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Taking a Stand in a Postfeminist World offers an engaged cultural criticism in a postfeminist context. At the end of the twentieth century, an increasingly globalized world has given rise to a cultural complexity characterized by a rapid increase in competing discourses, fragmented subjectivities, and irreconcilable claims over cultural representation and who has the right to speak for, or about, "others." While feminism has traditionally been a potent site for debates over questions that have arisen out of this context, recently, it has become so splintered and suspect that its insights are often dismissed as predictable, seriously reducing its capacity to offer powerful cultural criticism. In this postfeminist context, the authors argue for a cultural criticism that is strategic, not programmatic, and that preserves the multiple commitments, ideas, and positions required of interactions and identifications across lines of cultural, racial, and gender difference. Selecting sites where such interactions are highlighted and under current scrutiny—film, consumer culture, tourism, anthropology, and the academy—the authors theorize and demonstrate the struggles and maneuvers required to "take a stand" on a wide range of issues of significance to the contemporary cultural moment.
Ranging across contemporary culture from the academy to shopping malls, this book offers engaged cultural criticism in a postfeminist context.
Women in Lagos, Nigeria, practice a spectacularly feminine form of black beauty. From cascading hair extensions to immaculate makeup to high heels, their style permeates both day-to-day life and media representations of women not only in a swatch of Africa but across an increasingly globalized world. Simidele Dosekun's interviews and critical analysis consider the female subjectivities these women are performing and desiring. She finds that the women embody the postfeminist idea that their unapologetically immaculate beauty signals—but also constitutes—feminine power. As empowered global consumers and media citizens, the women deny any need to critique their culture or to take part in feminism's collective political struggle. Throughout, Dosekun unearths evocative details around the practical challenges to attaining their style, examines the gap between how others view these women and how they view themselves, and engages with ideas about postfeminist self-fashioning and subjectivity across cultures and class. Intellectually provocative and rich with theory, Fashioning Postfeminism reveals why women choose to live, embody, and even suffer for a fascinating performative culture.
This collection of original essays looks at the way in which experiences and representations of femininity are changing, and explores the possibilities for producing 'new' femininities in the twenty-first century. The volume includes a Preface by leading feminist scholar Angela McRobbie.
DIVFeminist essays examining postfeminism in American and British popular culture./div
This collection of articles and artwork examines inclusive community development education, which engages members of diverse, often marginalised groups in research and education for social change. Community development education is the democratic and scholarly practice of involving everyday people, from all backgrounds, in the research-based process of designing, starting, and evaluating programs that meet people's needs. The book's varied contributions serve as personalised invitations to: work with others as equals, join democratic social projects, talk to people "you wouldn't have talked to before", value self-education, recognise contributions made by unpaid workers, invent ways to be non-violent, challenge passivity, and use democracy as a way to improve communities and the world. Addressing culture to science, chapters contain work carried out by younger and older scholarly activists in: Women's Studies, anti-racist and anti-colonial studies, history, the social sciences, global studies, community studies, media studies, horticulture, philosophy, education, co-operatives and community service, social-movement organising, project development, political art, and popular music. Each chapter contains diverse themes, comes from multidisciplinary research, and speaks to the subject of education for social change in individual ways. Contributions focus on popular education, self-education, self-defined group education, group-defined university projects, and scholarly activism in local to global movements.
In this comprehensive overview, Mary E. Hawkesworth explores transnational feminist efforts to produce a more just global order. Arguing that globalization is a feminist issue, she considers how social, economic, and political inequalities between men and women of different races, classes, ethnicities, and nationalities have been produced and contested over the past two centuries of capitalist development. The author demonstrates how women have forged international networks and alliances to address specific gender issues beyond the borders of the nation-state. By providing critical new insights into the gendered nature of the global system and the gendered dynamics of international institutions and nation states, this work will be invaluable for all those engaged in the interdisciplinary fields of globalization studies and feminist studies.
A Companion to the Anthropology of the Body and Embodiment offers original essays that examine historical and contemporary approaches to conceptualizations of the body. In this ground-breaking work on the body and embodiment, the latest scholarship from anthropology and related social science fields is presented, providing new insights on body politics and the experience of the body Original chapters cover historical and contemporary approaches and highlight new research frameworks Reflects the increasing importance of embodiment and its ethnographic contexts within anthropology Highlights the increasing emphasis on examining the production of scientific, technological, and medical expertise in studying bodies and embodiment
This advanced analysis of gender issues in higher education represents a significant new turn in feminist thinking. Fractured Feminisms resists and reshapes boundaries by investigating how gender studies' intersection with race and ethnicity, class, postcoloniality, sexuality, globalization, interdisciplinarity, technology studies, and administration exposes the "silenced other" of feminisms themselves. These crucial conversations about feminisms depend upon facing the perplexing rhetorical problems within feminist debates, yet work within these fractures to discover newly emerging, productive feminist practices. This book contends that it's important to better understand the ways in which feminist rhetorics both empower and constrain and the kinds of identities feminisms afford as well as deny.
The year is 1970: The Supreme Court has legalized abortion, Equal Pay for Equal Work is now the law, and Affirmative Action programs attempt to redress past injustices and inequities. Women are coming together nationwide in consciousness-raising groups, sharing their knowledge and experiences with each other. A group of six women in Stentoria, California bond through such a group, and support each other as women in this new Movement are forming collectives; publishing their own books and periodicals; creating an exciting new genre of Womens Music; as well as starting their own bookstores, to make these new materials readily available to the community. New spiritual movementsfocused on the Divine Feminine principleare also beginning. Even some men are sympathetic and supportive of these ideals. But as the 1980s arrive, the situation changes: the backlash against the womens movement in politics and the media seemingly turns into a full-fledged war, specifically targeting the gains that women have achieved. Opposition from traditional religions hardens, and womens reproductive rights come under renewed attack; the Equal Rights Amendment fails, even as women themselves debate controversial questions: such as banning pornography, and how to view a rising Third Wave of the womens movement. Ominously, the threat of AIDS seemingly brings the era of sexual freedom to a close. The six women deal with all these issues, as well as personal challengesincluding balancing work and family responsibilities. As the new century begins, they reflect about what the womens movement ultimately accomplished. In a world now characterized by growing economic inequality, increasing low self-esteem for some women (exemplified by cosmetic surgery and extreme makeovers), legalized same-sex marriage, and media attention to Transgender issues, this book may help you to appreciate not only how far weve come, but how far we have yet to go.