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Symbols of the Christian Faith is an illustrated guide to the major visual symbols used by the Christian church throughout history. These stylized illustrations, designed by artist Alva William Steffler, are intended to provide usable, up-to-date resources for contemporary church worship and Christian education. Throughout church history symbols have been used to aid worship and to communicate difficult spiritual ideas. Steffler here collects these symbols, from early Christian catacomb art to the present, offering fresh graphic interpretations of old visual forms. The accompanying text notes the biblical sources for the various symbols and traces their use in church tradition and their links to Greco-Roman culture. Extensive glossaries and indexes round out the book. Broadly inclusive and sensitive to the perspectives of every church tradition, this volume will be an invaluable resource for churches using Christian art as well as for general readers curious about the meaning of common Christian symbols.
A classic sourcebook for those interested in the devotional and educational interpretations of the symbols of faith, from Acacia Bush to Yoke of Obedience. In print since 1954, this illustrated guide continues to inform those interested in the meanings of Christian symbols.
Examines the use and meaning of Christian symbols found in Renaissance art.
This new edition provides a guide to the relationship between faith and culture. Providing an introduction to all the major figures, issues and debates, this guide is useful for students and those wishing to unlock the realities of contemporary culture.
Imagine the dangerous life of an early Christian. You've embraced your newfound faith in Christ but fear the risk of persecution or death at the hands of the pagans living around you. Then a trusted friend tells you about some of Jesus' followers who secretly meet. He whispers into your ear, "Look for a fish carved in a paving stone" by a certain home on the Via Tiburtina. You smile in gratitude. Still today, modern society recognizes those Christian symbols that kept the early Christians safely connected: they appear on churches, bumper stickers, mugs -- even mints and stuffed animals. Yet we are often ignorant of the rich meaning of these symbols: their origins in Scripture, in ancient culture, and in the preaching of the Church Fathers. In this book, noted author Mike Aquilina conducts an intriguing and insightful tour of the symbols that expressed the life and devotion of the Church through the first four centuries of its existence. He explains how Christians freely borrowed pagan and Jewish symbols, giving them new, distinctly Christian meanings. Recover the zeal of our spiritual ancestors as you learn to read their symbolic language -- and discover the impact the symbols still have on your life today. More than a hundred illustrations, reproduced by artist Lea Marie Ravotti from the ancient originals, beautifully complement the text. View a mulitmedia presentation and listen to an interview of the author here.
An examination of the vibrant traditional and folk arts inspired by the sacramental use of peyote by members of the Native American Church
Throughout history, symbols have formed and shaped our mental and emotional states, and influenced our behavior. Robert Adkinson's compendium of religious, philosophical, and cultural emblems from a variety of contexts reveals the universal power of these elemental images, bridging the gap between languages and civilizations all over the world. With illuminating commentary, Adkinson positions each image within its cultural context, from the early societies of the Egyptians, the Celts and the Maya, who used visual metaphors to explain natural phenomena and illustrate concepts of good and evil, to the iconography of Buddhism, Taoism, and Christianity as found in art and architecture, concluding with the complex spiritual puzzles of the mandala, sacred sex, and the Tarot.
In contemporary pluralist states, where faith communities live together, different religious symbols and practices have to coexist. This may lead to conflicts between certain minority practices and the dominant majority, particularly around the manifestation of belief in the public domain which may be seen both by the religious and secular majorities as a threat to their cultural heritage or against the secular values of the host country. The law has to mitigate those tensions in order to protect the public from harm and preserve order but in doing so, it may where necessary have to limit citizens’ ability to freely manifest their religion. It is those limitations that have been disputed in the courts on grounds of freedom of religion and belief. Religious symbols are often at the heart of legal battles, with courts called upon to consider the lawfulness of banning or restricting certain symbols or practices. This book analyses the relationship between the state, individuals and religious symbols, considering the three main forms of religious expression, symbols that believers wear on their body, symbols in the public space such as religious edifices and rituals that believers perform as a manifestation of their faith. The book looks comparatively at legal responses in England, the U.S.A and France comparing different approaches to the issues of symbols in the public sphere and their interaction with the law. The book considers religious manifestation as a social phenomenon taking a multidisciplinary approach to the question mixing elements of the anthropology, history and sociology of religion in order to provide some context and examine how this could help inform the law.
We are a product of nature. Every single cell of our body is made of, and depends, on nature. Our inner soul is heavily influenced by nature. We feel sad if the sun is not shining for a few days, and feel pleasure when drawn to the wonder of flowers and uplifted by the song of birds. We came from nature; we are part of nature. In short, we are nature. Nature has been an intimate part of the human experience from the earliest times. Different religions and cultures, from all corners of the world, have honoured and worshipped nature in art, ritual and literature in their own unique ways. This book shows how we learn about our own human nature, our own sense of identity and how we fit into the larger scheme of life and spirit when we come to better understand how our human ancestors, through art, symbol and myth, expressed their relationship with the natural world.
One of the greatest books ever written on the subject, Dynamics of Faithis a primer in the philosophy of religion. Paul Tillich, a leading theologian of the twentieth century, explores the idea of faith in all its dimensions, while defining the concept in the process. This graceful and accessible volume contains a new introduction by Marion Pauck, Tillich's biographer.