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Since prefaces, for the most part, are written after a book is done, yet face the reader before he gets to it, it is perhaps not surprising that we usually find ourselves addressed by a more chastened and qualifying author than we eventually encounter in the ensuing pages. It is, after all, not only some readers, but the writer of a book himself who reads what he has done and failed to do. If the above is the rule, I am no exception to it. The discerning reader need not be told that the following studies differ, not only in the approaches they make to their unifying subject-matter, but also in their precision and thus adequacy of presentation. In addition to the usual reasons for this rather common shortcoming, there is an another one in the case of the present book. In spite of its comparative brevity, the time-span between its inception and termination covers some twenty years. As a result, some (historical and epistemological) sections reflect my preoccupation with CASSI RER'S eady works during student days in Germany and France. When, some ten years later, CASSIRER in a letter expressed "great joy" and anticipation for a more closely supervised con tinuation of my efforts (which, because of his untimely death, never came to pass), he gave me all the encouragement needed to go to work on a critical exposition of his "symbolic form" con cept.
Charles W. Morris' doctoral thesis Symbolism and Reality, written in 1925 at Chicago under George H. Mead, has never before been published. It sets out to prove that thought and mind are not entities, nor even processes involving a psychical substance distinguishable from the rest of reality, but are explicable as the functioning of parts of the experience as symbols to an organism of other parts of experience. Being then the symbolic portion of experience, the psychical or mental can neither be sharply opposed to the rest of experience nor identical with the whole of experience. This edition includes a preface by Achim Eschbach, an extensive bibliography of Morris' works, and indices of names and subjects.
Do myths and symbols have anything at all to tell us about reality? Or do they simply deserve to be relegated to the realm of fantastic unreality? The essayists in this volume deploy all the critical tools available in the task of taking myth and symbol seriously. They are not willing to consign the use of the symbolic to the logician or to relinquish the mythical to the comparative anthropologist as something of historical interest only. Instead, they strive for that difficult position that is guided by criticism but is still open to wonder in the face of what myth and symbol offer in terms of enrichment, meaning, and self-transcendence.
This is the fifth of a six-volume series called Reading the Bible as Literature. In this volume, the author not only explores the intersection of the Bible and literature, but he also shows pastors, students, and teachers of the Bible how to appreciate the craftsmanship of visionary literature and prophetic oracles and how to interpret them correctly. Dr. Ryken goes one step further than merely explaining the genre by including exercises to help students master this rich literary treasure. Speaking of the entire series, Ryken says, "The niche that these volumes are designed to fill is the literary approach to the Bible. This has been my scholarly passion for nearly half a century. It is my belief that a literary approach to the Bible is the common reader's friend, in contract to the more specialized types of scholarship on the Bible."
First published in 2002. This is Volume XV of seventeen in the Library of Philosophy series on Metaphysics. Written in 1939, this book looks at Language and Reality and the Philosophy of Language and the Principles of Symbolism and is related to the movement of Logical Positivism, initiated by Wittgenstein's Tractatus Logico-Philosophicus.
Information about the reality outside flow via our sense organs into the body, and the brain forms a picture of reality. It is argued that the symbols in the picture have in general no similarity with the objects in the outside world, and many facts support such a view. This conception is discussed in connection with quantum reality. In particular, the role of space and time within quantum theory is also investigated from the historical point of view, highlighting the original ideas. New aspects are covered in connection with the particle concept, particle-wave dualism, locality, the time operator, the superposition principle, and the role of the observer.
"That a symbolic object or work of art participates in what it signifies, as a part within a whole, was a controversial claim discussed with particular intensity in the wake of Immanuel Kant's Critique of Judgment. It informed the aesthetic theories of a constellation of writers in Jena and Weimar around 1800, including Moritz, Goethe, Schelling and Hegel. Yet the twin concepts of symbol and intuition were not only tools of literary and mythological criticism: they were integral even to questions of epistemology and methodology in the fields of theology, metaphysics, history and natural philosophy. The international contributors to this volume further explore how both the explanatory potential and peculiar dissatisfactions of the symbol entered the Anglo-American discourse, focusing on Coleridge, Crabb Robinson and Emerson. Contemporary debates about the claims of symbolic as opposed to allegorical art are kept in view throughout."
Becoming a vampire saved Alyssa from death, but the price was high: the loss of everything and everyone attached to her mortal life. She's still learning to cope when a surprise confrontation with Santino Vitale, the Acta Sanctorum's most fearsome hunter, sends her fleeing back to the world she once knew, and Fallon, the friend she's missed more than anything. Alyssa breaks vampire law by revealing her new, true self to her old friend, a fact which causes strong division in the group that should support her most: her clan. Worse yet, her revelation entangles Fallon in the struggle between vampires and hunters and The Acta Sanctorum is ready to attack again, with a new army of hybrid creations: the Frenzy Soldiers. If Alyssa hopes to survive and keep her mortal friend safe, she'll have to be willing to make a deal with the enemy, and regain her clan's support. It will take everyone working together in a precarious truce to fight against the Acta Sanctorum's new threat.
Papers presented at the Symposium on "The American Constitution: Symbol and Reality for Italy," held at Harvard University in Nov. 1987.