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"Originally published in a single magazine form as Tales of the Starlight Drive-In by SpeakEasy Comics."--T.p. verso.
When human bones are discovered on the grounds of the old Starlite Drive-in, only Callie Anne Benton knows the identity of the victim who mysteriously disappeared thirty-six years ago. It’s the sweltering summer of 1956 when a handsome drifter named Charlie Memphis arrives at the Starlite to help Callie Anne’s injured father run the theater. Both she and her mother, Teal, fall for Memphis’s rugged style and gentlemanly manners, but Callie Anne’s father—bitter in his role as caretaker for the rural drive-in and his agoraphobic wife—doesn’t like the drifter’s increasing interest in Teal. A disastrous turn of events changes their lives forever, and it’s up to the grown-up Callie Anne to unlock the secret of the decades-old mystery. Told through the voice of Callie Anne, a whip-smart tomboy reminiscent of Scout Finch, The Starlite Drive-in is a vivid snapshot of 1950s America. A compelling novel infused with hope, tragedy, and suspense, Callie Anne’s story will strike a chord with readers both young and old.
Coming of age in a Saudi Arabia where they delight in small acts of rebellion against the Saudi cultural police, from secretly wearing Western clothing and listening to forbidden music to flirting and driving, best friends Leena and Mishie find themselves struggling against cultural restrictions that challenge their ambitions for college and independence.
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
For years, tales of DRAGONS from another world kidnapping and enslaving humans have been circulating in Jason Masters’ world, while for a slave girl named Koren, the stories of a human world seem pure myth. Together, these two teens will need to bridge two planets in order to overthrow the draconic threat and bring the lost slaves home. What if the Legends Are True? Jason Masters doubted the myths that told of people taken through a portal to another realm and enslaved by dragons. But when he receives a cryptic message from his missing brother, he must uncover the truth and find the portal before it’s too late. At the same time, Koren, a slave in the dragons’ realm, discovers she has a gift that could either save or help doom her people. As Jason and Koren work to rescue the enslaved humans, a mystic prophecy surrounding a black egg may make all their efforts futile.
A teen’s suspicious death, a shocking police cover-up and a mother’s search for the truth. In 1990, on a November night that hit –28 degrees Celsius, seventeen-year-old Neil Stonechild disappeared only blocks from his mother’s home. His frozen body was found three days later, eight kilometres from where he was last seen in downtown Saskatoon. The police investigation was cursory — no one seemed to wonder about the abrasions on his wrists or the scrapes on his face, or the fact that he was missing a shoe. Neil was drunk and out walking, the police believed, and had died by misadventure. His mother, Stella Bignell, tried her best to push for answers, but no one in authority wanted to listen to a native woman whose sons had often been in trouble with the law. But Stella did not give up, and neither did the only witness, sixteen-year-old Jason Roy, who had seen Neil, beaten and bleeding, in the back of a Saskatoon police cruiser the night he disappeared. Starlight Tour recounts their struggle for justice in the face of indifferent officials, destroyed police files and institutionalized racism. In the decade following Neil’s death, rumours persisted that police sometimes drove natives beyond the edge of town and abandoned them. But it was only in January 2000, when two more men were found frozen to death, that the truth about Neil Stonechild’ s fate began to emerge. A third man, Darrell Night, survived his “starlight tour,” and lived to tell the tale. And soon one of the country’s most prominent aboriginal lawyers, Donald Worme, was on the case. With exclusive co-operation from the Stonechild family, Worme, and other key players, and information not yet revealed in the press coverage, Starlight Tour is an engrossing and damning portrait of rogue cops, racism, obstruction of justice and justice denied, not only to a boy and his mother but to the entire country’s native community.
This collection of short stories is rich in detail and utterly absorbing. Each story is a fictitious, fairy-tale account of adventures, romance, daring and magic. The book is also filled with beautiful full-colour illustrations to help the stories come to life. The stories include: The Brave Grenadier, The Palace of The night, The Enchanted Bay, The Two Millers, The adamant door, The City of the Winter Sleep, Aileel and Alinda, The Wonderful Tune, The Man of the Wildwood, The Maiden of the Mountain, The Bell of the Earth and the Bell of the Sea, The Wood Beyond the World
DigiCat Publishing presents to you this special edition of "Starlight Ranch, and Other Stories of Army Life on the Frontier" by Charles King. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Set during the Great Depression, Sarah Bird's Last Dance on the Starlight Pier is a novel about one woman—and a nation—struggling to be reborn from the ashes. July 3. 1932. Shivering and in shock, Evie Grace Devlin watches the Starlite Palace burn into the sea and wonders how she became a person who would cause a man to kill himself. She’d come to Galveston to escape a dark past in vaudeville and become a good person, a nurse. When that dream is cruelly thwarted, Evie is swept into the alien world of dance marathons. All that she has been denied—a family, a purpose, even love—waits for her there in the place she dreads most: the spotlight. Last Dance on the Starlight Pier is a sweeping novel that brings to spectacular life the enthralling worlds of both dance marathons and the family-run empire of vice that was Galveston in the Thirties. Unforgettable characters tell a story that is still deeply resonant today as America learns what Evie learns, that there truly isn’t anything this country can’t do when we do it together. That indomitable spirit powers a story that is a testament to the deep well of resilience in us all that allows us to not only survive the hardest of hard times, but to find joy, friends, and even family, in them.
NATIONAL BESTSELLER From the beloved, bestselling author of Indian Horse and Medicine Walk, Richard Wagamese's final novel is a rapturous and profoundly moving story of love, compassion, mercy, and the consolations to be found in the natural world. Frank Starlight has long settled into a quiet life working his remote farm, occasionally venturing into the unbroken country around his property to photograph the wild animals who thrive there. His contemplative existence comes to an abrupt end with the arrival of Emmy, a woman on the run who has committed a desperate act so she and her child can escape a life of abuse. Frank takes in Emmy and her daughter to help them get back on their feet, and, gradually, this accidental family grows into a real one. But Emmy's violent ex-boyfriend isn't content to just let her go. He wants revenge and is determined to hunt her down. An instant national bestseller, Starlight was unfinished at the time of Richard Wagamese's death, yet every page radiates with his masterful storytelling, intense humanism, and insights that are as hard-earned as they are beautiful. With astonishing scenes set in the rugged backcountry of the B.C. Interior, and characters whose scars cut deep even as their journey toward healing and forgiveness lifts us, Starlight is a magnificent last gift to readers from a writer who believed in the power of stories to save us.