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Looking beyond the boundaries of various disciplines, the author demonstrates that symmetry is a fascinating phenomenon which provides endless stimulation and challenges. He explains that it is possible to readapt art to the sciences, and vice versa, by means of an evolutionary concept of symmetry. Many pictorial examples are included to enable the reader to fully understand the issues discussed. Based on the artistic evidence that the author has collected, he proposes that the new ars evolutoria can function as an example for the sciences.The book is divided into three distinct parts, each one focusing on a special issue. In Part I, the phenomenon of symmetry, including its discovery and meaning is reviewed. The author looks closely at how Vitruvius, Polyclitus, Democritus, Plato, Aristotle, Plotinus, Augustine, Alberti, Leonardo da Vinci and Durer viewed symmetry. This is followed by an explanation on how the concept of symmetry developed. The author further discusses symmetry as it appears in art and science, as well as in the modern age. Later, he expounds the view of symmetry as an evolutionary concept which can lead to a new unity of science. In Part II, he covers the points of contact between the form-developing process in nature and art. He deals with biological questions, in particular evolution.The collection of new and precise data on perception and knowledge with regard to the postulated reality of symmetry leads to further development of the evolutionary theory of symmetry in Part III. The author traces the enormous treasure of observations made in nature and culture back to a few underlying structural principles. He demonstrates symmetry as a far-reaching, leading, structuring, causal element of evolution, as the idea lying behind nature and culture. Numerous controllable reproducible double-mirror experiments on a new stereoscopic vision verify a symmetrization theory of perception.
Looking beyond the boundaries of various disciplines, the author demonstrates that symmetry is a fascinating phenomenon which provides endless stimulation and challenges. He explains that it is possible to readapt art to the sciences, and vice versa, by means of an evolutionary concept of symmetry. Many pictorial examples are included to enable the reader to fully understand the issues discussed. Based on the artistic evidence that the author has collected, he proposes that the new ars evolutoria can function as an example for the sciences.The book is divided into three distinct parts, each one focusing on a special issue. In Part I, the phenomenon of symmetry, including its discovery and meaning is reviewed. The author looks closely at how Vitruvius, Polyclitus, Democritus, Plato, Aristotle, Plotinus, Augustine, Alberti, Leonardo da Vinci and Durer viewed symmetry. This is followed by an explanation on how the concept of symmetry developed. The author further discusses symmetry as it appears in art and science, as well as in the modern age. Later, he expounds the view of symmetry as an evolutionary concept which can lead to a new unity of science. In Part II, he covers the points of contact between the form-developing process in nature and art. He deals with biological questions, in particular evolution.The collection of new and precise data on perception and knowledge with regard to the postulated reality of symmetry leads to further development of the evolutionary theory of symmetry in Part III. The author traces the enormous treasure of observations made in nature and culture back to a few underlying structural principles. He demonstrates symmetry as a far-reaching, leading, structuring, causal element of evolution, as the idea lying behind nature and culture. Numerous controllable reproducible double-mirror experiments on a new stereoscopic vision verify a symmetrization theory of perception.
"This book compiles studies that demonstrate effective approaches to the structural analysis of genetic systems and bioinformatics"--Provided by publisher.
The first comprehensive book on the topic in half a century explores recent symmetry – and symmetry breaking – related discoveries, and discusses the questions and answers they raise in diverse disciplines: particle and high-energy physics, structural chemistry and the biochemistry of proteins, in genetic code study, in brain research, and also in architectural structures, and business decision making, to mention only a few examples.
The perception of symmetry in art and in nature has been appreciated since antiquity, with development of the underlying laws tracing back at least to Pythagorean times. By the end of the eighteenth century it was realized that the immense variety of natural crystal shapes could be accounted for on the basis of a rather small number of symmetry operations, of which some were equally applicable to biological systems. The mathematical theory of symmetry continued to mature throughout the last century, culminating in the independent discoveries in Russia, Germany, and England that a total of only 230 independent ways exist in which the operations of rotation, reflection, and translation can be combined to transform three-dimensional geometrical objects into themselves. Derivation of the 230 space groups depends ultimately on restricting the meaning of symmetry to that of a property of purely geometrical figures. A. V. Shubnikov and his collaborators, over the past three decades, expanded this concept of symmetry to include the sign of transformation operations.
Mathematics of Bioinformatics: Theory, Methods, and Applications provides a comprehensive format for connecting and integrating information derived from mathematical methods and applying it to the understanding of biological sequences, structures, and networks. Each chapter is divided into a number of sections based on the bioinformatics topics and related mathematical theory and methods. Each topic of the section is comprised of the following three parts: an introduction to the biological problems in bioinformatics; a presentation of relevant topics of mathematical theory and methods to the bioinformatics problems introduced in the first part; an integrative overview that draws the connections and interfaces between bioinformatics problems/issues and mathematical theory/methods/applications.
This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed. In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance. Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers.
The authors, world-renowned scientists, have already produced a dozen books on symmetry for professionals as well as lay persons, for grownups as well as children, in English, Russian, German, Hungarian, and Swedish languages. They provide this attractive account of symmetry in few words and many oOe1/4OCO as many as 650 oOe1/4OCO images in full color from the most diverse corners of our globe. An encounter with this book will open up a whole new experience for the reader, who will never look at the world with the same eyes as before."