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This book focuses on the written heritage of Muslims in the Philippines, the historical constitution of chancelleries within the Islamic sultanates, and the production of official letters to conduct local and international diplomacy. The standard narrative on Muslims in the Philippines is one that centres political and armed struggles within the region. However, two important aspects remain unattended: the cultural and intellectual production of the sultanates, and the Moro involvement in Southeast Asian Islamic civilization. This book connects the development and personality of the Philippine sultanates into the regional context of local communities that adopted an international faith. Political alliances and religious missions altered different ethnolinguistic groups and furnished them with the Word, the Qur’anic message, and the Arabic script. Indeed, customary orality and Adab shaped a way of being and acting modelled after what was called the Bichara. Particularly, the book studies the Moro Letter as cultural craft with political meaning, and Jawi heritage in the Philippines. A general catalogue of Jawi manuscripts from the National Archives of the Philippines is provided as appendix.
"This collection brings together for the first time 22 short stories by nine Muslim Filipinos written over nearly seven decades, beginning in the 1940s. Muslims are a minority in the predominantly Catholic Philippines and the integration of Muslims into this nation has been uneven. As the stories in this anthology reflect, there is no simple or single way to capture the complex ways Muslims from different backgrounds - but especially those from the college-educated middle classes - interact with and help define contemporary Filipino identity and intellectual life. Few Muslims have seen their work anthologized in major short story collections in the Philippines: this anthology, possibly the biggest assemblage of Muslim Filipino fictionists, is intended to give readers in the Philippines and elsewhere a chance to read and enjoy their writings." --Book Jacket.
Family, Body, Sexuality and Health is Volume III of the Encyclopedia of Women & Islamic Cultures. In almost 200 well written entries it covers the broad field of family, body, sexuality and health and Islamic cultures.
Traditional literature, or 'the deed of the reed pen' as it was called by its creators, is not only the most valuable part of the cultural heritage of the Malay people, but also a shared legacy of Malaysia, Indonesia, Singapore and Brunei. Malay culture during its heyday saw the entire Universe as a piece of literature written by the Creator with the Sublime Pen on the Guarded Tablet. Literature was not just the creation of a scribe, but a scribe himself, imprinting words on the 'sheet of memory' and thus shaping human personality. This book, the first comprehensive survey of traditional Malay literature in English since 1939, embraces more than a millennium of Malay letters from the vague data of the seventh century up to the early beginnings of the modern literatures in the late nineteenth century. The long path trodden by traditional Malay literature is viewed in historical and theoretical perspectives as a development of integral system, caused by cultural and religious changes, primarily by gradual Islamization. This changing system considered in the entirety of its genres and works, is seen both externally and internally: from the point of view of modern scholarship and through the examination of indigenous concepts of literary creativity, poetics and aesthetics. The book not only repesents an original study based on a specific historico-theoretical approach, but it is also a complete reference-work and an indispensable manual for students.
The term Asia is a problematic and highly artificial construct, because hardly anything - not language, religion, politics, or even geography - unites this huge area. Within the context of this study, however - which focuses on parts of South, Southeast, and East Asia (home to the vast majority of the population) - there exists a unifying factor of paramount significance: rice. Not only is rice the staple food in these regions, it is the focal point of a pervasive set of interrelated beliefs and practices. For those who consume it, this foodstuff is considered divinely given and is felt to sustain them in a special way, one that may be understood as constitutional and even spiritual. This volume explores beliefs and practices relating to rice as they are made manifest in the unique arts and material cultures of the various peoples considered. Incorporating essays by twenty-seven authorities representing a wide variety of cultures and writing from diverse perspectives, the book is astounding in its polyphony. The thirty-five lavishly illustrated essays describe rice-related rituals and beliefs in parts of Thailand, Nepal, India, Indonesia, the Philippines, Vietnam, Japan, China, and Korea. Throughout, the juxtaposition of magnificent photographs of works of art - paintings, prints, ceramics, textiles, lacquerware, and sculpture - with objects of a more humble nature – agricultural implements, rice-straw ornaments, cooking utensils, baskets, puppets, votive plaques, and more - serves to indicate the striking pervasiveness of rice in all aspects and all walks of life. Wedding ceremonies, parades, festivals, celebrations of birth, rites held to honor the rice goddess, and those performed to ensure success at every step in the rice-growing cycle are vividly described and illustrated with striking field photographs. The whole gives the reader the rare opportunity to compare similarities and differences in how a rich array of Asian cultures views the food that nourishes them.