenings of paranoid, psychedelic savagery, Charles Manson and his dystopic communal family helped to wreck the dreams of the Love Generation. At least nine people were murdered, among them Sharon Tate, the young, beautiful, pregnant, actress and wife of Roman Polanski. Ed Sanders' unnerving and detailed look at the horror dealt by Manson and his followers is a classic of the true-crime genre. The Family was originally published in 1971 and remains the most meticulously researched account of the most notorious murders of the 1960s. Using firsthand accounts from some of the family's infamous members, including the wizard himself, Sanders examines not only the origins and legacy of Manson and his family, but also the mysteries that persist. Completely revised and updated, this edition features 25 harrowing black and white photos from the investigation. "One of the best-researched, best-written, thoroughly-constructed, and eminently significant books of our times…. A masterpiece."—Boston Phoenix
Ed Sanders gave readers their clearest insight yet into the disturbing world of Charles Manson and his followers when he published The Family in 1971. Continuing that journalistic tradition, Sanders presents the most thorough look ever into the heartbreaking story of Sharon Tate, the iconic actress who found love, fame, and ultimately tragedy during her all-too-brief life. Sharon Tate: A Life traces Sharon's path from beauty queen to budding young actress: her early love affairs, her romance with and marriage to director Roman Polanski, and the excitement of the glamorous life she had always sought -- all set against the background of the turbulent 1960s. This sympathetic account tells the powerful story of her determined rise through the ranks of Hollywood and to the brink of stardom before her name became forever linked with the shocking murder spree that took her life. In 1969, the Polanski house was targeted by the followers of cultist Charles Manson. Why the Manson clan focused its gaze on Sharon remains unclear, but the world was soon shocked to its core as it learned of the brutal murders of a pregnant Sharon Tate and her friends at her idyllic home in Los Angeles. Sanders once again examines this horrific crime and its aftermath, expounding on what may have led the killers to that particular house on that particular evening. Sharon Tate takes readers on a sometimes joyous yet inevitably heart-wrenching tour of the '60s as seen through the eyes of someone who lived it, survived it, and remembers it all too well. Brilliant illustrations by noted artist Rick Veitch lend character to this riveting narrative of the life and times of a beloved actress whose image and whose fate still haunt us to this day.
This anthology includes many of the major poets to have emerged and gained pre-eminence since World War II, and whose writing reflects not only the significant changes in this nation's postwar history, and the coming to grips with a nuclear age, but also an entirely new way of looking at and structuring reality. United by their "postmodernist" concerns with spontaneity, "instantism," formal and syntactic flexibility, and the revelation of both the creator and the process through the writing itself, these 38 poets represent very diverse strains of an essential American individualism. Included are many of the poets whose work first gained widespread national attention with the 1960 publication of The New American Poetry: Charles Olson, Allen Ginsberg, Paul Blackburn, LeRoi Jones (Amiri Baraka), Denise Levertov, Robert Duncan, and others. Among the poets included here for the first time are Anne Waldman, Diane di Prima, Ed Sanders, Jerome Rothenberg, and James Koller. In addition to a new preface by Allen and Butterick, the book provides autobiographical notes of all the poets and listings of their major works.
