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Excerpt from Tales From the German, Comprising Specimens From the Most Celebrated Authors Every tale when finished by the translator was carefully revised by his colleague. In those instances alone have the translators deviated from the original, where they found passages and phrases that they conceived would not accord with English notions of propriety. That in such instances they have softened or omitted, needs no apology. It has been suggested to the translators that a notice of the authors and the works themselves might, with advantage, be prefixed to the collection. With this suggestion they have complied, trusting that the limited space allowed will be a sufficient excuse for the very sketchy nature of the biographies, if indeed the following notices are worthy of that name. Gothe and Schiller have attained that universal celebrity, that it would be mere impertinence to say any thing about their lives in a sketch like this. Those eminent promoters of German literature in this country, Mr. T. Carlyle and Sir E. B. Lytton, have done all they could to make the English public familiar with the life of Schiller, and a tolerably full notice of his literary progress will be found in No. LX. of the Foreign Quarterly Review. Those who can read German are recommended to the elaborate life of Schiller by Dr. Hoffmeister, which is a perfect treasury of information and criticism. The materials for a biography of Gothe lie scattered through a vast quantity of correspondence, reminiscences, conversations, and characteristics; but a biography, such as the greatness of the subject requires, is still a desideratum in German literature. The New Paris, by Gothe, which appears in this collection, is from that delightful autobiography, to which the poet has given the name of Dichtung und Wahrheit. The circumtances under which it is told are sufficiently explained by the short introduction prefixed to it. Schiller's Criminal from Lost Honour was written during what is called the "second period" of his life, when after the completion of Don Carlos he had quitted dramatic writing for a time, and devoted himself to the study of philosophy and history. The facts of the story he had learned from his mend Abel at an early period. Hoffimeister's remarks on this story may be found interesting. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
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"The First Printed Translations" by William James Harris is a bibliography that has been compiled with the view of supplementing existing textbooks on English literary history and assisting students in preparing for examinations in Bibliography and Literature. It will also be of service to those who are working for the professional examinations of the Library Association. The great foreign classics have exercised a direct and decided influence upon English literature and the object of this bibliography is to give in concise form the authors and titles, translations, and dates of the first English translations of the chief foreign authors, and incidentally to enable students to note the effect of such translations on the works of many of our great imaginative writers. Excerpt: "ACHILLES TATIUS. Fourth Century. Greek writer. CLEITOPHON AND LEUCIPPE. Tr. by Rev. R. Smith, 1855. One of the decadent Greek novelists. An erotic novel of a conventional type. ÆLFRIC. c. 1006. THE CATHOLIC HOMILIES. Ed. with tr. B. Thorpe, Ælfric Soc., 1844-46. LIVES OF SAINTS. Ed. Text and Tr. W. W. Skeat, E.E.T.S., 1881. Eminent Saxon prelate, one of the most learned of his time. His works, upwards of eighty in number, have been republished by the Ælfric Soc. (London, 1844-46)."
Against the idea that comedy offers us a relief from the horrors of the real world, the German-Jewish-American filmmaker Ernst Lubitsch defended his masterpiece To Be or Not to Be, a comedy from 1942 about the concurrent Nazi occupation of Poland, with the claim that he had made up his mind “to make a picture with no attempt to relieve anybody from anything at any time.” The essays included in The Ethics of Ernst Lubitsch consider Lubitsch’s work from his early Berlin years to his Hollywood fame, emphasizing the idea of ‘comedy without relief’ as the fundamental ethical premise of his special cinematic ‘touch.’ In this edited collection, contributors take a closer look at how Lubitsch addresses delicate and controversial topics like sexuality, love, and revolution, and set out a picture of an engaged ethics without moralism. The Ethics of Ernst Lubitsch is a vital contribution to film scholarship and a tribute to an essential filmmaker.
Characterized by Conrad himself as his “most deeply meditated novel,” Under Western Eyes enjoyed a warm reception on its publication in October 1911. In the century since it has rewarded readers with various pleasures. Exploring the intertwined subjects of personal morality, the nature of the State, national character and identity, and covertly digging into the tensions of his family's past, the novel is the last of Conrad's sustained excursions into overtly political territory. This collection of eleven essays considers Conrad's achievement from several perspectives. Opening with a provocative essay on the text's genesis, it surveys intertextual relations and influences, considers its ethical challenges, its psychological appeal to our time, and its contemporary reception and reception in Russia. Addressed to the scholar of literary Modernism, “Under Western Eyes”: Centennial Essays offers a vivid snapshot of current critical technologies. This well-balanced collection should help the student and classroom teacher alike in pursuing further the novel's richly layered interests.
The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. One of the most important features of British literary and intellectual history over the past 250 years is the influence of German literature. From the second half of the 18th Century, through the first decades of the 19th, German books and ideas attracted, then gained the attention of a nation. Despite the acknowledged importance of the influence on writers such as Coleridge and Carlyle the subject, though often alluded to, was rarely studied. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail. In order to make the collection useful to scholars with a wide range of interest, it has been divided into three parts: Part 1 is a chronological presentation of commentary on German literature in general. It also contains collective reviews of multiple German authors, notices of important anthologies and reactions to influential works about Germany and its culture. Part 2 collects reviews of 18th Century individual German authors and Part 3 is devoted to the English reception of Goethe and Schiller. Parts 2 & 3 contain cross-references to the collective reviews of Part 1. Containing over 200 British serials and articles and reviews from all the major English literary periodicals, the collection also includes a broad sampling of opinion from the more general magazines, including some popular religious publications.