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This exceptional publication includes nearly 200 works, the majority of which come from the Musée Rodin in Paris. Well-produced and meticulously documented, the catalogue entries are further illuminated by scores of photographs of Rodin's celebrated sculptures (including such masterworks as the "Balzac" -- in Steichen's celebrated photograph -- the headless "Striding Man", and the disturbingly powerful "Gates of Hell") of the sculptor himself throughout his career, and many of the important personalities with whom he was intimate, such as Rainer Maria Rilke, and Count Harry Kessler. Of special interest are comparative photographs of the actual structures that accompany the famous drawings of the French cathedrals. The catalogue entries of impeccable scholarship are here interwoven with the illustrations to create a stimulating biography of a master sculptor and an unique human being. -- From publisher's description.
I have drawn all my life. I began withdrawing: I have never stopped drawing.--Auguste Rodin
Studies the work of Rodin
The founder of modern sculpture, Auguste Rodin was a late nineteenth century pioneer, whose work changed the course of the history of art. His greatest achievement was the restoration of the role of ancient sculpture, showing that a modern artist could capture the physical and intellectual force of a subject, while freeing the artistic medium from the repetition of traditional patterns. Rodin’s enduing popularity is often ascribed to his emotion-laden representations of ordinary men and women and his ability to find beauty and pathos. Masterpieces such as ‘The Kiss’ and ‘The Thinker’ are widely used outside the fine arts as symbols of human emotion, transcending the sculptor’s medium and helping us to understand the fundamental essence of being a human. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Rodin’s collected works, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * A wide selection of sculptures – over 300 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Rodin’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Easily locate the artworks you wish to view * Includes Rodin's book ‘Art’ – explore his unique view of an artist’s role * Features two bonus biographies CONTENTS: The Highlights Man with the Broken Nose (1864) Suzon (1873) The Age of Bronze (1876) The Gates of Hell (1880) The Thinker (1880) Eve (1881) Ugolino and His Sons (1881) The Kiss (1882) Bust of Victor Hugo (1883) Fugitive Love (1887) The Burghers of Calais (1889) Despair (1890) Monument to Balzac (1892-1897) Iris, Messenger of the Gods (1895) Ecclesiastes (c. 1898) The Walking Man (1907) The Sculptures Chronological List of Sculptures Alphabetical List of Sculptures The Book Art: Conversations with Paul Gsell (1911) The Biographies Auguste Rodin: The Man — His Ideas — His Works (1905) by Camille Mauclair Auguste Rodin (1919) by Rainer Maria Rilke
Auguste Rodin was a French sculptor, considered the progenitor of modern sculpture; but Rodin did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition. Rodin is recognized worldwide for the exceptional authenticity of his anatomical sculptures. He strongly influenced twentieth century sculpture by his assemblage techniques and prepared the way for symbolism by adopting literary and mythological themes.It was the freedom and creativity along with his activation surfaces of sculptures through traces of his own touch and with his more open attitude toward bodily pose, sensual subject matter, and non-realistic surface – that marked Rodin's re-making of traditional 19th century sculptural techniques into the prototype for modern sculpture. Rodin's most original works departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.
"Illustrated with many reproductions of Rodin's sculptures and drawings, this book comprises a profound education in art, for it distils the knowledge and experience of the artist universally regarded as the greatest sculptor since Michelangelo."--BOOK COVER.