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Describes the history, government, economy, people, geography, and cultural life of Syria.
Between 2006 and 2009, the talented young American photographer Daniel Demeter traveled broadly throughout Syria, amassing nearly 30,000 photographs of the country. Lens on Syria presents the very best of that collection. It offers a remarkable glimpse into the lives and landscapes of pre-war Syria, serving as an evocative reminder of the country's long history, rich heritage, and diverse culture, so much of which has been threatened or destroyed completely since 2009. By sharing more than 400 of his stunning images - of Syria's warm and kindhearted people, vibrant markets, exciting landscapes, archaeological sites, historic monuments, and religious architecture - Demeter gives readers a powerful experience of the beauty of a Syria that has seen, tragically, far too much destruction. Lens on Syria 's high-resolution images are printed on high quality paper stock with detailed captions. Its seven chapters traverse all of Syria's major cities and historic sites along with many of the country's more remote and hidden treasures.
A Whole World Blind depicts the realities of war in Northern Syria's rebel-held territories from the brutal to the mundane.
Witnesses to War: The Children of Syria by Bassam Khabieh provides an insider's account of the impact that the war in Syria has had on children. It illustrates the incredible resilience of Syria's young in the face of violence as children and their families held onto fragments of normalcy. Bassam did not start out as a photographer. But when the war broke out in Syria and violence escalated, it was clear that there was an urgent need for he and other Syrian's to ensure that the world knew what was happening in their increasingly isolated and dangerous homeland, so he picked up a camera. Now, years after the violence began, the Syrian people are waiting for justice. These photos will not bring back the childhoods that have been lost. But war criminals must be held accountable, and these images bear witness. They are evidence.
Newcomer Salma and friends cook up a heartwarming dish to cheer up Mama. All Salma wants is to make her mama smile again. Between English classes, job interviews, and missing Papa back in Syria, Mama always seems busy or sad. A homemade Syrian meal might cheer her up, but Salma doesn’t know the recipe, or what to call the vegetables in English, or where to find the right spices! Luckily, the staff and other newcomers at the Welcome Center are happy to lend a hand—and a sprinkle of sumac. With creativity, determination, and charm, Salma brings her new friends together to show Mama that even though things aren’t perfect, there is cause for hope and celebration. Syrian culture is beautifully represented through the meal Salma prepares and Anna Bron’s vibrant illustrations, while the diverse cast of characters speaks to the power of cultivating community in challenging circumstances.
The book contains infrared black and white photographs made in April 2009 in Damascus, Aleppo, Palmyra and other Syrian historical sites.
Since March 2015, photographer and author Joey L. has gained unprecedented access to Kurdish guerrilla organizations fighting against ISIS, embedding himself into the chaos of the Iraq and Syrian Civil War on three separate trips. Three components meld to create an extraordinarily brave and important documentation: his medium format portrait photography, a written study of the history of the turmoil that led to the rise of armed Kurdish militias, and intimate journal notes of vivid personal experiences while working as a photographer in the war. The war against ISIS in Iraq and Syria has flooded our daily news with troubling statistics of massacres and mass migrations, yet there are faces and human stories at the heart of the conflict. Joey writes, "From Iraq, one crosses the Tigris River into war-torn Syria, and is catapulted into a worldview crafted by the guerrilla. You are welcomed back by familiar faces wearing a palette of earth tones interrupted by a brightly colored scarf - likely given to them by their mothers. Conversations over cigarettes and tea with much too much sugar often drift to conspiracy theories about the entire world plotting to destroy their cause. Oddly, they begin to make sense. The guerrilla's secretive hierarchy vanishes due to its compartmentalization, and you find yourself among individual Kurds who left their families with the intention of defending their culture and way of life. We had once again entered the world of the Kurdish guerrilla." During his travels, Joey observed ragtag volunteer guerrilla fighters with mysterious links to the outlawed Kurdistan Worker's Party (PKK) grow into a fully functional army and the US-led coalitions most trusted partner--Syrian Democratic Forces (SDF). With little official government support and just light weapons; brothers, sisters, former university students and refugees that once fled from their homes have now taken up arms together against a common enemy--radical jihadist groups that contest the secular social reformations in Kurdistan. Joey's uncanny ability to gain trust and his fearless and open attitude to the unexpected, combined with his genuine love for his subjects and their quest for independence gives We Came from Firea deeply felt sense of humanity.
Hosam Katan's awarded photo series shows us people who refuse to have their lives and dignity stripped away by war.
The remarkable story of a small, makeshift library in the town of Daraya, and the people who found hope and humanity in its books during a four-year siege. Daraya lies on the fringe of Damascus, just southwest of the Syrian capital. Yet for four years it lived in another world. Besieged by government forces early in the Syrian Civil War, its people were deprived of food, bombarded by heavy artillery, and under the constant fire of snipers. But deep beneath this scene of frightening devastation lay a hidden library. While the streets above echoed with shelling and rifle fire, the secret world below was a haven of books. Long rows of well-thumbed volumes lined almost every wall: bloated editions with grand leather covers, pocket-sized guides to Syrian poetry, and no-nonsense reference books, all arranged in well-ordered lines. But this precious horde was not bought from publishers or loaned by other libraries--they were the books salvaged and scavenged at great personal risk from the doomed city above. The story of this extraordinary place and the people who found purpose and refuge in it is one of hope, human resilience, and above all, the timeless, universal love of literature and the compassion and wisdom it fosters.