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T. S. Eliot was not only one of the greatest poets of the twentieth century—he was also one of the most acute writers on his craft. In On Poetry and Poets, which was first published in 1957, Eliot explores the different forms and purposes of poetry in essays such as "The Three Voices of Poetry," "Poetry and Drama," and "What Is Minor Poetry?" as well as the works of individual poets, including Virgil, Milton, Byron, Goethe, and Yeats. As he writes in "The Music of Poetry," "We must expect a time to come when poetry will have again to be recalled to speech. The same problems arise, and always in new forms; and poetry has always before it . . . an ‘endless adventure.'"
First Published in 2000. Nearly everyone who addresses T. S. Eliot's imaginative and critical work must acknowledge the importance of music in thematic and formal terms. This collection of original essays thoroughly explores this aspect of his work from a number of perspectives.
To meet Mr. Eliot / Arthur Mizener -- Early London environment / Wyndham Lewis -- Bradley / Hugh Kenner -- Irregular metaphysics / R.P. Blackmur -- Lewis Carroll and t. S. Eliot as nonsense poets / Elizabeth Sewell -- Eliot and Tennyson / S. Musgrove -- "Marie, Marie, hold on tight" / George L.K. Morris -- The waste land / F.R. Leavis -- t. S. Eliot, 1925-1935 / D.W. Harding -- t. S. Eliot's later poetry / F.R. Leavis -- "Little Gidding" / D.W. Harding -- On Ash-Wednesday / Allen Tate -- In the hope of straightening things out / R.P. Blackmur -- Mr. Eliot's solid merit / Ezra Pound -- The style of the master / William Empson -- Murder in the cathedral / John Peter -- The cocktail party / Denis Donoghue -- For other voices / Hugh Kenner -- t. S. Eliot: the end of an era / Donald Davie
These essays were originally published in various periodicals since the first appearance of "The waste land" in 1922 and reflect how each decade reappraises the work. Early critics found the work a reflection of the world war just concluded, filled with despair and emptiness. Later critics found reason to hope amidst the despair, and contemporary critics have returned more to the original assessment. Annotation copyrighted by Book News, Inc., Portland, OR
One of poetry's great voices reviews the creations of his literary forebears with essays on the works of Dante, Shakespeare, Blake, the Metaphysical Poets, and other authors. Plus 4 essays from The Times Literary Supplement.
Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot invites us to "start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is."
These influential essay and lectures by T. S. Eliot span nearly a half century--from 1917, when he published The Love Song of J. Alfred Prufrock, to 1961, four years before his death. With the luminosity and clarity of a first-rate intellect, Eliot considers the uses of literary criticism, the writers who had the greatest influence on his own work, and the importance of being truly educated. Every thoughtful person who yearns to do more than simply get through the day will be reinforced by The Aims of Education. Other pieces include To Criticize the Critic, From Poe to Valäry, American Literature and the American Language, What Dante Means to Me, The Literature of Politics, The Classics and the Man of Letters, Ezra Pound: His Metric and Poetry, and Reflections on Vers Libre.
In this magisterial volume, first published in 1932, Eliot gathered his choice of the miscellaneous reviews and literary essays he had written since 1917 when he became assistant editor of The Egoist. In his preface to the third edition in 1951 he wrote; 'For myself this book is a kind of historical record of my interests and opinions.' The text includes some of his most important criticism, especially parts of The Sacred Wood, Homage to John Dryden, the essays on Elizabethan and Jacobean dramatists, For Lancelot Andrewes and Essays Ancient and Modern.