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Melinda and her father left Teensie alone in the hotel room. When a housekeeper shows up to turn the beds down for the night, Teensie panics. It's up to him to protect their room and their belongings, but he's just a little goldfish. What can he do? A message from Teensie: Being in a tank has its advantages. Primarily, people forget that I’m there. I mean, let’s be realistic for a moment, even when they do remember I’m around, they don’t see me as a threat. I’m just a harmless goldfish. But that’s not my full story. See, I’m more than just a goldfish. I can talk - and the people I talk to can understand me. I live with an amazing family, Melinda and her father, who are doing everything they can do to keep me safe and give me the life I dream about. Melinda has her books, and I have mine. This is my side of the story. In Tales From the Tank you’ll hear about what actually goes on in the Longers' home, and out in the community! Come with me, and let me take you underwater to experience the adventure my way! From Porsche Ray: This short story is Season 1: Episode 5 of Tales From the Tank - short stories that take place within the full-size novels. Season 1 matches up with Book 1 of the MELINDA series, “Melinda and Her Father Go Scuba Diving". These stories contain bonus content NOT included in the novels, but the storyline does run parallel to what you will see in the larger books. Like all books in the MELINDA series, the content is safe, fun, and absolutely age-appropriate.
The Longers' family is depending on Teensie to show them to the treasure, but when Teensie makes a mistake, they jump into the ocean in the wrong place. Find out how this error changes their relationships! A message from Teensie: Being in a tank has its advantages. Primarily, people forget that I’m there. I mean, let’s be realistic for a moment, even when they do remember I’m around, they don’t see me as a threat. I’m just a harmless goldfish. But that’s not my full story. See, I’m more than just a goldfish. I can talk - and the people I talk to can understand me. I live with an amazing family, Melinda and her father, who are doing everything they can do to keep me safe and give me the life I dream about. Melinda has her books, and I have mine. This is my side of the story. In Tales From the Tank you’ll hear about what actually goes on in the Longers' home, and out in the community! Come with me, and let me take you underwater to experience the adventure my way! From Porsche Ray: This short story is Season 1: Episode 5 of Tales From the Tank - short stories that take place within the full-size novels. Season 1 matches up with Book 1 of the MELINDA series, “Melinda and Her Father Go Scuba Diving". These stories contain bonus content NOT included in the novels, but the storyline does run parallel to what you will see in the larger books. Like all books in the MELINDA series, the content is safe, fun, and absolutely age-appropriate.
Telling Melinda he could talk, was his choice. Melinda telling her father that he could talk, wasn't. Trapped in a cup, Teensie has to speak up for himself and demand respect from the people who care for him. A message from Teensie: Being in a tank has its advantages. Primarily, people forget that I’m there. I mean, let’s be realistic for a moment, even when they do remember I’m around, they don’t see me as a threat. I’m just a harmless goldfish. But that’s not my full story. See, I’m more than just a goldfish. I can talk - and the people I talk to can understand me. I live with an amazing family, Melinda and her father, who are doing everything they can do to keep me safe and give me the life I dream about. Melinda has her books, and I have mine. This is my side of the story. In Tales From the Tank you’ll hear about what actually goes on in the Longers' home, and out in the community! Come with me, and let me take you underwater to experience the adventure my way! From Porsche Ray: This short story is Season 1: Episode 2 of Tales From the Tank - short stories that take place within the full-size novels. Season 1 matches up with Book 1 of the MELINDA series, “Melinda and Her Father Go Scuba Diving". These stories contain bonus content NOT included in the novels, but the storyline does run parallel to what you will see in the larger books. Like all books in the MELINDA series, the content is safe, fun, and absolutely age-appropriate.
Teensie has just been struck by lightning and is hearing a strange voice! Join him as he learns about his new-found power and imagines the things he can accomplish with it! A message from Teensie: Being in a tank has its advantages. Primarily, people forget that I’m there. I mean, let’s be realistic for a moment, even when they do remember I’m around, they don’t see me as a threat. I’m just a harmless goldfish. But that’s not my full story. See, I’m more than just a goldfish. I can talk - and the people I talk to can understand me. I live with an amazing family, Melinda and her father, who are doing everything they can do to keep me safe and give me the life I dream about. Melinda has her books, and I have mine. This is my side of the story. In Tales From the Tank you’ll hear about what actually goes on in the Longers' home, and out in the community! Come with me, and let me take you underwater to experience the adventure my way! From Porsche Ray: This short story is Season 1: Episode 1 of Tales From the Tank - short stories that take place within the full-size novels. Season 1 matches up with Book 1 of the MELINDA series, “Melinda and Her Father Go Scuba Diving". These stories contain bonus content NOT included in the novels, but the storyline does run parallel to what you will see in the larger books. Like all books in the MELINDA series, the content is safe, fun, and absolutely age-appropriate.
