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Prosodic Features and Prosodic Structure presents an overall view of the nature of prosodic features of language - accent, stress, rhythm, tone, pitch, and intonation - and shows how these connect to sound systems and meaning. It is a work of great scholarship and learning, expressed in way that will be accessible to all linguists from advanced undergraduates to postdoctoral researchers. The last substantial overview was published over 20 years ago. Since then the subject has been transformed by linked advances in phonological and phonetic theory and accoustic technology. This book will interest phonologists, phoneticians, and researchers in related applied fields such as speech pathology and speech synthesis.
This ambitious undertaking is designed to acquaint students, teachers, and researchers with reference sources in any branch of English studies, which Marcuse defines as "all those subjects and lines of critical and scholarly inquiry presently pursued by members of university departments of English language and literature.'' Within each of 24 major sections, Marcuse lists and annotates bibliographies, guides, reviews of research, encyclopedias, dictionaries, journals, and reference histories. The annotations and various indexes are models of clarity and usefulness, and cross references are liberally supplied where appropriate. Although cost-conscious librarians will probably consider the several other excellent literary bibliographies in print, such as James L. Harner's Literary Research Guide (Modern Language Assn. of America, 1989), larger academic libraries will want Marcuse's volume.-- Jack Bales, Mary Washington Coll. Lib., Fredericksburg, Va. -Library Journal.
Tench provides an introduction to the current state of functional linguistics studies in the intonation of English. Intended not only for students of linguistics and English language, the book also contains information ideal for consideration by language teachers, speech therapists, drama students and other professions that rely heavily upon the spoken word.
This book provides a state-of-the-art survey of intonation and prosody from a phonological perspective, for advanced students and researchers in phonology.
This book provides a new way of studying grammar. The basic thrust of the book is to investigate grammar based on a prosodic unit, the intonation unit (IU), in spontaneous speech. The author challenges the dominant practice in the study of syntax, which has been to focus on the unit of the artificially constructed sentence. The book shows that some basic notions developed from sentence-level data often do not account well for speech data. For example, in many versions of syntactic theory, the basic syntactic structure of any sentence is assumed to comprise both an NP and a VP (with variations in terminology). However the author shows that a Mandarin sentence in spoken discourse can consist of a lone NP or a transitive verbal expression without any explicit argument (which is not due to anaphora). Although the book concerns Mandarin discourse and grammar, it will be of interest to students of a wide range of fields, including discourse analysis, syntax, conversation analysis, prosodic studies, and typological studies.
This study deals with interactional processes in conversational discourse, and the way they may get 'syntacticized' into grammatical constructions. It investigates the link between discourse function and syntactic form, and the ways in which grammatical form is a reflection on communicative function, through examining the communicative functions of Left-Dislocation in English. The investigation is corpus-based, and focuses on spontaneous conversation, but other discourse types are also taken into account. The overall perspective is resolutely empirical, and preconceptions about the possible functions of Left-Dislocation are avoided. Contents 1. Theoretical preliminaries; 2. Referent-introduction (1): interaction; 3. Referent-introduction (2): recoverability; 4. Referent-introduction (3): topicality; 5. Other functions of LD; 6. Prosodic aspects of LD; 7. LD in other discourse types; 8. A broader perspecitive; 9. General conclusion; Notes, Appendices, References, Subject and author indices.
A presentation of music and language within an integrative, embodied perspective of brain mechanisms for action, emotion, and social coordination. This book explores the relationships between language, music, and the brain by pursuing four key themes and the crosstalk among them: song and dance as a bridge between music and language; multiple levels of structure from brain to behavior to culture; the semantics of internal and external worlds and the role of emotion; and the evolution and development of language. The book offers specially commissioned expositions of current research accessible both to experts across disciplines and to non-experts. These chapters provide the background for reports by groups of specialists that chart current controversies and future directions of research on each theme. The book looks beyond mere auditory experience, probing the embodiment that links speech to gesture and music to dance. The study of the brains of monkeys and songbirds illuminates hypotheses on the evolution of brain mechanisms that support music and language, while the study of infants calibrates the developmental timetable of their capacities. The result is a unique book that will interest any reader seeking to learn more about language or music and will appeal especially to readers intrigued by the relationships of language and music with each other and with the brain. Contributors Francisco Aboitiz, Michael A. Arbib, Annabel J. Cohen, Ian Cross, Peter Ford Dominey, W. Tecumseh Fitch, Leonardo Fogassi, Jonathan Fritz, Thomas Fritz, Peter Hagoort, John Halle, Henkjan Honing, Atsushi Iriki, Petr Janata, Erich Jarvis, Stefan Koelsch, Gina Kuperberg, D. Robert Ladd, Fred Lerdahl, Stephen C. Levinson, Jerome Lewis, Katja Liebal, Jônatas Manzolli, Bjorn Merker, Lawrence M. Parsons, Aniruddh D. Patel, Isabelle Peretz, David Poeppel, Josef P. Rauschecker, Nikki Rickard, Klaus Scherer, Gottfried Schlaug, Uwe Seifert, Mark Steedman, Dietrich Stout, Francesca Stregapede, Sharon Thompson-Schill, Laurel Trainor, Sandra E. Trehub, Paul Verschure