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This is our Sydney, the brightest and best of it, North to the south to the east and the west of it. Bats and cicadas, lawn bowls and the zoo, This is our town. Let us share it with you.
In this lively portrait of Sydney's development, Peter Spearritt traces a century in the life of the city - from the celebrations of the Federation of Australia in 1901 to the 2000 Olympic Games. He describes the extra-ordinary growth of the city and its sprawling suburbs, and the transition from a port and a manufacturing center to an international financial hub.
For the first time, see the making of Sydney and all its public buildings and places in exquisite drawings in this new book. For anyone who cares about Sydney, or cities in general -- whether a passionate city dweller, architect, landscape designer, planner, engineer or historian -- it offers a deep appreciation of the city's evolution.
Finalist, CCBC Marilyn Baillie Picture Book Award Finalist, Quebec Writers' Federation Janet Savage Blachford Prize for Children's and Young Adult Literature Sydney and his friends gather outside to play, transforming one by one to climb, leap, lumber and soar into a shared jungle of their imagination. Hanging upside down in a tree, Sydney imagines he is a sleepy, sun-bathing sloth. And that's where Sami finds him. Sami thinks sloths are too slow, so she scampers up the tree and becomes a spider monkey. “Fast is fun!” she chatters. “Fast is best!” And that’s where Edward finds them... One after another, the neighborhood kids wander by and slip into a shared imaginative world where leaves and giant flowers unfurl, playing, laughing, teasing and bickering, until Edward the elephant fills up his trunk and—WHOOSH!—sends the children “galloping home like a herd of small wet animals.” As always, Marie-Louise Gay’s writing and artwork are wonderfully pitched to young readers, capturing the effortless way that children travel back and forth between the worlds of real life and make believe. With its sun-dappled watercolors, depiction of time spent outdoors with friends, and quiet, wistful ending, I’m Not Sydney perfectly illustrates the slow-moving magic of a childhood summer. Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.
'I don't think I've seen a more impressive collection of Australian writers in a single book.' Stephen Romei, The Australian One of the central moral issues of our time is the question of asylum seekers, arguably the most controversial subject in Australia today. In this landmark anthology, twenty-seven of Australia's finest writers have focused their intelligence and creativity on the theme of the dispossessed, bringing a whole new perspective of depth and truthfulness to what has become a fraught, distorted war of words. This anthology confirms that the experience of seeking asylum – the journeys of escape from death, starvation, poverty or terror to an imagined paradise – is part of the Australian mindset and deeply embedded in our culture and personal histories. A Country Too Far is a tour de force of stunning fiction, memoir, poetry and essays. Edited by award-winning writers Rosie Scott and Tom Keneally, and featuring contributors including Anna Funder, Christos Tsiolkas, Elliot Perlman, Gail Jones, Raimond Gaita, Les Murray, Rodney Hall and Geraldine Brooks, this rich anthology is by turns thoughtful, fierce, evocative, lyrical and moving, and always extraordinarily powerful. A Country Too Far makes an indispensable contribution to the national debate. 'There is a passion about the book, and a moral, emotional and artistic synergy that makes for deeply satisfying reading. It is as if the contributors have themselves felt dispossessed, not of their land, but of the idea of their own country, and have seized the opportunity to reclaim it . . . A fine book like A Country Too Far, one that inspires both compassion and anger, can change the way people think and act, and encourage them to expect more from themselves and their nation.' Sydney Morning Herald 'A Country Too Far represents the varied and vibrant voice of writers speaking out as Australia contravenes its obligations to refugees. Its stories, poems, memoirs and essays collect their work into an eloquent refusal of silence in the face of, as John Tranter writes: 'this/ fetch of disparate peoples/ assigned to come possessionless into massive/ light '.' Weekend Australian 'Brilliant testimony from some of our finest writers.' Anne Deveson 'The strength of the book is its range of genres and depth of perspective . . . a book to pass on to others who don't necessarily share its perspective or those who do but need sustenance. But it's also a book for holding onto and dipping into again . . . A Country Too Far is part of a literary tradition in which authors attempt to face the social context in which they live . . . to resist political word games with other words.' The Guardian 'With asylum seekers high on Australia's moral, social and political agenda, you'll want to make room on your reading list for A Country Too Far . . . [these] 27 Australian poets, authors and journalists . . . have thoughtfully and beautifully expressed their ideas and views on the complexities of the refugee issue.' InStyle 'A stunning anthology and searing moral work that beautifully gives voice to the voiceless without preaching at any point . . . In a political era where there appears to be no bottom to the barrel of immigration policy, A Country Too Far is timely, important and wise.' readings.com.au 'Don't buy a copy of this book. Buy two. Send one to a federal politician.' Newcastle Herald 'A Country Too Far, co-edited by Rosie Scott and Tom Keneally, is a timely attempt to set the record straight about asylum seekers in Australia, to counter the negative media propaganda and to protest at the government's treatment of them. Featuring some of Australia's finest writers, it is an immensely readable, humane collection of fiction, memoir, poetry and essays.' Lucy Popescu, huffingtonpost.co.uk 'Profoundly important. It deftly and eloquently touches on so many of the key tensions and issues in this debate . . . We can only hope that this collection is widely read and that it stirs within us a desire to reclaim the compassion that we once had and demand from our leaders a more humane policy.' Sydney Review of Books 'So disturbing and awakening, it is capable of changing even the most firmly cemented opinions.' New Standpoints
Everything seems normal in the town of Lexington, but for how long? When community unity, friendship, love, racing, and justice are pushed and tested to their limits, what will become of those involved? When asked, will the community come through? Will love and friendships die, or will new blossom? Will there be wins or losses? Will true justice prevail for peace of mind? Or will it be a major letdown for the community? Only their faith has the true answers.
