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Losing his wife to breast cancer after 50 years of marriage, forces Phil to seek an answer to a question. Did he and his wife Terry have a real marriage, or was it more of a charade? Did they endure all those years together in quiet desperation, or was it as a friend once said, "You and Terry had a 50 year love affair and never knew it." Travel with Phil and his family as they ride over roads that were straight, narrow with sharp curves, and at other times unpaved with potholes and detours. Phil candidly shares the personal joys and sorrows of his life with Terry in an attempt to relinquish his own feeling of guilt, remorse, and loneliness. Taking Back Sunday is his permission slip to let go just as he gave the same permission slip to his wife moments before her death.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Get the Summary of Chris Payne's Where Are Your Boys Tonight in 20 minutes. Please note: This is a summary & not the original book. "Where Are Your Boys Tonight" by Chris Payne chronicles the evolution of the emo and punk music scenes through the experiences of various bands and industry figures. The book delves into the personal and professional lives of artists from bands like My Chemical Romance, Fall Out Boy, Panic! at the Disco, and Paramore, among others. It captures the rise to fame, the challenges of maintaining success, and the impact of the music on fans and culture...
A modern-day love story that explores childhood trauma, the boundaries between idealism and self-righteousness, and the heartaches we must confront in order to chart our courses forward. Lo Gunderson feels trapped in her small midwestern hometown until she sees an ad for a free car in the local paper. To maintain her staunch anticapitalist values, she refuses to spend money on what she can find for free, so this car is the perfect ticket out of the town. Though it doesn’t cost any money, it still comes with a price. Blanche Peterson is dying and asks for a single favor—that Lo track down her estranged son, whom Blanche hasn’t seen in over a decade. Before she can decide whether to fulfill Blanche’s dying wish, she needs to get the car started. She’s helped by John Blank, a Southern auto mechanic who moved up north for a fresh start. Despite vastly different backgrounds, they share an electrifying mutual attraction that threatens to upend Lo’s carefully constructed worldview. Meanwhile, Blanche’s son, Jason, finds himself adrift after an argument with his girlfriend. Memories of his negligent mother and the death of his father resurface for the first time in years as he travels across the country searching for what comes next. Manmade Constellations is a smart, magnetic, and emotional novel dedicated to the American landscape, exploring how taking to the open road teaches lessons that can’t be learned at home.
A gorgeous hardcover time capsule of the emo music scene as it was from 1996 to 2006, featuring never-before-seen photographs and never-before-told stories from key emo musicians, photographers, and icons. While the term emo has become a familiar label, there was a time when that wasn’t the case. Many bands of the mid-to-late '90s would never have classified themselves as such. With the advent of the 2000s, the previously underground emo scene was put on the map, and the term and sound of the genre morphed into something new. Today, the musical and cultural impact of this movement is alive and well, responsible for some of the biggest and most influential acts of the 21st century, from Jimmy Eat World to My Chemical Romance, and the emo label has been reclaimed by those who can’t imagine life without it. Through rare and never-before-seen photographs Amy Fleisher Madden, founder of Fiddler Records (Dashboard Confessional, New Found Glory, Recover, and more), thoughtfully and lovingly put together this moving archive of the second and third waves of emo. With a foreword by Chris Carrabba of Dashboard Confessional and revealing essays from Frank Iero, Geoff Rickly, Norman Brannon, and Matt Pryor, as well as insights and bite-sized narratives from photographers and other musicians of the era, this heartwarming time capsule expounds an extraordinary moment in music history—a scene that gave life to not only numerous big names but also to a powerful sound and even more powerful friendships. Featuring more than eighty bands, including: Jimmy Eat World Dashboard Confessional My Chemical Romance Texas Is the Reason Taking Back Sunday The Get Up Kids Thursday Fall Out Boy American Football Jawbreaker From basements and VFW halls to dive bars and holes-in-the-wall, during long overnight drives through the middle of nowhere and stolen moments of sleep in carbon-copy motels, Negatives captures the heart of what made up this tight-knit community, an official archive of life as it was, taking you on stage, behind the curtain, and on the road. A UNIQUE LOVE LETTER FROM EXPERT AUTHOR: The first of its kind, Negatives is not a critic's take—rather a touching and heartfelt time capsule and photographic archive of the scene as told by those who lived it. RARE AND NEVER-BEFORE-SEEN MATERIAL: Founder of Fiddler Records Amy Fleisher Madden compiles hundreds of high-quality photos of more than eighty bands, as well as essays and bite-sized narratives from photographers and key musicians of the era. STAR CONTRIBUTORS: Foreword by Chris Carrabba (Dashboard Confessional) with essays by Frank Iero (My Chemical Romance), Geoff Rickly (Thursday), Norman Brannon (Texas Is the Reason), Matt Pryor (The Get Up Kids), Jesse Johnson (Motion City Soundtrack), Bob Nanna (Braid, Hey Mercedes), and Andrew McMahon (Something Corporate). A MUSIC GIFT FOR EVERY EMO FAN: Focusing on the second and third waves (1996–2006), Negatives includes hundreds of high-quality images of bands including Jimmy Eat World, Dashboard Confessional, My Chemical Romance, Texas Is the Reason, Taking Back Sunday, The Get Up Kids, Thursday, The Promise Ring, American Football, Saosin, and more. Perfect for: Emo fans of all kinds and all waves Fans of second-wave bands like Sunny Day Real Estate, third-wave bands like My Chemical Romance, and indie emo bands like Death Cab for Cutie Music history fans Musicians and aspiring musicians Photography enthusiasts Music lover's gift idea for birthday, graduation, holiday, or any special occasion
Nothing Feels Good: Punk Rock, Teenagers, and Emo tells the story of a cultural moment that's happening right now-the nexus point where teen culture, music, and the web converge to create something new. While shallow celebrities dominate the headlines, pundits bemoan the death of the music industry, and the government decries teenagers for their morals (or lack thereof) earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship - between young people and the empathetic music that sets them off down a road of self-discovery and self-definition - is emo, a much-maligned, mocked, and misunderstood term that has existed for nearly two decades, but has flourished only recently. In Nothing Feels Good, Andy Greenwald makes the case for emo as more than a genre - it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, from tour buses to chat rooms, and from the diary to the computer screen, Nothing Feels Good narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line. Nothing Feels Good is the first book to explore this exciting moment in music history and Greenwald has been given unprecedented access to the bands and to their fans. He captures a place in time and a moment on the stage in a way only a true music fan can.
"Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large." —Annie Clark, St. Vincent An acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new material Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. In order for the music industry to change, Hopper writes, we need “the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together.” The First Collection of Criticism by a Living Female Rock Critic—published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby—is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.
NEW YORK TIMES BESTSELLER They met over their dogs. Gail Caldwell and Caroline Knapp (author of Drinking: A Love Story) became best friends, talking about everything from their love of books and their shared history of a struggle with alcohol to their relationships with men. Walking the woods of New England and rowing on the Charles River, these two private, self-reliant women created an attachment more profound than either of them could ever have foreseen. Then, several years into this remarkable connection, Knapp was diagnosed with cancer. With her signature exquisite prose, Caldwell mines the deepest levels of devotion, and courage in this gorgeous memoir about treasuring a best friend, and coming of age in midlife. Let’s Take the Long Way Home is a celebration of the profound transformations that come from intimate connection—and it affirms, once again, why Gail Caldwell is recognized as one of our bravest and most honest literary voices.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.