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Borda's work is filled with nuance, personal connections and unexpected uses of imaging technology. --Galleries West A thought-provoking art book exploring changing landscapes through the pioneering work of Canadian photographer Sylvia Grace Borda. Sylvia Grace Borda made a substantial debut into new media and photo art when she launched Every Bus Stop in Surrey, BC. With this piece, Borda reclaimed California coastal conceptual photo strategies from the 1960s and used them to document a large Canadian city by its own transit system. This marked her entry into international recognition. Since then, Borda has undertaken epic projects to re-imagine urban spaces, from the New Towns of East Kilbride and Glenrothes in Scotland to modernist faith buildings in Northern Ireland. In this dazzling new monograph, Sylvia's exceptional body of work is examined and placed in both a regional and international context. Specifically, her practice developed in Surrey is examined in relation to art history, the Vancouver School of Art, digital media, community engagement, and projects concluded in Scotland, Northern Ireland, and Finland. Featuring essays by renowned curators, artists, and scholars--each presenting specific perspectives on how Borda's diverse arts practice has shifted and expanded the mediums of art, photography, and social awareness--Sylvia Grace Borda: Shifting Perspectives constructs a conversation between the remembrance of place and current narratives in art history.
The Midden' marks the end of a five-year multidisciplinary research initiative on ecology in contemporary art. In response to the current oil-dependent society, termed fossil modernity, it aims at imagining paths toward more livable futures. The book digs into a heap of material amassed by the art research project Frontiers in Retreat (frontierinretreat.org) ? involving 25 artists at residencies across Europe ? from 2013?18. Contributors from the fields of media studies, speculative fiction, philosophy and curatorial writing include Taru Elfving, Emmi Itäranta, Jenni Nurmenniemi, Jussi Parikka, Antti Salminen, and Tracey Warr.
International Arbitration: Law and Practice (Third Edition) provides comprehensive and authoritative coverage of the basic principles and legal doctrines, and the practice, of international arbitration. The book contains a systematic, but concise, treatment of all aspects of the arbitral process, including international arbitration agreements, international arbitral proceedings and international arbitral awards. The Third Edition guides both students and practitioners through the entire arbitral process, beginning with drafting, enforcing and interpreting international arbitration agreements, to selecting arbitrators and conducting arbitral proceedings, to recognizing, enforcing and seeking to annul arbitral awards. The book is written in clear, accessible language, suited for both law students and non-specialist practitioners, as well as more experienced readers. This highly regarded work addresses both international commercial arbitration and the related fields of investment and state-to-state arbitration and is essential reading for any student of international arbitration and any practitioner seeking a complete introduction to the field. The Third Edition has been comprehensively updated to include recent legislative amendments, judicial decisions and arbitral awards. Among other things, the book provides detailed treatment of the New York Convention, the UNCITRAL Model Law on International Commercial Arbitration, all leading institutional arbitration rules (including ICC, SIAC, LCIA, AAA and others), the ICSID Convention and ICSID Arbitration Rules, and judicial decisions from leading jurisdictions. The Third Edition is integrated with the author’s classic International Commercial Arbitration and with the online Born International Arbitration Lectures, enabling students, teachers and practitioners to explore particular topics in more detail. About the Author: Gary B. Born is the world’s leading authority on international arbitration and litigation. He has practiced extensively in both fields in Europe, the United States, Asia and elsewhere. He is the author of International Commercial Arbitration (Kluwer Law International 3rd ed. 2021), International Arbitration and Forum Selection Agreements: Drafting and Enforcing (Kluwer Law International 6th ed. 2021), International Commercial Arbitration: Cases and Materials (Aspen 3rd ed. 2021) and International Civil Litigation in United States Courts (Aspen 6th ed. 2018).
A stunning art book featuring twenty-three west coast artists and craftspeople who work in metal as their primary medium. Out of the Fire: Metalworkers along the Salish Sea is a breathtaking celebration of a diverse group of contemporary artists and artisans, who explore the creative possibilities of an ancient medium. From sculptors to farriers, forgers to blacksmiths, jewellers to metalsmiths, and weapons makers to welders, the twenty-three people featured in this book reflect the wide range of talent, skill, and ingenuity that exists on Canada's southwest coast. Miran Elbakyan captures movement and whimsicality in his Surrealist-inspired sculptures. Nycki Samuels earned the moniker "Tough Tiny Welder" on the road to artistic freedom, as she fought her way through the male-dominated world of industrial metalwork. Ts'uts'umutl Luke Marston began making jewellery when he was still a teenager, honing the skills of his craft at the same time as he was learning about the imagery and oral narratives of the Coast Salish Peoples. Combining a love of technology, fashion, and the industrial arts, Bev Petow has the remarkable ability to transform cold, hard steel into delicate-looking dresses. With over one hundred spectacular colour and black-and-white photographs of the artists and their works, this book is a stunning behind-the-scenes look at those who choose fire as their tool and metal as their raw material.
Grade level: 4, 5, 6, e, i, t.
Technical problems require technical solutions that are innovative, simple, cheap, robust and easy to maintain. This book lists 100 winning inventions in the first International Inventors Award competition, organized in Stockholm.
A major retrospective of one of Canada's most widely recognized contemporary artists. Over the past 25 years, Vancouver-based artist Ken Lum has developed a large body of work that includes painting, sculpture, performance and photography. He has exhibited throughout North America, Europe and Asia, and his awards include a Hnatyshyn Foundation Visual Arts Award. This richly illustrated volume is the first full-length book devoted to Ken Lum's work in more than nine years. In this time, his work has shifted to large permanent public installations, among them his fourth permanent public installation opening in 2010 in the Netherlands. Ken Lum accompanies a large-scale exhibition organized by the Vancouver Art Gallery that celebrates Lum's entire career and showcases aspects of his work-such as the mazes created for Documenta 11 and the Istanbul Biennal-that have never been seen before in North America. This book was published in partnership with the Vancouver Art Gallery.
"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
Through pen and ink illustrations and stories, Old Man's Gardenconveys the legends and folklore connected with Southern Alberta's wildflowers, native plants, and Indigenous culture. Originally published in 1954, Annora Brown's Old Man's Gardenis a Canadian classic that tells the story of Southern Alberta's native plants and wildflowers through art and in consideration of Indigenous traditional knowledge from the region. Accompanying the new RMB edition of Old Man's Garden, Sidney Black of Fort Macleod, the Indigenous Anglican Bishop for Treaty 7, provides his own commentary about Annora's art and writing in relation to the Blackfoot, while independent art curator Mary-Beth Laviolette broadens the story about the artist's contribution to Canadian art. Also included in this new edition are full-colour images of Annora's later paintings of Blackfoot lodges (tipis) and regalia, the dramatic landscape of the Oldman RIver region such as Waterton National Park, and her abiding, lifelong regard for the flora of her homeland. According to Annora Brown, Old Man's Gardenis a "book of gossip about the flowers of the West." A one-of-a-kind work featuring 169 black-and-white drawings of flowers and native plants, this classic text is about more than botany. Throughout its pages there is a sparkle to her stories of early exploration and settlement, her concern for conservation, and her regard for the Blackfoot Nation, and Indigenous culture.