This landmark work is the first academic study of a figure who played a defining role in the Australian evangelical movement of the late twentieth century--the inimitable preacher, evangelist, and churchman John C. Chapman. The study situates Chapman's career within the secularizing Western cultures of the post-1960s--a period bringing momentous changes to the social and religious fabric of Western society. At the same time, global Evangelicalism was reviving, bringing vitality to large swathes in the Global South and a re-balancing in Western societies as conservative religious movements experienced growth and even renewal amidst wider secularizing trends. Against this backdrop the study explores the way in which, across a wide array of domestic and international fora, Chapman contended for the soteriological priority of the gospel in Christian life, mission, and thought. Accomplished via an absorbing blend of personal wit, impassioned oratory, innovative missiological strategy, and striking theological perception, the result was a stimulating history of public advocacy that sought a revival of confidence in Evangelicalism's message, and a constantly reforming vision of Evangelicalism's method. Such a legacy marks Chapman as a central figure within the generation of postwar leaders whose work has given Australian Evangelicalism its contemporary shape and dynamism.
Revealing the diversity of Aboriginal life in the Sydney region, this study examines a variety of source documents that discuss not only Aboriginal life before colonization in 1788 but also the early years of first contact. This is the only work to explore the minutiae of Sydney Aboriginal daily life, detailing the food they ate; the tools, weapons, and equipment they used; and the beliefs, ceremonial life, and rituals they practiced. This updated edition has been revised to include recent discoveries and the analyses of the past seven years, adding yet more value to this 2004 winner of the John Mulvaney award for best archaeology book from the Australian Archaeological Association. The inclusion of a special supplement that details the important sites in the Sydney region and how to access them makes the book especially appealing to those interested in visiting the sites.
It can be a little scary to be small in a big city, but this child has some good advice for a very special friend in need. Winner of the Ezra Jack Keats Award A New York Times/New York Public Library Best Illustrated Book of the Year Winner of the CILIP Kate Greenaway Medal It can be a little scary to be small in a big city, but it helps to know you're not alone. When you're small in the city, people don't see you, and loud sounds can scare you, and knowing what to do is sometimes hard. But this little kid knows what it's like, and knows the neighborhood. And a little friendly advice can go a long way. Alleys can be good shortcuts, but some are too dark. Or, there are lots of good hiding places in the city, like under a mulberry bush or up a walnut tree. And, if the city gets to be too much, you're always welcome home, where it's safe and quiet. In the first book that he has both written and illustrated, award-winning artist Sydney Smith spins a quiet, contemplative tale about seeing a big world through little eyes. He is the winner of the Hans Christian Andersen Award, the highest international distinction given to authors and illustrators of children's books. Winner of the Governor General's Literary Award An ALA Notable Children's Book A New York Times Best Children's Book A Wall Street Journal Best Children's Book of the Year An NPR Best Kids Book of the Year A Capitol Choices Noteworthy Title A Washington Post Best Children's Book of the Year A Canadian Broadcasting Corporation Best Picture Book of the Year Named a Best Book of the Year by Publishers Weekly, Kirkus Reviews, School Library Journal, the Horn Book, Shelf Awareness, and many more! A Booklist Editors' Choice A BCCB Blue Ribbon Book Winner of the German Youth Literature Prize
This book examines the impacts of tourism-led transformations on the industrial historical waterfront at Darling Harbour and The Rocks in Sydney, Australia in the context of urban restructuring and deindustrialisation. The book also offers an extended reflection on the paradoxes between tourism and heritage. This discussion is not a new concept. However, this book critically explores the significance of the industrial heritage assets of these areas and the implications of the transformation procedures. Although Darling Harbour and The Rocks have generally been considered success stories of transformation with mixed touristic, recreational, residential and commercial activities, this book examines and evaluates how industrial history and heritage values have been affected. It demonstrates that tourism/leisure-led developments create urban landscapes in which cultural identity and historical assets are sacrificed and/or reinvented.