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Taifa is a story of African intellectual agency, but it is also an account of how nation and race emerged out of the legal, social, and economic histories in one major city, Dar es Salaam. Nation and race—both translatable as taifa in Swahili—were not simply universal ideas brought to Africa by European colonizers, as previous studies assume. They were instead categories crafted by local African thinkers to make sense of deep inequalities, particularly those between local Africans and Indian immigrants. Taifa shows how nation and race became the key political categories to guide colonial and postcolonial life in this African city. Using deeply researched archival and oral evidence, Taifa transforms our understanding of urban history and shows how concerns about access to credit and housing became intertwined with changing conceptions of nation and nationhood. Taifa gives equal attention to both Indians and Africans; in doing so, it demonstrates the significance of political and economic connections between coastal East Africa and India during the era of British colonialism, and illustrates how the project of racial nationalism largely severed these connections by the 1970s.
Black Power, Black Lawyer tells the story of the rebellious journey of a young woman coming of age during the Black Power era and the social justice lawyer she becomes.
This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Banū Hūd at Zaragoza, and that dynasty's palace, the Aljafería. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-ḥimyarī and al-Fatḥ ibn Khāqān. The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljafería's ornamental program will be of particular interest, not only to historians of Islamic art, but to students of all visual traditions with strong non-figural components. In addition, Part One also proposes that taifa court culture has been considered as a culture of "courtly love," and this argument also forms the point of departure for Part Two. The second part of the study uses luxury objects of Islamic and Limousine production as a point of departure for a detailed comparison of the thematics of taifa poetry in classical Arabic on the themes of courtly love and pleasures with those of the better-known Provençal tradition.
'Chasing Fears' the first instalment of 'A Broken Paradise'. Awen finally escapes from the family home, from her initial fears and spontaneously decides she's going on a self-discovery mission to America, where her childhood holidays took her and she met her friends. But the moment she leaves her home, with her poor teenage sister Dylis, she's faced with danger and utter terror as it seems there really was a reason her family kept her so secret and it wasn't because of her many gifts that were unnatural to human's such as you or I, it was because Awen is being hunted by beings we can't even begin to grasp, understand, comprehend. And to accomplish any of that you'd also have to believe that they not only exist, but they are human, their far more human than you or I, that the possibility that you and I aren't what we thought, that maybe we're the Aliens of this planet and not Awen and her kind.... In any case, she'll go searching to find out what her family have kept from her, her whole life!. "Ooh!, and do you wanna know what Jesus was really protecting you from?"
Examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th century. This two-volume work contains 700 alphabetically arranged entries, and provides a portrait of Islamic civilization. It is of use in understanding the roots of Islamic society as well to explore the culture of medieval civilization.
From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR
This historical legal reference includes the international trade cases reported with opinions of the Court from January through December 2010. Small businesses, mid-size to large corporation international trade and compliance office personnel that engage in international trade with their products and services may be interested in this volume as well as their attorneys. Students enrolled in Economics of International Trade and Finance courses as well as law courses for Internatioal Trade Law may also be interested in this volume for research papers. Other print volumes in the U.S. Court of International Trade Reports can be found here: https: //bookstore.gpo.gov/catalog/laws-regulations/court-cases-documents-us-court-international-trade/us-court-international-t Basic Guide to Exporting: Official U.S. Government Resource for Small and Medium Sized Businesses, 11th edition can be found here: https: //bookstore.gpo.gov/products/sku/003-009-00741-1
Richard Tapper's 1997 book, which is based on three decades of ethnographic fieldwork and extensive documentary research, traces the political and social history of the Shahsevan, one of the major nomadic peoples of Iran. The story is a dramatic one, recounting the mythical origins of the tribes, their unification as a confederacy, and their decline under the Pahlavi Shahs. The book is intended as a contribution to three different debates. The first concerns the riddle of Shahsevan origins, while another considers how far changes in tribal social and political formations are a function of relations with states. The third discusses how different constructions of the identity of a particular people determine their view of the past. In this way, the book promises not only to make a major contribution to the history and anthropology of the Middle East and Central Asia, but also to theoretical debates in both disciplines.
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