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Highly readable narrative of a writing phenomenon. The world's most translated best-selling writer.
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) T177494 Anonymous. By Charles Louis de Secondat, Baron de Montesquieu. Parallel French and English titlepages and text, the French title being 'Le temple de Gnide'. With a final advertisement leaf. Dublin: printed by S. Powell, 1750. 155, [3]p.; 12°
"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Lucas van Leyden (1494?-1533) was a remarkably versatile artist. His art, noted for its realism, dramatic power, and careful execution, ranges from the small half-length narratives of his youth to the carefully constructed, multifigured representations of his later years." "Until quite recently Lucas's oeuvre was inflated with inferior copies or stylistically unrelated works, leading one scholar to describe his painting career as inconsistent and illogical. Within the last fifteen years, however, his production and development as a painter have been redefined. Despite this renewed interest, The Paintings of Lucas van Leyden is the first comprehensive appraisal of Lucas's paintings." "Smith's survey of the biographical data focuses on Lucas's disputed birth date, his artistic training, and his travels to the southern Netherlands, which brought him into contact with two of the most significant northern artists of the early sixteenth century, Albrecht Durer and Jan Gossaert. Smith reveals the influence of their work, along with the prints of Marcantonio Raimondi, on Lucas's stylistic development. His paintings are also examined with reference to recurring thematic motifs. The early allegorical genre panels - with depictions of gaming, fortune-telling, and betrothal scenes - constitute an important transition in the movement of Netherlandish art away from its roots in the medieval church, providing Lucas with themes that reappeared in his later years. Most significant, the underlying topos of the Power of Women, with its corollary warning against the temptations of the flesh, was repeated in certain of his Old Testament paintings." "The catalogue raisonne contains entries on the extant originals as well as the numerous sixteenth- and seventeenth-century copies after lost works. These inclusions double the number of compositions firmly in Lucas's oeuvre, providing us with a richer understanding of his accomplishments as a painter." "This book will be an important addition to the history of Netherlandish art, as well as an aid to students of Flemish, German, and Italian art. In addition, it should appeal to cultural historians who are concerned with issues such as the representation of women, allegories of gaming, and artistic responses to the Reformation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved