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What kind of book is the Bible? Is it a rulebook or a guidebook for moral living? Is it a history book or a book filled with fascinating (and sometimes fantastic) stories? Did humans write the Bible or did God somehow speak a perfect message that the authors transcribed? Many people have asked these questions about the nature of this beautiful, odd, comforting, disturbing book the church calls its “Holy Scripture.” Charlotte Vaughan Coyle shares her own journey to make sense of the Bible in this read-through-the-Bible-in-a-year project. She discovered that the crucial work of asking hard questions and even arguing with the Bible revealed the Scriptures to be a symphony of polyphonic voices, a work of art that paints an alternative vision of reality, a complex novel-like story unavoidably embedded in its own culture and time, and yet able to give witness to the God beyond history who has acted (and continues to act) within history. With the heart of a pastor and the passion of a preacher, Rev. Coyle invites seekers and students (both churched and un-churched) to strap on their scuba gear and join her for a deeper dive beneath the surface of this immense, colorful, mysterious world of the Bible.
"Nicholas Cabasilas' Commentary on the Divine Liturgy is a remarkable product of Byzantium's last great flowering of theology. The work has long been essential reading for specialists in the fields of comparative liturgy and history of liturgy, since Cabasilas comments in detail on the Byzantine rite of his day and is able to draw comparisons with the Roman liturgy as well. The work is also invaluable for all those who wish to understand more about the theory and practice of worship in the Orthodox Church. In this edition the text of the Commentary, translated by J. M. Hussey and P. A. McNulty, has been supplemented by a brief foreword which places Cabasilas' work in its historical context. A helpful introduction by R. M. French describes the celebration of the liturgy in the Orthodox Church."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Examines the use and meaning of Christian symbols found in Renaissance art.
Travel with Mary and Joseph as they make their way into Bethlehem, to the Inn, and as Jesus is born. Then walk with the Shepherds to see Jesus. Count the sheep as the story moves along and watch for the opportunities to join in. In this interactive and illustrated children's Christmas book, showcase the true story of Christmas in rhyme.
Voicing one theme for the entire Bible and structuring all sermons around that idea may seem to be an impossible challenge. For veteran pastor and preaching professor Edmund Clowney it will not do to preach a text from either the Old or New Testaments without fully preaching its ultimate and primary focus-the person and work of Jesus Christ. He writes, "To see the text in relation to Christ is to see it in its larger context, the context of God's purpose in revelation." Clowney's rationale for emphasizing Christ's presence in the Old Testament rests on the purpose of the Hebrew Scripture. The Old Testament follows God's one great plan for human history and redemption, and the plan is not only from him but centers on him: his presence in his incarnate Son. The witness of the Scriptures to Christ is the reason they were written, so it is appropriate to emphasize this element in the Old Testament as well as in the New Testament. By offering numerous full-length examples of his own sermons that emphasize Christ as the principle theme of Scripture, Clowney illustrates for those who will never have the privilege of being his students how they can craft sermons which present Christ as the primary consideration of the text. He also offers specific instructions on preparing such a sermon. He discusses the personal habits of prayer and Bible study that prepare pastors to seek out Christ's presence. Clowney emphasizes the importance of including a specific application in every sermon so that Christ is presented both in what he says and does to reveal himself in the biblical text and in what he says and does to direct Christians' lives today. Students preparing for the pastorate, pastors desiring to increase their emphasis on Christ in their sermons, and those seeking Christ's presence in all of Scripture will find a help in Clowney's writings.
In a world that has completely misunderstood Christianity, Martyn Lloyd-Jones calls Christians back to what the kingdom of God is truly about--a blessed Savior and wondrous forgiveness.
The book is going through its biggest revolution since Gutenberg. Thanks to computer tools and electronic publication, the concept and realisation of critical editions are being rethought. David C. Parker looks at how new methodology changes what an edition is for and how we use it, using the example of the New Testament texts.
This fascinating and lively book provides the first comprehensive discussion of the production, circulation, and use of books in early Christianity. It explores the extent of literacy in early Christian communities; the relation in the early church between oral tradition and written materials; the physical form of early Christian books; how books were produced, transcribed, published, duplicated, and disseminated; how Christian libraries were formed; who read the books, in what circumstances, and to what purposes. Harry Y. Gamble interweaves practical and technological dimensions of the production and use of early Christian books with the social and institutional history of the period. Drawing on evidence from papyrology, codicology, textual criticism, and early church history, as well as on knowledge about the bibliographical practices that characterized Jewish and Greco-Roman culture, he offers a new perspective on the role of books in the first five centuries of the early church.