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Twin poodles, one pink and one blue, strangely appear right before the pet masquerade but are excluded from the fun by a bully dog named Decker. Fans of Sydney Tours Eufaula will recognized Sydney, the Portuguese water dog, and her human companion in this story about belonging, kindness, and friendship along with some new pups, dazzling Halloween masks, and a spooky old mansion.
It's the Carnevale of 1750 and Venice's ballrooms, theatres, palazzos and squares are filled with delicious gossip, devilish fun and dangerous games. In this glittering masked world, everyone has a secret... Set in an age of decadence made famous by Casanova, Masquerade uncovers the secrets of seven teens, from the highest aristocrat to the lowest servant - their dreams, desires, loves, loyalties ... and betrayals. All the world's a stage. Let the show begin.
Alison Horbury investigates the reprisal of the myth of Persephone - a mother-daughter plot of separation and initiation - in post-feminist television cultures where, she argues, it functions as a symptom expressing a complex around the question of sexual difference - what Lacan calls 'sexuation', where this question has been otherwise foreclosed.
After every ending there is a new beginning. The Masquerade Saga comes to a tragic end when Sydney supposedly does the unthinkable after another stint in rehab. Even though Sydney had lashed out at Aggie many times throughout their lifetime, Aggie couldn't let her down at the end. Sydney was beautiful, rich, and by most standards had it all. But there was a dark side to her. She was fire and ice, complicated, yet simple, and unloved by most. Pick up your copy of the final novelette in the lesbian romance saga, Masquerade.
Meet the ladies from the Masquerade Saga in one collection. Aggie, fresh out of college and wanting to begin a career in marketing at Condor, the premier firm in Houston, Texas. Sydney, the rich bad girl with no boundaries. Carly the CEO of the marketing firm her father founded, Condor. They are young, beautiful, affluent, lesbian, and bi. And all three of the ladies are connected with Masquerade, the private club in Houston owned by Nick Clarke, Sydney's uncle. Masquerade caters to the rich and powerful. What's your fantasy? The Masquerade saga is sexually explicit. This is LesFic, with BDSM and FemDom.
In these seven stories, Peter Rouleau leads the reader on a waltz through the joy and heartbreak of modern life. Doug Faraday faces a challenge as daunting as the open sea: his first date. Reverend Daniel Keller is asked by a millionaire lobbyist to perform an exorcism. The problem? He's a Unitarian Universalist. Karen Ralston faces difficult choices when confronted with an unexpected pregnancy. Caroline Edwards and Sydney Barrett are from the same state but different worlds. Learn the history and secrets behind the speeches at their wedding. These characters and others await the pleasure of your company. You are cordially invited to Masquerade Ball!
The possibility that works of art and literature might be forged and that identity might be faked has haunted the cultural imagination for centuries. That spectre seems to have returned with a vengeance recently, with a series of celebrated hoaxes and scandals ranging from the Alan Sokal hoax article in Social Text to Binjamin Wilkomirskiâ (TM)s â oefakeâ Holocaust memoir. But as well as creating anxiety, the possibility of â oefaking itâ has now been turned into entertainment. Traditionally these activities have been dismissed as dangerous and immoral, but more recently some scholars have begun to speculate, for example, that all forms of national identity rely on forged myths of origin. Recent cultural theory has likewise called into question traditional notions of authenticity and originality in both personal identity and in works of art. Despite critical pronouncements of the death of the author and the substitution of the simulacrum for the original, however, making a distinction between the genuine and the fake continues to play a major role in our everyday understanding and evaluation of culture, law and politics. Consider, for example, the fiasco surrounding the â oeforgedâ Hitler diaries, law suits against auction houses for failing to detect forgeries in the art market, or the problem of plagiarism at universities. It still seems to matter that we can spot the difference, especially in the historical moment when we are capable of making copies that are indistinguishableâ "perhaps even better thanâ "the original. This collection of essays considers the moral, aesthetic and political questions that are raised by the long history and current prevalence of fakes and forgeries. The international team of contributors consider the issues thrown up by a wide range of examples, drawn from fields ranging from literature to art history. These case studies include little-known subjects such as Eddie Burrup, the Australian aboriginal artist who turned out to be an 81-year-old white woman, as well as new interpretations of familiar cases such as faked holocaust memoirs. The strength of the collection is that it brings together not only a wide range of cultural examples of fakes and forgeries from different historical periods, but also offers a wide variety of theoretical takes that will form a useful introduction and casebook on this growing field of inquiry.
Tracing the history of theatrical arts in 19th-century Australia, this book documents varieties of visual culture that until now have remained unrecorded or been dismissed as irrelevant to the history of Australian art.
If you're a fan of lesbian romance with a little BDSM and mystery thrown in, you'll love Masquerade. Meet the women from the Masquerade e-book series under one cover; Aggie, Carly, and Sydney. Life is a masquerade. Three women, Aggie, Sydney, and Carly are connected and disconnected by the past, present, and future. Aggie is fresh out of college and eager to put her degree to use but is dismayed at the hiring process at Condor. Sydney is a bad girl working at a private club called Masquerade. She is rich, spoiled, and beautiful, but deeply troubled and addicted. Carly is the CEO of Condor, the top marketing agency in Houston, Texas where Aggie wants to begin her career. Their lives weave together and fall apart because of good and bad decisions. Hot, sexy, rich, educated, and professional. This is the lesbian romance with a mystery twist you don't want to miss. Set in Houston, Texas the women take us through their escapades as they navigate a sometimes cruel world. From coming out, to going out, and the urge to merge, they are fearless in fulfilling their desires. Pick up a copy today!