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Offering a broad overview of memorialization practices across Europe and the Mediterranean, this book examines local customs through particular case studies. These essays explore complementary themes through the lens of commemorative art, including social status; personal and corporate identities; the intersections of mercantile, intellectual, and religious attitudes; upward (and downward) mobility; and the cross-cultural exchange.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
This book represents the outcome of the “Conference on Church Archaeology in the Baltic Sea Region” held in August 2013 in Turku, Finland, which, in turn, had its roots in the long tradition of Scandinavian Symposia for Nordic Church Archaeology, started in 1981 in Denmark. During the past few decades, the scope of church archaeology has expanded immensely and can presently be described as a multifaceted field of research. This book represents a convincing testament to this development. Every chapter gives a distinctive perspective on the theme of sacred monuments and practices written by leading experts in this field. As such, this volume offers unique insights into the study of religious life and its material aspects in the Baltic Sea Region, made available for English-readers for the first time.
The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipińska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipińska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public. For sample pages click on Google Books button.
Upper Silesia, one of Central Europe’s most important industrial borderlands, was at the center of heated conflict between Germany and Poland and experienced annexations and border re-drawings in 1922, 1939, and 1945. This transnational history examines these episodes of territorial re-nationalization and their cumulative impacts on the region and nations involved, as well as their use by the Nazi and postwar communist regimes to legitimate violent ethnic cleansing. In their interaction with—and mutual influence on—one another, political and cultural actors from both nations developed a transnational culture of territorial rivalry. Architecture, spaces of memory, films, museums, folklore, language policy, mass rallies, and archeological digs were some of the means they used to give the borderland a “German”/“Polish” face. Representative of the wider politics of twentieth-century Europe, the situation in Upper Silesia played a critical role in the making of history’s most violent and uprooting eras, 1939–1950.
This is the first comprehensive history of Polish Art to appear outside Poland. Many areas of Poland boast works of Medieval art and Italian Renaissance. The refined 18th century was thoroughly imbued with the latest Italian, French and English fashions in design. The divided and dispossessed country of the 19th century then, developed its own national historical subjects and mythologies in painting which culminated in the work of the great artists of the late 19th and early 20th Centuries. In the 20th Century Poland prided itself again in its participation in international Modernism, and Modern art reigned also for most of the decades after WW II., in church building and poster design. Compact yet comprehensive with 323 illustrations, with an extensive bibliography, geographical and historical maps this book serves as a work of reference as well as a guide. The lengthy Introduction takes on the history of Polish art history as a critical and academic discipline.