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This book examines and reviews some of the key figures in Taiwan Studies to plot the development of the field by revisiting their earlier influential books and bodies of work. Often autobiographical in detail, each chapter asks the author to discuss the origins of their research and how their engagement with the field has developed since. The contributors then discuss their methodologies, fieldwork and arguments, as well as how their work was received at the time. They also go on to reflect on their chosen methods and core findings, assessing whether they have stood the test of time. Reflecting the diversity of the Taiwan Studies field, subjects covered in this volume include sociology, musicology, linguistics, comparative politics, international relations and anthropology. As such, this comprehensive overview adopts a distinctly interdisciplinary approach to understanding Taiwan. Painting a picture of the changing state of international Taiwan Studies through the work of leading scholars, this book will be invaluable to students and scholars of Taiwan Studies, Chinese Studies and Asian politics, culture and society.
In 1991 Taiwan held its first fully democratic election. This first single volume of party politics in Taiwan analyzes the evolution of party competition in the country, looking at how Taiwan’s parties have adjusted to their new multi-party election environment. It features key chapters on: the development of party politics in Taiwan the impact of party change on social welfare, corruption and national identity party politics in the DPP era. Including interviews with high-ranking Taiwanese politicians and material on the 2004 Presidential election, this important work brings the literature up-to-date. It provides a valuable resource for scholars of Chinese and Taiwanese politics and a welcome addition to the field of regime transition and democratization.
This book shows that Taiwan, unlike other countries, avoided serious economic disruption and social conflict, and arrived at its goal of multi-party competition with little blood shed. Nonetheless, this survey reveals that for those who imagine democracy to be the panacea for every social, economic and political ill, Taiwan's continuing struggles against corruption, isolation and division offer a cautionary lesson. This book is an ideal, one-stop resource for undergraduate and postgraduate students of political science, particuarly those interested in the international politics of China, and the Asia-Pacific.
Written by an experienced teacher and scholar, this new and revised second edition of Government and Politics in Taiwan introduces students to the big questions concerning change and continuity in Taiwanese politics and governance. Taking a critical approach, Dafydd Fell provides students with the essential background to the history and development of the political system, as well as an explanation of the key structures, processes and institutions that have shaped Taiwan over the last few decades. Using key features such as suggestions for further reading and end-of-chapter study questions, this textbook covers: • the transition to democracy and party politics; • cross-Strait relations and foreign policy; • electoral politics and voting; • social movements; • national identity; • gender politics. Having been fully updated to take to take stock of the 2012 and 2016 General Elections, the Sunflower Movement and new developments in cross-Strait relations, this is an essential text for any course on Taiwanese politics, Chinese politics and East Asian politics.
Examining the Green Party Taiwan (GPT) since its establishment through the aftermath of the most recent national elections in January 2020, this book focuses on Taiwan’s most important movement party over the last two and a half decades. Despite its limited electoral impact, its leaders have played a critical role in a range of social movements, including anti-nuclear and LGBT rights campaigns. Plotting the party’s evolution in electoral politics as well as its engagement with the global green movement, this volume analyses key patterns of party change in electoral campaign appeals, organisation and its human face. The second half of the volume concentrates on explaining both the party’s electoral impact and why the party has adjusted ideologically and organisationally over time. Based on a wide range of material collected, including focus groups, interviews and political communication data, the research relies heavily on analysis of campaign material and the voices of party activists and also considers other Green Parties, such as the splinter Trees Party and GPT-Social Democratic Alliance. Applying a wide range of theoretical frameworks to plot and explain small party development, this book will appeal both to students and scholars of Taiwan’s politics and civil society but also to readers with an interest in small parties and particularly environmental parties and movements.