Negotiation is stuck. It's time for something new. Almost everything is negotiable. Almost every interaction is a negotiation. And in no field is this clearer than in business, where every day we work with others to get things done. But when we have real differences, is win-win always possible? Or must every negotiation be a zero-sum battle, with a winner and a loser? Over the last half century, two opposing philosophies have ruled the field of negotiation: the win-lose, tooth-and-nail approach of training guru Chester Karrass; and the win-win, "principled" creed of Getting to Yes, developed by Roger Fisher and William Ury. But neither approach fully meets the challenge of today's volatile, disruptive, ultracompetitive business environment, where strategic problem-solving is of critical importance. In Creative Conflict, negotiation experts Bill Sanders and Frank Mobus provide something new. They use a dynamic, dialectical approach to show how negotiations are driven by competition and cooperation at the same time. Counterintuitively, they reveal that conflict lies at the heart of more profitable agreements. They believe that when we tiptoe around conflict, we negotiate in a half-hearted way that limits our results. By contrast, creative negotiators probe and push until they hit a wall of disagreement, and then they figure out how to get past it. The authors construct a clear and useful framework based on three distinct negotiating contexts: Bargaining, Creative Dealmaking, and Relationship Building. They instruct readers on how to skillfully pursue their fair share while simultaneously seeking ways to expand a deal's scope and value for both sides.
Despite years of propaganda attempting to convince us otherwise, popular media is beginning to catch on to the idea that the home is one of the most dangerous and difficult places for a woman to be. This book examines emergent trends in popular media, which increasingly takes on the realities of domestic violence, toxic home lives and the impossibility of "having it all." While many narratives still fall back on outmoded and limiting narratives about gender--the pursuit of romance, children, and a life dedicated to the domestic--this book makes the case that some texts introduce complexity and a challenge to the status quo, pointing us toward a feminist future in which women's voices and concerns are amplified and respected.
For 50 years, Star Trek has been an inspiration to its fans around the world, helping them to dream of a better future. This inspiration has entered our culture and helped to shape much of the technology of the early 21st Century. The contributors to this volume are researchers and teachers in a wide variety of disciplines; from Astrophysics to Ethnology, from English and History to Medicine and Video Games, and from American Studies to the study of Collective Computing Systems. What the authors have in common is that some version of Star Trek has inspired them, not only in their dreams of what may be, but in the ways in which they work - and teach others to work - here in the real world. Introduced with references to Star Trek films and television shows, and illustrated with original cartoons, each of the 15 chapters included in this volume provides insights into research and teaching in this range of academic fields.
A guide to programs currently available on video in the areas of movies/entertainment, general interest/education, sports/recreation, fine arts, health/science, business/industry, children/juvenile, how-to/instruction.
Named a Best Nonfiction Book of 2022 by Esquire A sociological study of reality TV that explores its rise as a culture-dominating medium—and what the genre reveals about our attitudes toward race, gender, class, and sexuality What do we see when we watch reality television? In True Story: What Reality TV Says About Us, the sociologist and TV-lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre. From the first episodes of The Real World to countless rose ceremonies to the White House, reality TV has not just remade our entertainment and cultural landscape (which it undeniably has). Reality TV, Lindemann argues, uniquely reflects our everyday experiences and social topography back to us. Applying scholarly research—including studies of inequality, culture, and deviance—to specific shows, Lindemann layers sharp insights with social theory, humor, pop cultural references, and anecdotes from her own life to show us who we really are. By taking reality TV seriously, True Story argues, we can better understand key institutions (like families, schools, and prisons) and broad social constructs (such as gender, race, class, and sexuality). From The Bachelor to Real Housewives to COPS and more (so much more!), reality programming unveils the major circuits of power that organize our lives—and the extent to which our own realities are, in fact, socially constructed. Whether we’re watching conniving Survivor contestants or three-year-old beauty queens, these “guilty pleasures” underscore how conservative our society remains, and how steadfastly we cling to our notions about who or what counts as legitimate or “real.” At once an entertaining chronicle of reality TV obsession and a pioneering work of sociology, True Story holds up a mirror to our society: the reflection may not always be pretty—but we can’t look away.
The end of the world may be upon us, but it certainly is taking its sweet time playing out. The walkers on The Walking Dead have been "walking" for nearly a decade. There are now dozens of apocalyptic television shows and we use the "end times" to describe everything from domestic politics and international conflict, to the weather and our views of the future. This collection of new essays asks what it means to live in a world inundated with representations of the apocalypse. Focusing on such series as The Walking Dead, The Strain, Battlestar Galactica, Doomsday Preppers, Westworld, The Handmaid's Tale, they explore how the serialization of the end of the world allows for a closer examination of the disintegration of humanity--while it happens. Do these shows prepare us for what is to come? Do they spur us to action? Might they even be causing the apocalypse?