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Etwa vom zweiten Jahrzehnt des 18. bis gegen Mitte des 19. Jahrhunderts mit der zugeschriebenen Blütezeit von ca. 1770 bis um 1800 charakterisieren um das klassische Wiener Bläseroktett zwar grundsätzlich formulierte, aber wenig standardisierbare Besetzungen das facettenreiche Bild von Harmoniemusik. In ihrem Werden und Wandel aus fortgeschriebener barocker Bläsertradition bergen ihre Geburtsmomente, ihre Bedeutung im Kontext von Ensembleentwicklungen, ihr Verhältnis zu Gattungsverständnissen und Wertschätzungen noch brisante Akzente. Das europäische Spannungsfeld zwischen Funktionen der Harmoniemusik in Militär und Unterhaltung, im Alltags- und Repräsentationsgeschehen führt zu Fragen ihrer Qualitäten und Marktmechanismen. Arrangements für Harmoniemusik-Besetzungen erweisen sich als aufführungspraktische Quellen und vermögen Rezeptionen in Musikerkreisen und Hörerschaften damals und heute zu erhellen. Besondere Ausprägungen von Hautboistenkultur und Bläsermusik in Städten, Höfen oder Landschaften bereichern Fokussierungen der Regionalfor?schung und betonen gemeinsam mit Repertoireentwicklungen, mit Werken einzelner Komponisten oder Bearbeiter Originalität als Kriterium einer Gesellschaftsentwicklung, welche auch die Harmoniemusik in Modifikationen über Epochengrenzen getragen hat. In Annäherung an ein zukünftiges Gesamtbild dieser im Wesen durch Holzbläser und Hörner gekennzeichneten Instrumentalbesetzung werden im Zusammenhang mit ihrer musikalischen Faktur weiterhin auch ihre kulturhistorischen Grundlagen und Bestimmungen zu suchen sein.
The present collection of primary sources, comprised of printed and manuscript materials, offers a new approach to the history of learned societies and Freemasonry in Hungary in the 18th century. Materials include academic proposals, regulations of learned societies and reading circles, letters, pamphlets as well as Masonic constitutions, rituals, orations, essays, and a sentimental novel. In addition to the Latin- and German-language documents, some Hungarian-language sources of special importance are published in English translation. The sources in the first part of the collection illustrate the growing desire and ambition among Hungarian intellectuals for establishing national literature and science, and for raising the level of general literacy among the population. Starting from the diagnosis that, compared to other European countries, Hungary was quite backward in terms of cultivating the sciences, several people emphasized the need to raise the standards of public education, while others thought that establishing learned societies or scientific academies could change the situation. The examination of the history of learned and secret societies shows that in 18th-century Hungary social culture could develop within the framework of Freemasonry. The functioning learned societies and reading circles were established at the initiative of lodge members, and a large number of the authors of the proposals were also Freemasons. The establishment of learned societies was motivated by the ideas which were also the guiding principles of the Freemasons: spreading enlightenment, promoting the well-being of the people, and supporting the sciences and the arts. The editors intended to bring to an international audience the selected materials which warrant further research and examination.
A noted musicologist looks at the eighteenth-century composer’s connection to Freemasonry and its profound influence on his music. Speculative masonry was a pervasive intellectual force in eighteenth-century European society. Like many of his colleagues, as well as his father before him, Wolfgang Amadeus Mozart joined a Masonic lodge in 1784. The philosophy and symbolism of the Masons would be a major source of inspiration for his compositions from then on. This book provides an overview of Mozart’s relationship to the fraternity and a detailed account of the numerous pieces he wrote specifically for Lodge events or ritual, as well as the many pieces adapted by others for Lodge use. It also includes an in-depth explanation of Mozart’s opera “The Magic Flute” and its Masonic themes and imagery.
In 2004 the one-hundredth anniversary of Theodor Herzl’s death was commemorated throughout the world. The myth of Herzl, as it has developed over the last century, has perhaps become more important than the historical figure. This volume contains revised and expanded essays, which were originally delivered as lectures at international Herzl centennial conferences in Antwerp, London, and Jerusalem. Topics treated include the Herzl myth, Herzl’s nationalism and Zionism, his self-understanding and image, his authorship of comedies and philosophical tales, Herzl and Africa, as well as his reception in Israeli and other literature. Zweig films are also considered within this same context.
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In extensive and probing interviews, Ruth Wolman has succeeded in penetrating a treasure trove of deep-seated feelings and recollections that should not be forgotten or ignored. Dr. Max Vorspan, University of Judaism Crossing Over tells the story of a group of Austrian and German Jews who fled their homelands for America between 1938 and 1941, during Hitler's rise to power and before the implementation of the final solution. These men and women, who settled in Los Angeles, over the course of half a century became an extended family, or Gruppe . This book is a unique examination of the support groups immigrants establish to help them through the transition to a new society, as well as a rich collection of tales of people who lived through the persecution and fear in pre-World War II Europe.