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Wilhelm Hauff (1802-1827) was a German poet and novelist. Considering his brief life, he was an extraordinarily prolific writer. The freshness and originality of his talent, his inventiveness, and his genial humour have won him a high place among the southern German prose writers of the early nineteenth century. In 1820, he began to study at the University of Tübingen. On leaving the university, he became tutor to the children of the famous Württemberg minister of war, General Baron Ernst Eugen von Hugel (1774-1849) and for them wrote his Marchen (fairy tales), which he published in his Marchen Almanach auf das Jahr 1826 (Fairytale Almanac of 1826). Inspired by Sir Walter Scott's novels, Hauff wrote the historical romance Lichtenstein: Romantische Sage aus der wuerttembergischen Geschichte (Lichtenstein: Romantic Saga from the History of Württemberg) (1826), which acquired great popularity in Germany and especially in Swabia. Other works include: Der Mann im Mond (The Man in the Moon) (1825), Mitteilungen aus den Memoiren des Satan (Memoirs of Beelzebub) (1826) and Phantasien im Bremer Ratskeller (The Wine-Ghosts of Bremen) (1827).
A tale rich in unforgettable characters and fantastic settings and events, Dwarf Nose tells the story of a little boy whose complaining so angers a wicked fairy that she casts a spell on him. Zwerger's illustrations evoke all the magic, mystery, and drama of this German classic. Full color.
Two stories in which disadvantaged characters use magic to overcome adversity.
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Germany has had a profound influence on English stories for children. The Brothers Grimm, The Swiss Family Robinson and Johanna Spyri's Heidi quickly became classics but, as David Blamires clearly articulates in this volume, many other works have been fundamental in the development of English chilren's stories during the 19th Centuary and beyond. Telling Tales is the first comprehensive study of the impact of Germany on English children's books, covering the period from 1780 to the First World War. Beginning with The Adventures of Baron Munchausen, moving through the classics and including many other collections of fairytales and legends (Musaus, Wilhelm Hauff, Bechstein, Brentano) Telling Tales covers a wealth of translated and adapted material in a large variety of forms, and pays detailed attention to the problems of translation and adaptation of texts for children. In addition, Telling Tales considers educational works (Campe and Salzmann), moral and religious tales (Carove, Schmid and Barth), historical tales, adventure stories and picture books (including Wilhelm Busch's Max and Moritz) together with an analysis of what British children learnt through textbooks about Germany as a country and its variegated history, particularly in times of war.
Records the stories told around the campfire by the members of a legendary caravan.
Although the Brothers Grimm and Hans Andersen came to dominate the world of fairytales in the second half of the nineteenth century, they were not the only collectors or authors of fairytales to gain an English-speaking public during this period. Other German collectors of traditional tales are dealt with elsewhere, but of those writers who composed their own tales Wilhelm Hauff heads the list. His Marchen, whether published as a book or separately, have kept a firm place in German children's reading from the time of their first appearance right to the present day. Equally, there has been a steady stream of English editions over the same period. "Dwarf, the Nose" (or "Little Longnose") is one of the most famous fairy tales of the German writer Wilhelm Hauff. The main character of the tale is a boy, who was stolen by an old witch and transformed into the ugly dwarf. After he had fled from her, he tried to return home. But his parents didn't recognize him. Working at the lord's kitchen, he managed to save the girl Mimi, who was also transformed into the goose by the witch. Their friendship helps them to overcome all difficulties and to become uncharmed. Includes vintage illustration!