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Elizabeth Cleghorn Gaskell née Stevenson (1810-1865), often referred to simply as Mrs. Gaskell, was an English novelist and short story writer during the Victorian era. She is perhaps best known for her biography of Charlotte Brontë. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature. She married William Gaskell, the minister at Cross Street Unitarian Chapel in Manchester. They settled in Manchester, where the industrial surroundings would offer inspiration for her novels. Her first novel, Mary Barton: A Tale of Manchester Life, was published anonymously in 1848. The best known of her remaining novels are Cranford (1853), North and South (1855), and Wives and Daughters (1866).
NEW YORK TIMES BESTSELLER • “Unforgettable . . . Truth rings forth clearly from every page. . . . One minute you’re laughing, the next you’re crying. . . . You’ll want to give a copy to every good woman friend you have.”—The Charlotte Observer What do you say when you know you don’t have forever? Ruth has been Ann’s closest friend for years—her confidante, her solace, her comic relief, her tutor in life’s mysterious ways. So when Ruth becomes ill, Ann is there for her without question. After all, it is Ruth who encouraged Ann to become who she is, Ruth whose rebellious, eccentric spirit provided the perfect counterpoint to Ann’s conventional, safe outlook. And so the friends go on as they always have . . . gossiping, consoling, and sharing intimate secrets—but with the knowledge that each shared evening could be their last. Acclaimed author Elizabeth Berg has created a searing novel about the strength and salvation of women’s friendships. Deeply moving and surprisingly funny, Talk Before Sleep is an intimate, uncensored portrait of love and loss, struggle and resilience. “Tender and irreverent by turns, [Talk Before Sleep] offers mature, intelligent and buoyant spirit, like a very good friend.”—Houston Post “Entertaining, finely crafted . . . Berg tackles serious issues with grace.”—San Francisco Chronicle
A tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier’s answer to the mystery behind one of the art world’s great masterpieces—a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now. Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter, servant, and lady-in-waiting—before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries—his finest, most intricate work—on time for his exacting French client. The results change all their lives—lives that have been captured in the tapestries, for those who know where to look. In The Lady and the Unicorn, Tracy Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry—an extraordinary story exquisitely told.
New edition of the classic overlooked horror novel with the original cover art by Paul Bacon and new interior art.
"An animal behaviorist recounts the story of how in order to help a troubled dog she was compelled to revisit painful memories about her own past in order to gain understanding into the impact of trauma on the brain, "--NoveList.
Excerpt from Sylvia's Lovers, Vol. 1 of 3 A great monastery had stood on those cliffs, over looking the vast ocean that blended with the distant sky. Monkshaven itself was built by the side of the Dee, just where the river falls into the German Ocean. The principal street of the town ran parallel to the stream, and smaller lanes branched out of this, and straggled up the sides of the steep hill, between which and the river the houses were pent in. There was a bridge across the Dee, and consequently a Bridge Street running at right angles to the High Street; and on the south side of the stream there were a few ho'uses of more pretension, around which lay gardens and fields. It was on this side of the town that the local aristocracy lived. And who were the great people of this small town? Not the younger branches of the county families that held hereditary state in their manor-houses on the wild bleak moors, that shut in Monkshaven almost as effectually on the land side as ever the waters did on the sea-board. No; these old families kept aloof from the unsavoury yet adventurous trade which brought wealth to generation after generation of certain families in Monkshaven. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Sylvia's Lovers, Vol. 1 of 2 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This meticulously edited Elizabeth Gaskell collection includes: Introduction: "Elizabeth Cleghorn Gaskell" Novels: Mary Barton The Moorland Cottage Cranford Ruth North and South Sylvia's Lovers Wives and Daughters A Dark Night's Work Short Stories & Novellas: Round the Sofa My Lady Ludlow An Accursed Race The Doom of the Griffiths Half a Life-Time Ago The Poor Clare The Half-Brothers Cousin Phillis Company Manners Mr. Harrison's Confessions The Sexton's Hero The Grey Woman Curious if True Six Weeks at Heppenheim Libbie Marsh's Three Eras Christmas Storms and Sunshine Hand and Heart Bessy's Troubles at Home Disappearances Lizzie Leigh The Well of Pen-Mortha The Heart of John Middleton Traits and Stories of the Huguenots Morton Hall My French Master The Squire's Story Right at Last The Manchester Marriage Lois the Witch The Crooked Branch The Old Nurse's Story Clopton House Crowley Castle Two Fragments of Ghost Stories The Shah's English Gardener Martha Preston The Deserted Mansion Uncle Peter A Visit to Eton The Cage at Cranford Some Passages from the History of the Chomley Family The Ghost in the Garden Room Poetry: Sketches Among the Poor Bran The Scholar's Story Other Works: The Life of Charlotte Brontë The Last Generation in England Cumberland Sheep-Shearers Traits and Stories of The Hugenots Modern Greek Songs French Life An Italian Institution Shams A Fear for the Future Biography: Mrs. Gaskell and Knutsford by George A. Payne Elizabeth Gaskell (1810-1865) was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Some of Gaskell's best known novels are Cranford, North and South, and Wives and Daughters.
Looking for an engaging and emotionally resonant read from a novelist who was inspired by the works of both Charles Dickens and Charlotte Bronte? Elizabeth Gaskell's 1850 short novel The Moorland Cottage offers up a unflinching slice of nineteenth-century family life, with a particular focus on family dynamics in an era where sons were openly favored.