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Rich, vibrant and witty illustrations highlight a totally tropical collection of traditional folktales from the Caribbean, South-East Asia, and Africa.
Alexander Frater was born to a family of Scottish expatriates on the tiny island of Irikiki in the South Seas. Following his dreams of being a writer, Frater left home, but the call of the tropics compelled him to return again and again. Join him as he dines with the Queen of Tonga; makes his way through two civil wars; visits the spots where surfing and bungee jumping originated; and expresses his love for the region where he is at once a tourist, explorer, adventurer, and native son. From Tahiti to Thailand, Mexico to Mozambique, Frater gives us a richly described, endlessly surprising picture of this diverse, feverish, languorously beautiful world.
Tales of the Austral Tropics (1894) is a collection of short stories published in the Sydney Bulletin in the 1890s. Set in tropical northern Australia, Favenc brings to life the half-unknown and mysterious regions of this part of Australia at this time.
"Tales from the Tropics" weaves a suspenseful narrative through the lush and enigmatic landscapes of the jungle. Mia, driven by a thirst for adventure, embarks on a journey fraught with danger and discovery. Guided by an enigmatic figure, she navigates through the secrets hidden within the dense foliage, encountering ancient ruins, mysterious whispers, and hidden menaces along the way. As Mia delves deeper into the heart of darkness, she uncovers a world teeming with ancient power and primal fear. With each step, she confronts the shadows of the past and the mysteries of the present, forging a path toward enlightenment and understanding. In this literary fiction masterpiece, suspense and intrigue intertwine, inviting readers to embark on an unforgettable journey through the untamed beauty of the tropics.
"Every island of the Caribbean is the site of a deep haunting. Before Columbus, the various indigenous peoples - the Arawaks, the Caribs, the Tainos - lived in relative harmony with the land, the sea and each other. Everything changed in 1492: the Amerindian people quickly were decimated, their presence erased by disease, wars and overwork. These are the Caribbean's oldest ghosts, almost invisible in history yet still present in the form of place names, fragments of language, ancient foods, and pockets of descendants speckling the islands. . . ."Given the history of the Caribbean, it is not surprising that much of the region's literature bears a haunted quality: ghosts are everywhere, be they of the Amerindians, the African ancestors, the slaves, the planters, the indentured workers, the victims of dictatorships, foreign invasions and natural disasters, or the modern exiles. To a large extent, Caribbean fiction in general is a collection of ghost stories, tales of haunted people, memories and places. . . ."This book brings together some of the region's leading contemporary authors, from the anglophone, francophone and hispanophone Caribbean, as well as the United States andCanada, and constitutes a unique, transcultural anthology in which living authors evoke the dead, the undead and the dying, the ghosts that haunt their experiences and their works as modern writers of the Caribbean."--From the introduction by Martin Munro
Drawn from ecologist Charles M. Peters’s thirty†‘five years of fieldwork around the globe, these absorbing stories argue that the best solutions for sustainably managing tropical forests come from the people who live in them. As Peters says, “Local people know a lot about managing tropical forests, and they are much better at it than we are.” With the aim of showing policy makers, conservation advocates, and others the potential benefits of giving communities a more prominent conservation role, Peters offers readers fascinating backstories of positive forest interactions. He provides examples such as the Kenyah Dayak people of Indonesia, who manage subsistence orchards and are perhaps the world’s most gifted foresters, and communities in Mexico that sustainably harvest agave for mescal and demonstrate a near†‘heroic commitment to good practices. No forest is pristine, and Peters’s work shows that communities have been doing skillful, subtle forest management throughout the tropics for several hundred years.