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To others, he was the American President, one of the most powerful men in the world, presiding over one of the most horrific wars in history. But to Julia Taft, he was Tad Lincoln's father. Invited to the White House to watch over her two brothers, who were playmates of the Lincolns' sons, Julia had an intimate perspective on the First Family's home life, which she describes with charm and candor in this book. A rare look behind the public facade of the great man, Julia's affectionate account of the Lincolns at home is rich with examples of the humor and love that held the family together and that helped the President endure the pressures of governing a nation divided. ø Abraham and Mary Todd Lincoln often expressed their regret at not having a daughter of their own. Julia Taft thus enjoyed a special place in their lives, and her memoir reveals the warmth she elicited from the couple. She speaks of her initial fear of Lincoln?the towering, rough-and-tumble backwoodsman?who won her over with teasing, and of her relationship with Mary, who was never really accepted into Washington social life and took particular comfort in Julia's presence. ø A unique glimpse into the social life of the Lincoln White House, Julia Taft Bayne's memoir shows us the human drama played out daily behind the great pageant of history.
Giant in the Shadows is the definitive biography of Robert T. Lincoln (1843-1926), the oldest son of Abraham and Mary Lincoln and their only child to live past age eighteen. Emerson, after nearly ten years of research, draws upon previously unavailable materials to cover Robert Lincoln's entire life in detail.
#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates
Think You Know Everything about the Lincoln Assassination? Think Again. After 150 years, many unsolved mysteries and enduring urban legends still surround the assassination of Abraham Lincoln by the popular stage actor John Wilkes Booth. In a new look at the case, award-winning history author Robert J. Hutchinson (The Politically Incorrect Guide to the Bible) explores what we know, and don’t know, about what really happened at Ford’s Theatre on the night of April 14, 1865. In addition, he argues that the deep-seated political hatreds that roiled Washington, D.C., in the final weeks of the Civil War are particularly relevant to our own polarized age. Among the tantalizing questions Hutchinson explores are: * Did the Confederacy have a hand in the assassination plot? * Who were Booth’s secret accomplices, and why did he change the plan from kidnapping to assassination? * Why was it so easy for Booth to walk into the president’s box to shoot him? Where were the guards? * How did Booth evade the largest manhunt in U.S. history for nearly two weeks despite being unable to walk? * Who gave the order to shoot Booth in the Garrett barn—and what happened to his body? Drawing upon both primary sources and the best recent historical research, What Really Happened: The Lincoln Assassination separates established facts from mere conjectures—and is the one book to own if you want to know “what really happened.”
Lincoln is the cornerstone of Gore Vidal's fictional American chronicle, which includes Burr, 1876, Washington, D.C., Empire, and Hollywood. It opens early on a frozen winter morning in 1861, when President-elect Abraham Lincoln slips into Washington, flanked by two bodyguards. The future president is in disguise, for there is talk of a plot to murder him. During the next four years there will be numerous plots to murder this man who has sworn to unite a disintegrating nation. Isolated in a ramshackle White House in the center of a proslavery city, Lincoln presides over a fragmenting government as Lee's armies beat at the gates. In this profoundly moving novel, a work of epic proportions and intense human sympathy, Lincoln is observed by his loved ones and his rivals. The cast of characters is almost Dickensian: politicians, generals, White House aides, newspapermen, Northern and Southern conspirators, amiably evil bankers, and a wife slowly going mad. Vidal's portrait of the president is at once intimate and monumental, stark and complex, drawn with the wit, grace, and authority of one of the great historical novelists. With a new Introduction by the author.
Discover the essential thinking tools you’ve been missing with The Great Mental Models series by Shane Parrish, New York Times bestselling author and the mind behind the acclaimed Farnam Street blog and “The Knowledge Project” podcast. This first book in the series is your guide to learning the crucial thinking tools nobody ever taught you. Time and time again, great thinkers such as Charlie Munger and Warren Buffett have credited their success to mental models–representations of how something works that can scale onto other fields. Mastering a small number of mental models enables you to rapidly grasp new information, identify patterns others miss, and avoid the common mistakes that hold people back. The Great Mental Models: Volume 1, General Thinking Concepts shows you how making a few tiny changes in the way you think can deliver big results. Drawing on examples from history, business, art, and science, this book details nine of the most versatile, all-purpose mental models you can use right away to improve your decision making and productivity. This book will teach you how to: Avoid blind spots when looking at problems. Find non-obvious solutions. Anticipate and achieve desired outcomes. Play to your strengths, avoid your weaknesses, … and more. The Great Mental Models series demystifies once elusive concepts and illuminates rich knowledge that traditional education overlooks. This series is the most comprehensive and accessible guide on using mental models to better understand our world, solve problems, and gain an advantage.
Farhana swallowed and reached for the hijab. But then she saw with absolute clarity the weird looks from the other girls at school, and the smirks from the guys. Did she dare? And then there was Malik... What should she do about him? Faraz was thinking about Skrooz and the lads. Soon he would finally have the respect of the other kids at school. But at what price? He heard Skrooz's voice, sharp as a switchblade: "This thing is powerful, blud. But you have to earn it, see? Just a few more errands for me..." They're twins, born 6 minutes apart. Both are in turmooil and both have life-changing choices to make, against the peaceful backdrop of Ramadan. Do Farhana and Faraz have enough courage to do the right thing? And can they help each other - or will one of them draw the other towards catastrophe? To watch a trailer for Boy vs. Girl click here This title is also available as an ebook, in either Kindle, ePub or Adobe ebook editions
Abraham L. Freedman (1904-1971) was heavily involved in public, charitable, and legal affairs in Philadelphia for 30 years in the mid twentieth century-as a drafter of the City's Home Rule Charter, as City Solicitor in the reform administration of Joseph S. Clark, Jr., as the first President of the Federation of Jewish Agencies, as a leading Federal judge, and in other roles. This book consists of extracts from his diary describing the events and personalities he encountered in those activities. As a thoughtful, idealist, intellectual, and yet at the same time practical person, the diary offers unusual insights and reflections on politics and law.
#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZE The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented One of The New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years • One of Paste’s Best Novels of the Decade Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book • One of O: The Oprah Magazine’s Best Books of the Year February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul. Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end? “A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review “A masterpiece.”—Zadie Smith