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Winner of the 1999 Michael C. Meyer Manuscript Prize! This new book examines the social protests of popular groups in urban Mexico during and after the Mexican Revolution and also shows how the revolution inspired women to become activists in these movements. Andrew Grant Wood's well-researched narrative focuses specifically on the complex negotiation between elites and popular groups over the issue of public housing in post-revolutionary Veracruz, Mexico. Wood then compares the Veracruz experience with other tenant movements throughout Mexico and Latin America. He analyzes what the popular groups wanted, what they got, how they got it, and how the changes wrought by the revolution facilitated their actions. Grassroots organizing by house-renters in Veracruz began at a time of 'multiple sovereignty' when ruling elites found themselves in a process of regime change and political realignment. As the movement took shape, tenants expanded their opportunities through a dynamic repertoire of public demonstration, direct action, networking, and constant negotiation with landlords and public officials. During the height of the movement, protesters forced revolutionary elites to respond by requiring them either to negotiate, co-opt, and/or repress members of independent grassroots organizations in order to maintain their rule. The tenant movements demonstrate how ordinary women and men contributed to the remaking of state and civil society relations in post-revolutionary Mexico. This book analyzes the critical roles that women played as leaders and as rank-and-file agitators to keep the movements alive. The author has used a wide variety of primary sources to provide a vibrant portrayal of these urban social protesters. On a larger scale, this book shows that the voices of the urban poor were able to become part of the revolutionary dialogue and ideology. While others have highlighted the role of rural folk such as the Zapatistas, this work allows readers to appreciate the urban side of the po
Examines the causes, events, and consequences of the Sandinista Revolution in Nicaragua.
Recipient of the Hubert Herring Memorial Award from the Pacific Coast Council on Latin American Studies for the best unpublished manuscript of 1973, Prose Fiction of the Cuban Revolution is an in-depth study of works by Cubans, Cuban exiles, and other Latin American writers. Combining historical and critical approaches, Seymour Menton classifies and analyzes over two hundred novels and volumes of short stories, revealing the extent to which Cuban literature reflects the reality of the Revolution. Menton establishes four periods—1959–1960, 1961–1965,1966–1970, and 1971– 1973—that reflect the changing policies of the revolutionary government toward the arts. Using these periods as a chronological guideline, he defines four distinct literary generations, records the facts about their works, establishes coordinates, and formulates a system of literary and historical classification. He then makes an aesthetic analysis of the best of Cuban fiction, emphasizing the novels of major writers, including Alejo Carpentier's El siglo de las luces, and José Lezama Lima's Paradiso. He also discusses the works of a large number of lesser-known writers, which must be considered in arriving at an accurate historical tableau. Menton's exploration of the short story combines a thematic and stylistic analysis of nineteen anthologies with a close study of six authors: Guillermo Cabrera Infante, Calvert Casey, Humberto Arenal, Antonio Benítez, Jesús Díaz Rodríguez, and Norberto Fuentes. Several chapters are devoted to the increasing number of novels and short stories written by Cuban exiles as well as to the eighteen novels and one short story written about the Revolution by non-Cubans, such as Julio Cortázar, Carlos Martínez Moreno, Luisa Josefina Hernández, and Pedro Juan Soto. In studying literary works to reveal the intrinsic consciousness of a historical period, Menton presents not only his own views but also those of Cuban literary critics. In addition, he clarifies the various changes in the official attitude toward literature and the arts in Cuba, using the revolutionary processes of several other countries as comparative examples.
The definitive work on the Spanish Civil War, a classic of modern historical scholarship and a masterful narrative. Paul Preston is the world's foremost historian of Spain. This surging history recounts the struggles of the 1936 war in which more than 3,000 Americans took up arms. Tracking the emergence of Francisco Franco's brutal (and, ultimately, extraordinarily durable) fascist dictatorship, Preston assesses the ways in which the Spanish Civil War presaged the Second World War that ensued so rapidly after it. The attempted social revolution in Spain awakened progressive hopes during the Depression, but the conflict quickly escalated into a new and horrific form of warfare. As Preston shows, the unprecedented levels of brutality were burned into the American consciousness as never before by the revolutionary war reporting of Ernest Hemingway, John Dos Passos, Herbert Matthews, Vincent Sheean, Louis Fischer, and many others. Completely revised, including previously unseen material on Franco's treatment of women in wartime prisons, The Spanish Civil War is a classic work on this pivotal epoch in the twentieth century.
In this book, Tomas Balkelis explores how the Lithuanian state was created and shaped by the Great War from its onset in 1914 to the last waves of violence in 1923. As the very notion of independent Lithuania was constructed during the war, violence is seen as an essential part of the formation of Lithuanian state, nation, and identity. War was much more than simply the historical context in which the tectonic shift from empire to nation-state took place. It transformed people, policies, institutions, and modes of thought in ways that would continue to shape the nation for decades after the conflict subsided. In telling the story of the post-WWI conflict in Lithuania, War, Revolution, and Nation-Making in Lithuania, 1914-1923 focuses on the soldiers and civilians involved in the conflict, rather than the strategies and acts of politicians, generals, or diplomats. The volume's two main themes are the impact of military, social, and cultural mobilizations on the local population, and different types of violence that were so characteristic of the region throughout the period. The actors in this story are people displaced by war and mobilized for war: refugees, veterans, volunteers, peasant conscripts, POWs, paramilitary fighters, and others who took to guns, not diplomacy, to assert their power. This is the story of how their lives were changed by war and how they shaped the society that emerged after war.
The fourth industrial revolution is underway, and technological changes will disrupt economic systems, displace workers, concentrate power and wealth, and erode trust in public institutions and the democratic political process. Up until now, the focus has largely been on how technology itself will impact society, with little attention being paid to the role of institutions. This new report, Rebooting the Innovation Agenda, analyzes the need for resilient institution and the role they are expected to play in the fourth industrial revolution.
This volume aims to question the recent revival of neo-nationalist policies in the light of what unconscious fantasies are involved in these developments. It examines both recent movements of right-wing extremism and the way in which rearticulated neo-ethnic ideas have been adopted by mainstream politicians and in mainstream public discourse. Politicians from other than the right-wing populist parties have tended to resist specific ways of talking that are considered too extremist, rather than their underlying frame of interpretation. Governments across Europe have adopted anti-immigrant and anti-Roma policies. Xenophobia and hostility towards 'others' is on the rise, along with appeals to "Tradition and Security". 'Cultures of fear' are linked with fantasies of fusion or 'imagined sameness'. Alongside the image of the nation as a mother and/or father, Reich (1933) called attention to the fantasy of the nation as a body, echoed in Money-Kyrle's (1939) characterization of 'group hypochondria' in connection with the burning of witches and heretics.
This book aims to clarify what the author believes to be the fallacy of the infallibility of Marx's "Capital" and Marxist ideology in general. Other works by the author include "Marxian Economics and Reality", and "The Critique of Dialectic Economics".