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Example in this ebook CHAPTER I. THE BRIDLE-PATH. A small valley cutting through a range of mountains in California—a green oasis that looked strange and picturesque in the midst of that savage scenery. The cliffs rose in a solid wall on one side to the height of many hundred feet. Dwarfed fir-trees and dead cedars were scattered along the summit, stretching up their gaunt limbs and adding to the lonely grandeur of the scene. Great masses of broken rocks, which, in some conflict of the elements, had been wrenched from their bed, projected from the rifted precipices and lay in great moss-covered boulders in the lap of the valley. On the southeastern side a break in the heart of the cliffs was covered with thrifty verdure, and, over the rocks that obstructed it, a mountain torrent rushed thundering into the valley, dividing that cradle of verdure in the middle, and abruptly disappearing through another gorge, breaking to the open country somewhat lower down, where it plunged over a second precipice with the sound of distant artillery. Just above the spot where this mountain stream cut the valley in twain, a collection of huts, tents and rickety frame houses composed one of those new villages that are so often found in a frontier country, and half a mile above stood a small ranche, with its long, low-roofed dwelling half buried in heavy vines that clambered up the rude cedar pillars of the veranda, and crept in leafy masses along the roof. Beyond this, great oaks sheltered the dwelling, and the precipice that loomed behind it was broken with rifts of verdure, which saved this portion of the valley from the savage aspect of the mountains lower down. The sunset was streaming over this picturesque spot; great masses of gorgeous clouds, piled up in the west, were casting their glory down the valley, turning the waters to gold, and, flashing against the metallic sides of the mountains, changed them into rifts and ledges of solid gems. Standing upon the rustic veranda, and looking down over the beautiful valley dotted with tents and picturesque cabins, the waters singing pleasantly, the evening wind fluttering the greenness of the trees, that mountain pass appeared so tranquil and quiet, a stranger could hardly have believed the repose only an occasional thing. In truth, it is the heavenly aspect of the valley that I have given you, and that was truly beautiful. Only a few miles off, still higher up among the rugged mountains, the "gold diggings" commenced, and from this point, every Saturday night of that beautiful summer, came down crowds of wild, reckless men with their bowie-knives, revolvers, and the gold-dust which soon changed hands either at the liquor-bar, set up in some log-cabin, or the gambling-table, established in an opposite shanty. To be continue in this ebook
This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understanding U.S. history and literature. This accessible, interdisciplinary book brilliantly analyzes the sensational literature of George Lippard, A.J.H Duganne, Ned Buntline, Metta Victor, Mary Denison, John Rollin Ridge, Louisa May Alcott, and many other writers. Streeby also discusses antiwar articles in the labor and land reform press; ideas about Mexico, Cuba, and Nicaragua in popular culture; and much more. Although the Civil War has traditionally been a major period marker in U.S. history and literature, Streeby proposes a major paradigm shift by using mass culture to show that the U.S.-Mexican War and other conflicts with Mexicans and Native Americans in the borderlands were fundamental in forming the complex nexus of race, gender, and class in the United States.

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American Art Association, Anderson Galleries (Firm)

Published: 1922

Total Pages: 1662


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"Western writers," says Thomas J. Lyon in his epilogue to Updating the Literary West, "have grown up with the frontier myth but now find themselves in the early stages of creating a new western myth." The editors of the Literary History of the American West (TCU Press, 1987) hoped that the first volume would begin, not conclude, their exploration of the West's literary heritage. Out of this hope comes Updating the Literary West, a comprehensive reference anthology including essays by over one hundred scholars. A selected bibliography is included with each piece. In the ten years since publication of LHAW, western writing has developed a significantly larger presence in the national literary stream. A variety of cultural viewpoints have developed, along with new tactics for literary study. New authors have risen to prominence, and the range of subjects has changed and widened. Updating the Literary West looks at topics ranging from western classics to cowboys and Cadillacs and considers children's literature, ethnicity, environmental writing, gender issues and other topics in which change has been rapid since publication of LHAW. This volume again affirms the West's literary legitimacy--status hard earned by the Western Literary Association--and the lasting place of popular western writing as part of the growing and changing literary--and American--experience. An excellent reference for a wide range of readers and an invaluable resource for scholars and libraries. Selected list of contributors: James Maguire Fred Erisman Susan J. Rosowski Gerald Haslam Tom Pilkington A. Carl Bredahl Richard Slotkin John G. Cawelti Robert F. Gish Ann Ronald Mick McAllister