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Now a major film directed by Danny Boyle reuniting the cast of Trainspotting Years on from Trainspotting Sick Boy is back in Edinburgh after a long spell in London. Having failed spectacularly as a hustler, pimp, husband, father and businessman, Sick Boy taps into an opportunity which to him represents one last throw of the dice. However, to realise his ambitions within the Adult industries, Sick Boy must team up with old pal and fellow exile Mark Renton. Still scheming, still scamming, Sick Boy and Renton soon find out that they have unresolved issues to address concerning the unhinged Begbie, the troubled, drug-addled Spud, but, most of all, with each other. T2 Trainspotting was previously published as Porno.
First there is an opportunity, then there is a betrayal.Twenty years have gone by.Much has changed but just as much remains the same.Mark Renton returns to the only place he can ever call home. They are waiting for him, of course: Spud, Sick Boy, and Frank Begbie. But they are not alone. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Mark Renton returns, to the chaos of life and death.
"The best book ever written by man or woman...deserves to sell more copies than the Bible."--Rebel, Inc.
The explosive sequel toTrainspotting– ten years down the line. Still scheming, still scamming – it’s ten years later and the boys fromTrainspottingare still trying to fight for the first-class seats as the locomotive careers at high speed towards the buffers. Simon “Sick Boy” Williamson is back in his native Edinburgh after a spell in London. Having failed spectacularly as a hustler, pimp, husband, father and businessman, he taps into an opportunity, which to him represents one last throw of the dice. For this scam to work, Sick Boy needs bedfellows. A desirable one may be the lovely Nicola Fuller-Smith, a young student with enough ambition, ego and troubles to rival his own. However, to realize his dream of directing and producing a pornographic movie, Sick Boy teams up with old pal and fellow exile Mark Renton and a motley crew that includes the city’s favourite ex-aerated-water-salesman, “Juice” Terry Lawson. In the world ofPorno, however, nothing is straightforward as Sick Boy and Renton find out that they have unresolved issues to address concerning the increasingly unhinged Frank Begbie, the troubled, drug-addled Spud, but, most of all, with each other. From the Trade Paperback edition.
Now a Major Motion Picture Here is the Trainspotting crew ten years further down the line: still scheming, still scamming, still fighting for the first-class seats as the train careens at high velocity with derailment looming around the next corner. In this world, even the cons get conned. Sick Boy and Renton jockey for top dog, and out-of-jail and in-for-revenge Begbie is on the loose. But it’s drug-addled Spud who may be creating the most trouble.
‘Back to his violent best...dark, gruesome and captivating’ Esquire The most terrifying character from Trainspotting returns. Jim Francis has finally found the perfect life – and is now unrecognisable, even to himself. A successful painter and sculptor, he lives quietly with his wife, Melanie, and their two young daughters, in an affluent beach town in California. Some say he’s a fake and a con man, while others see him as a genuine visionary. But Francis has a very dark past, with another identity and a very different set of values. When he crosses the Atlantic to his native Scotland, for the funeral of a murdered son he barely knew, his old Edinburgh community expects him to take bloody revenge. But as he confronts his previous life, all those friends and enemies – and, most alarmingly, his former self – Francis seems to have other ideas. When Melanie discovers something gruesome in California, which indicates that her husband’s violent past might also be his psychotic present, things start to go very bad, very quickly. The Blade Artist is an elegant, electrifying novel – ultra violent but curiously redemptive – and it marks the return of one of modern fiction’s most infamous, terrifying characters, the incendiary Francis Begbie from Trainspotting.
The International Bestseller from the author The New York Times called "blisteringly funny" — it's the wild and wooly crew from Trainspotting back for one last adventure You don't need to have seen the blockbuster movie—nor read the earlier mega-bestselling books—to get what's going on in Dead Men's Trousers: Four no-longer-young men who constantly think back to their bawdy, drug-filled youth together on the streets of Edinburgh, decide they want to join forces for one last caper. Careful what you wish for... "Manages a sort of ragged glory, a life-affirming comic energy . . . A whooping last hurrah for the Trainspotting gang." —The Guardian "Crackles with idiomatic energy and brio." —Publishers Weekly Mark Renton is finally a success. He now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms, and broken relationships have left him dissatisfied with life. Then he runs into his old partner in crime, Frank Begbie, from whom he'd been hiding for years. But the psychotic Begbie appears to have reinvented himself as a celebrated artist in Los Angeles, and doesn't seem interested in revenge. Meanwhile, back in Edinburgh, Sick Boy and Spud are intrigued to learn that their old friends are back in town, and concoct a new scheme for them all . . . Which is when things start to go horribly wrong. The four men, driven by their personal histories and addictions, circle each other, confused, angry, and desperate. One of these four will not survive . . . Which one is wearing Dead Men's Trousers? Fast and furious, scabrously funny, and weirdly moving, this is a spectacular return of the crew from Trainspotting.
Chronicles the misadventures of Mark Renton and his friends as they cope with economic uncertainties, family problems, drug use, and the opposite sex in 1980s Edinburgh.
Irvine Welsh, the author of Trainspotting, is up to his old tricks with his new work of transgressive short fiction. Irvine Welsh's first short-story collection since his debut work The Acid House presents five extraordinary stories, which remind us that he is a master of the short form, a brilliant storyteller, and—unarguably—one of today's funniest and most subversive writers. In "Rattlesnakes" three young Americans, lost in the desert, are accosted by two armed Mexicans. A Korean chef and a Chicago socialite find themselves connected through the disappearance of a pooch named Toto in "The D.O.G.S. of Lincoln Park." And in the title story, Mickey Baker—an ex-pat English bar owner living on the Costa Brava—tries to keep all of his balls in the air: maintaining his barmaid's weight at the sexual maximum, attending to the youthful Persephone, and dodging his ex-wife and Spanish gangsters. In typically Welshian fashion, the characters and settings are anything but typical. These stories will make you laugh and gasp.
Irvine Welsh's scintillating, disturbing, and altogether outrageous collection of stories—the basis for the 1998 cult movie directed by Paul McGuigan. He is called "the Scottish Celine of the 1990s" (Guardian) and "a mad, postmodern Roald Dahl" (Weekend Scotsman). Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals—God turn a hapless footballer into a fly; an acid head and a newborn infant exchange consciousnesses with sardonically unexpected results—always displaying a corrosive wit and a telling accuracy of language and detail. Irvine Welsh is one hilariously dangerous writer who always creates a sensation.