AsEverWas, along with Ed Sanders' Tales of Beatnik Glory are the two most important tomes I've seen recounting those decades of the twentieth century. -- Larry Sawyer, Editor, Milk Magazine Hammond takes you places you want to linger and others that cause you to shudder with fears you might not know you had. It was the sixties, but you haven't read this story before. -- Comment on Amazon.com from a reader in Sioux Falls, South Dakota Hammond's book may be one of the quintessential freak histories. -- Michael Simmons, LA Weekly columnist It brought back memories I've never had! -- Gary Fulkerson, singer/songwriter When the counterculture was busy being born in Los Angeles and San Francisco in the mid-1960s, Hammond Guthrie found himself in the midst of hipster heaven, somewhere between late Beat and early Hippie. A budding painter and writer, he quickly made friends with many of the musicians, poets, performance artists and street people who were blazing trails into new lifestyles. Realizing that life was meant to be a total trip, a non-stop adventure, he left the West Coast with his wife for England and immersed himself in the alternative scene in London - the world of International Times, the UFO Club, Arts Lab, inner-city squats - with a writing gig at Time Out magazine. Moving on to Amsterdam, he befriended Provos and free-living bohemians, while building a promising career in the art world - the Stedelijk Museum even bought his paintings for their collection. But in the early 1970s the trip took a surreal turn. His wife started taking free love far too literally, and her amorous escapade with a drug dealer entangled them both in a nerve-racking intrigue in the twilight zone of Tangier. Hammond's Moroccan mission was to spring five Americans, including his wife's lover, from 60-year prison sentences for wholesale hashish smuggling. Here he tells it all in his playful style, with a keen eye for absurd detail and an unflagging sense of humor. Among the hundreds of famous and not-so-famous personalities he encountered along the way were the Buffalo Springfield, Del Close, Max Crosley, Richie Havens, Nico, Carmen McCrea, Allen Ginsberg, John "Hoppy" Hopkins, William Burroughs, Simon Vinkenoog, Kenneth Alsop, Pete Townshend, and Emmet Grogan. I laughed, I cried. It's a marvelous book written in intriguing conversational style, bringing back wonderful memories from a wonderful time. -- Herb Gold, Beat journalist AsEverWas captures the story of countless others who lived on the fringes during an era when the country was at an important crossroads. Anyone who was alive during these turbulent times and who gives a damn about just how we got here should read this book -- John Aiello, poet and journalist Helps you see, feel and understand the moods, people and places that shaped an extraordinary decade. For its style and its lessons, Hammond Guthrie's memoir is a rare and important achievement. -- Stew Albert, co-founder of the Yippies I'm blown away by the stories - [he] really [has] seen and done it all. Just fascinating and, unlike so many of the other accounts I've seen, [Hammond] actually does remember. -- Jeff Tamarkin, author of Got a Revolution 'What a marvelous surprise lurking beneath the cover of this one.' -- Jack Magazine
“It is an evil born of war. It is the end of all things.” Four hundred years ago, Ed and Alice Rico threw themselves through a mysterious portal on the London Underground, hunting for Ed’s lost brother—Alice’s husband—Verne. Now, starship captain Katherine Abdulov embarks on a desperate race against ruthless rival captain—and her former lover—Victor Luciano, to try and earn back her family’s trust. Tomorrow, all their lives will be thrown together by disaster, as an ancient evil stirs among the stars, threatening the survival of all life…
A candid and colorful memoir by the singer, songwriter, and “Duchess of Coolsville” (Time). This troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song . . . Last Chance Texaco is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner and Rickie Lee Jones in her own words (Hilton Als). It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music. With candor and lyricism, she takes us on a singular journey through her nomadic childhood, her years as a teenage runaway, her legendary love affair with Tom Waits, and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee’s stories are rich with the infamous characters of her early songs—“Chuck E’s in Love,” “Weasel and the White Boys Cool,” “Danny’s All-Star Joint,” and “Easy Money”—but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, and a pimp with a heart of gold, and tales of her fabled ancestors. This intimate memoir by one of the most trailblazing and tenacious women in music is filled with never-before-told stories of the girl in the raspberry beret, whose songs defied categorization and inspired American pop culture for decades. “A striking, distinctive self-portrait.” —The New York Times “Terrific . . . Jones is as fearless in prose as she is on stage.” —Minneapolis Star-Tribune “Men leave, fame fizzles, family breaks your heart . . . but Jones knows a good story and how to tell it.” —Kirkus Reviews (starred review) “[The] premiere song-stylist and songwriter of her generation.” —Hilton Als, Pulitzer Prize–winner and author of White Girls