Peking Opera and Politics in Taiwan tells the peculiar story of an art caught in a sea of ideological ebbs and flows. Nancy Guy demonstrates the potential significance of the political environment for an art form's development, ranging from determining the smallest performative details (such as how a melody can or cannot be composed) to whether a tradition ultimately thrives or withers away.When Chiang Kai-shek's Nationalist government and military retreated to Taiwan in 1949, they brought along numerous Peking opera performers. Expecting that this symbolically important art would strengthen regime legitimacy and authority, they generously supported Peking opera's perpetuation in exile. Valuing mainland Chinese culture above Taiwanese culture, the Nationalists generously supported Peking opera to the virtual exclusion of local performing traditions, despite their wider popularity. Later, as Taiwan turned toward democracy, the island's own "indigenous" products became more highly valued and Peking opera found itself on a tenuous footing. Finally, in 1995, all of its opera troupes and schools (formerly supported by the Ministry of Defense) were dismantled.Nancy Guy investigates the mechanisms through which Peking Opera was perpetuated, controlled, and ultimately disempowered, and explores the artistic and political consequences of the state's involvement as its primary patron. Her study provides a unique perspective on the interplay between ideology and power within Taiwan's dynamic society.Nancy Guy is an associate professor of music at the University of California, San Diego.
Explores the application of constructivist theory to international relations. The text examines the relevance of constructivism for empirical research, focusing on some of the key issues of contemporary international politics: ethnic and national identity; gender; and political economy.
China has undergone dramatic change in its economic institutions in recent years, but surprisingly little change politically. Somehow, the political institutions seem capable of governing a vastly more complex market economy and a rapidly changing labor force. One possible explanation, examined in Zouping Revisited, is that within the old organizational molds there have been subtle but profound changes to the ways these governing bodies actually work. The authors take as a case study the local government of Zouping County and find that it has been able to evolve significantly through ad hoc bureaucratic adaptations and accommodations that drastically change the operation of government institutions. Zouping has long served as a window into local-level Chinese politics, economy, and culture. In this volume, top scholars analyze the most important changes in the county over the last two decades. The picture that emerges is one of institutional agility and creativity as a new form of resilience within an authoritarian regime.
This edited volume provides a complete introduction to critical issues across the field of Indigenous peoples in contemporary Taiwan, from theoretical approaches to empirical analysis. Seeking to inform wider audiences about Taiwan’s Indigenous peoples, this book brings together both leading and emerging scholars as part of an international collaborative research project, sharing broad specialisms on modern Indigenous issues in Taiwan. This is one of the first dedicated volumes in English to examine contemporary Taiwan’s Indigenous peoples from such a range of disciplinary angles, following four section themes: long-term perspectives, the arts, education, and politics. Chapters offer perspectives not only from academic researchers, but also from writers bearing rich practitioner and activist experience from within the Taiwanese Indigenous rights movement. Methods range from extensive fieldwork to Indigenous-directed film and literary analysis. Taiwan's Contemporary Indigenous Peoples will prove a useful resource for students and scholars of Taiwan Studies, Indigenous Studies and Asia Pacific Studies, as well as educators designing future courses on Indigenous studies.
In the hills of China’s central Hunan province, an anxious young apprentice officiates over a Daoist ritual known as the Banner Rite to Summon Sire Yin. Before a crowd of masters, relatives, and villagers—and the entire pantheon of gods and deceased masters ritually invited to witness the event—he seeks to summon Celestial Lord Yin Jiao, the ferocious deity who supplies the exorcistic power to protect and heal bodies and spaces from illness and misfortune. If the apprentice cannot bring forth the deity, the rite is considered a failure and the ordination suspended: His entire professional career hangs in the balance before it even begins. This richly textured study asks how the Banner Rite works or fails to work in its own terms. How do the cosmological, theological, and anthropological assumptions ensconced in the ritual itself account for its own efficacy or inefficacy? Weaving together ethnography, textual analysis, photography, and film, David J. Mozina invites readers into the religious world of ritual masters in today’s south China. He shows that the efficacy of rituals like the Banner Rite is driven by the ability of a ritual master to form an intimate relationship with exorcistic deities like Yin Jiao, which is far from guaranteed. Mozina reveals the ways in which such ritual claims are rooted in the great liturgical movements of the Song and Yuan dynasties (960–1368) and how they are performed these days amid the social and economic pressures of rural life in the post-Mao era. Written for students and scholars of Daoism and Chinese religion, Knotting the Banner will also appeal to anthropologists and comparative religionists, especially those working on ritual.