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With great enthusiasm and optimism, Yaya leaves her village of Yakiri for Yamade, the nation's capital, to attend university. However, her dreams of a blissful life quickly fade. Yaya's journey begins on treacherous roads, patrolled by gun-toting and corrupt gendarmes and policemen, forewarning the challenges ahead. Upon arriving in Yamade, she narrowly escapes being robbed of all her money. The capital, far from the glamour she imagined, starkly contrasts extremely wealthy neighbourhoods with poverty-stricken, pestilential shantytowns. Forced to reside in a township specifically for underprivileged students, she is exposed to many dangers and becomes victim of two instances of sexual assault and contracts cerebral malaria. Despite these immense hardships, she remains resolute, navigating treacherous social and political landscapes to graduate from university with a law degree. She joins a female organization fighting for women's rights, transforming it into a powerful political party. Her goal: to dismantle the oppressive system that nearly broke her. Through teamwork and strategic maneuvering, she rises to become the president of her country, Mungo. Yaya's journey stands as a testament to the enduring legacy of foresight, courage, and determination that characterizes the struggles of African women in the face of injustice.
The village of Yakiri has been cursed by ancestral wrath because of the treatment of Yaa, the first girl who wrestled her male goatherd peers to earn the right to be initiated into the society of manhood. Her struggle is taken up generations later by Yaya, the granddaughter of Tafan and Wirba. Orphaned like her forebear, Yaya becomes a star student in the village's primary school and promises to go far. But, ask the villagers, is it right to invest in an education for an African girl who may become the property of another village? An educated woman will abandon the farm where she is needed, wear high heels and try to order men around! In the midst of it all, one Irish missionary, living in Africa and for the most time with Africans, literally wiggles his way into hearts and minds. With his intervention, Yaya leaves the village to school in the city, but her troubles as a woman have not really begun. Yarns of cultural borrowing, indigestion and transcendence reveal the simple and complex ways in which community matters are confronted and decided. This happens in shrines where seers are consulted and cowry shells thrown, in palm wine houses, but also around the school and presbytery. The untold stories and perspectives of girls and women burst through in illuminating and uplifting ways. Quarrels, squabbles, near collisions and mutual conversions give way to innovative traditions.
The village of Yakiri has been cursed by ancestral wrath because of the treatment of Yaa, the first girl who wrestled her male goatherd peers to earn the right to be initiated into the society of manhood. Her struggle is taken up generations later by Yaya, the granddaughter of Tafan and Wirba. Orphaned like her forebear, Yaya becomes a star student in the village's primary school and promises to go far. But, ask the villagers, is it right to invest in an education for an African girl who may become the property of another village? An educated woman will abandon the farm where she is needed, wear high heels and try to order men around! In the midst of it all, one Irish missionary, living in Africa and for the most time with Africans, literally wiggles his way into hearts and minds. With his intervention, Yaya leaves the village to school in the city, but her troubles as a woman have not really begun. Yarns of cultural borrowing, indigestion and transcendence reveal the simple and complex ways in which community matters are confronted and decided. This happens in shrines where seers are consulted and cowry shells thrown, in palm wine houses, but also around the school and presbytery. The untold stories and perspectives of girls and women burst through in illuminating and uplifting ways. Quarrels, squabbles, near collisions and mutual conversions give way to innovative traditions.
The first travel book for the sisters!
This anthology includes eight traditional tales from all over Africa. Sumptuous hand-sewn collage artwork decorated with African beads adorns these unforgettable tales of bravery, wisdom, wit and heroic deeds
Retold Afro-American folktales of animals, fantasy, the supernatural, and desire for freedom, born of the sorrow of the slaves, but passed on in hope.
As Ama's wedding day approaches and her friends - Beauty, Matlakala and Pamela are there to lend varying degrees of support. But when tragedy strikes on Ama's wedding day and spreads to every corner of the group's lives they hold on to each other to survive. Will their misfortunes bring them closer together or will they tear the quilt of their friendship apart? They are our mothers, our sisters, our daughters, our girlfriends, our aunties. Pamela's body is a ravaged canvas of her troubles. Matlakala tries to prop up a failing relationship. Beauty's sharp tongue and dark secret threatens to doom her to a life lived alone. In To the Black Women We All Knew, Maenetsha showcases the modern township existence and its weakening yet ever-present link to tradition. Her vivid writing tells of the capriciousness of life and love and the strength of women in the face of a crisis.
"The inspiring journey of a girl from Africa whose near-death experience sparked a dream that changed the world"--
The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.